I turned MTransformer into Pitchmap/reTune

[Ogundimu]

I had some fun with MTransformer and Excel. The result:
I transformed the frequency spectrum of the c chromatic scale into the major and minor scales.
This leads to an effect similar to the sound of zynapitq's pitchmap or zplane's reTune

The code is an example and transforms your audio input into the scale of f minor.
Turn atonal content into harmonic
If you lower the buffer size in the spectral settings you preserve more transients, higher buffer size for a shimmer effect.
Turning smearing up while keeping smearing length very short, will bring up a resonator like effect.

Feel free to try it out

Code: Select all

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[ericzang]

very cool and interesting, thanks!

[Held]

This sounds great. I would love to know how you created the transformation curve in Excel, if you don't mind sharing your secrets

[Ogundimu]

Thanks! It was no fancy mathematical transformation, more like a lot of manual labor.
I copied the frequencies of all musical notes from 20hz to 20khz into excel. Next i converted the units hertz to log10, because otherwise you can't properly import the csv table into MTransformer.
To tranform for example c chromatic scale into f minor, i took the note c and assigned it to the f above it. Same with the rest of the notes, so it looks like this:

• C0 -> F0
• C#0 -> F0
• D0 -> G0
• D#0 -> G#0
• E0 -> G#0
• F0 -> A#0
• F#0 -> A#0
• G0 -> C1
• G#0 -> C#1
• A0 -> C#1
• A#0 -> D#1
• B0 -> D#1

... and so on.

[Held]

I see. Thanks. So you had one pair of values per note. Looking at the result, it seems like A# - 1cent is mapped to A. So you could shift all the points down by 50 cent to get a more balanced result.

I'll try playing around with this and if I come up with something usable, I'll share it here.

[vanerio]

Thanks! It was no fancy mathematical transformation, more like a lot of manual labor.
I copied the frequencies of all musical notes from 20hz to 20khz into excel. Next i converted the units hertz to log10, because otherwise you can't properly import the csv table into MTransformer.
To tranform for example c chromatic scale into f minor, i took the note c and assigned it to the f above it. Same with the rest of the notes, so it looks like this:

• C0 -> F0
• C#0 -> F0
• D0 -> G0
• D#0 -> G#0
• E0 -> G#0
• F0 -> A#0
• F#0 -> A#0
• G0 -> C1
• G#0 -> C#1
• A0 -> C#1
• A#0 -> D#1
• B0 -> D#1

... and so on.

Could you please share the formula for converting Hz to a 0to1 value?

[Ogundimu]

I see. Thanks. So you had one pair of values per note. Looking at the result, it seems like A# - 1cent is mapped to A. So you could shift all the points down by 50 cent to get a more balanced result.

I'll try playing around with this and if I come up with something usable, I'll share it here.

I have to admit i didnt quite understand what you explained. Maybe you can get into detail? In my example A# is mapped to D# and shifting all points down by 50 cent would result in A# being mapped between D and D#. That would be a microtonal experiment.

To get a more balanced result i changed something else. So basically tried to optimize the transformation and i converted F Chromatic scale into F Minor, instead of C Chromatic into F Minor. Therefor the pairs of mapped notes aren't that far away from each other frequency wise.
If you A B compare both, you hear the difference, because it is now more balanced and overall not so high pitched.
Here is the result:

Code: Select all

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Could you please share the formula for converting Hz to a 0to1 value?

I used the logarithm with base 10, so actually i converted from Hz to a value between 1 and 5. Because that is what you get, if you put 20Hz up to 20.000Hz into the function log10(x).

[vectorwarrior]

Thanks for sharing, I had considered doing this myself, must have taken some time...

[Held]

I see. Thanks. So you had one pair of values per note. Looking at the result, it seems like A# - 1cent is mapped to A. So you could shift all the points down by 50 cent to get a more balanced result.

I'll try playing around with this and if I come up with something usable, I'll share it here.

I have to admit i didnt quite understand what you explained. Maybe you can get into detail? In my example A# is mapped to D# and shifting all points down by 50 cent would result in A# being mapped between D and D#. That would be a microtonal experiment.

At the moment, G to G+99cents (G#-1) is mapped to the same frequency. It would make more sense to map G-50cents to G+49cents to the same frequency, right?

I should have said shift all points to the left since we're talking about the graph and not frequencies. Is that clearer? Or maybe I'm misunderstanding something here.

[Ogundimu]

Oh, i see! Thanks for your explanation.
This totally makes sense. I will optimize it later, it shouldn't be too much work.

edit: Here it is. Thanks for your suggestion. I can't hear much of a difference, but in theory this makes the transformation more stable for notes that are slightly off. So it depends on the input sound, if you can hear a difference.

Code: Select all

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[Schopenhauer]

On a long sweeping bass that is just quite beautiful. Well done and thanks for the upload. Appreciate it.

[jan-sandahl]

Ouououou... Very Pretty and cool! Thanks.

Right now I don't have a clue how this works, but I'll look into it!

[butterslug]

i dont understand, where do we put the code?

[Ogundimu]

Copy this preset code

Code: Select all

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2022-11-02 23_39_11-Window.png

[smadger]

I'm thinking there should be a relatively easy way with some Excel trickery and lookups to auto generate scale sets, I'm just too tired and dumb to work it out right now lol. This is a cool idea though, thanks for sahring.