I try my absolute best to push beyond typical sound design, searching for very unique bass timbres and modulation. And that involves finding plugins with interesting distortion DSP algorithms. Since a lot of popular distortion plugins use tube/tape/waveshaping algorithms as I outlined above, the results are less than ideal when applied to bass sounds that already have a lot of high frequency content since these algorithms are inherently "additive", in the sense they add harmonics to the signal.
What's exceptionally rare (and I would like to see more of), are plugins that remove harmonics in interesting ways. Or add harmonics in unconventional ways completely different than analog tube/tape emulations, etc.
Lately I've been gravitating towards spectral tools and abusing them for sound design - going from harmonic removal and then back to re-adding harmonics, and then repeating this process in several iterations.
Here's a breakdown of what I currently use and consider to be unique or interesting:
- Abusing spectral noise removal plugins to remove harmonics: Waves X-Noise, Waves Z-Noise, RX Spectral De-noise, etc. I've found that feeding noise removal plugins weird noise profiles (using the learn feature) and then applying it to my bass can impart some delightfully squishy sounds.
- Spectral plugins: SpectrumWorx by Little Endian, IRCAM.fr ASAP Plugins (Spectral Clipping is great, as well as the entire ASAP suite), Unfiltered Audio SpecOps, Unfiltered Audio LO-FI-AF (Specifically abusing the MP3 setting), AberrantDSP Digitalis, AIR Music Technology Spectral, and many more.
- Abusing filter plugins that have very rapid envelope followers to impart "Fake FM" timbres. What I mean by that is the resulting audio sounds like it was created with some kind of FM synth and has a distinct "flappy/squishy" sound. Sorry for the horrible description. There aren't many that fit this bill, but the ones that do are great: Admiral Quality SCAMP, AudioDamage Filterstation, Cableguys Filtershaper, SoundToys FilterFreak1 and 2, SoundToys PhaseMistress, Fruity Love Philter, and some others.
- Effects that modulate the incoming audio via FM or PM: Rob Papen RP-Distort2 does this amazingly. Also, arcDev Ghidrah, which is ancient, is absolutely amazing at morphing anything into a purely FM sound. It's kind of been one of my secret weapons for years. It's old and 32 bit, but does something no other effect I've ever heard can do. arcDev Cenobyte can also approximate this but not as well as Ghidrah.
- Abusing allpass filters: Stacking several instances of kHs Disperser, EnumMusic AllPassPhase, Tone2 AkustiX, etc. This creates a pretty wicked "laser" or "robotic" type of timbre. It's hard to describe the effect exactly.
- Using a vocoder that is configured to self-modulate (Both mod and carrier set to the same source), or using weird sounds as a modulator - like a deep voice for instance. FL Studio's Vocodex is a great option here.
- Lowpassing the entire bass and then feeding the result into a wavefolding algorithm (Pick your poison). This is a much more destructive operation but can result with some weird squelching and unique timbres.
Anyway since I just wrote a novel, I'd like to turn things over to the community.
What plugins have you found to be the most interesting or unique in terms of distortion?
Would really love to hear some opinions.


