Arturia FX collection is simply the best
-
- KVRAF
- 8037 posts since 28 Dec, 2015 from Atlantis Island
Just. Buy. It.
https://sonograyn.bandcamp.com/music Experimental Ambient
https://martinjuenke.bandcamp.com/music Alternative Instrumental
https://martinjuenke.bandcamp.com/music Alternative Instrumental
-
- KVRAF
- 25035 posts since 12 Jul, 2003 from West Caprazumia
Buy now 
-
- KVRAF
- 3709 posts since 21 Nov, 2015
You can be creative in any right place on Earth, and not only in the wealthiest cities. Bring the world feelings from everywhere, and not only feelings of capitalistic or jail environment.
― Aleksey Vaneev
https://linuxdaw.org
― Aleksey Vaneev
https://linuxdaw.org
-
- KVRAF
- 7712 posts since 2 Sep, 2019
The LX-24 makes Arturia FX Collection worth it alone.
Others that should get a lot of use are the choruses, flanger, phaser, and delays.
That is, if you like old-school rack FX units as much as I do.
I'm also currently using Arturia's Comp FET-76 as my 1176 model. I wish they did an LA-2A model too.
Speaking of Arturia's compressors, any opinions on Comp TUBE-STA?
It's a model of the Gates STA-Level compressor from the 1950s. It's a vacuum tube vari-mu compressor that was a staple in American radio, particularly for voice. The STA-Level has a reputation for adding weight to the low-end for the "boss radio voice."
So far I've tried it on a few things but haven't been able to click with it. It seems to make everything quieter and it gets fuzzy really quickly. I end up preferring the Comp VCA-65 or the UAD dbx 160 for bass guitar.
And while it shares some superficial cosmetics with the LA-2A, they are nothing alike.
Others that should get a lot of use are the choruses, flanger, phaser, and delays.
That is, if you like old-school rack FX units as much as I do.
I'm also currently using Arturia's Comp FET-76 as my 1176 model. I wish they did an LA-2A model too.
Speaking of Arturia's compressors, any opinions on Comp TUBE-STA?
It's a model of the Gates STA-Level compressor from the 1950s. It's a vacuum tube vari-mu compressor that was a staple in American radio, particularly for voice. The STA-Level has a reputation for adding weight to the low-end for the "boss radio voice."
So far I've tried it on a few things but haven't been able to click with it. It seems to make everything quieter and it gets fuzzy really quickly. I end up preferring the Comp VCA-65 or the UAD dbx 160 for bass guitar.
And while it shares some superficial cosmetics with the LA-2A, they are nothing alike.
THIS MUSIC HAS BEEN MIXED TO BE PLAYED LOUD SO TURN IT UP
-
- KVRAF
- 2254 posts since 10 Apr, 2002 from Saint Germain en Laye, France
noone is annoyed by the 44 samples latency ?
-
- KVRist
- 148 posts since 16 Sep, 2023
Which one of the Arturia FX? Or do you mean all of them have this amount of latency?
-
- KVRAF
- 2254 posts since 10 Apr, 2002 from Saint Germain en Laye, France
yes, most of them have 44 or 32 samples
-
- KVRAF
- 3709 posts since 21 Nov, 2015
I think its quite good, if you spend some time with it. Especially using the Advanced - Panel with its Detection - Mode and SC - Options. The overall sweetspot is tiny though and needs to be dialed in carefully. Also keeping in Mind the obvious, that Input and Output are linked (8 in the bottom/left corner) by default and you will need to compensate the Input - Compression - Level. Still a unique and useful Plugin imho.jamcat wrote: Sat Sep 16, 2023 10:25 pm The LX-24 makes Arturia FX Collection worth it alone.
Others that should get a lot of use are the choruses, flanger, phaser, and delays.
That is, if you like old-school rack FX units as much as I do.
I'm also currently using Arturia's Comp FET-76 as my 1176 model. I wish they did an LA-2A model too.
Speaking of Arturia's compressors, any opinions on Comp TUBE-STA?
It's a model of the Gates STA-Level compressor from the 1950s. It's a vacuum tube vari-mu compressor that was a staple in American radio, particularly for voice. The STA-Level has a reputation for adding weight to the low-end for the "boss radio voice."
So far I've tried it on a few things but haven't been able to click with it. It seems to make everything quieter and it gets fuzzy really quickly. I end up preferring the Comp VCA-65 or the UAD dbx 160 for bass guitar.
And while it shares some superficial cosmetics with the LA-2A, they are nothing alike.
You can be creative in any right place on Earth, and not only in the wealthiest cities. Bring the world feelings from everywhere, and not only feelings of capitalistic or jail environment.
― Aleksey Vaneev
https://linuxdaw.org
― Aleksey Vaneev
https://linuxdaw.org
-
- KVRist
- 175 posts since 1 Apr, 2022
I think that's due to the internal oversampling.
When you set higher sampling rate to the project, latency may go away.
-
- KVRAF
- 2254 posts since 10 Apr, 2002 from Saint Germain en Laye, France
ok, thanks but when you use a chain of Arturia FX , you are stacking and adding a lot of latency, no ?
I have checked and found :
32 samples : Clavinet CMI diode 609 tube STA 32 sitral 295 farfisa filter mini dx7 jup8v3 matrix12 pre 1973 pre tridA pre V76 Prophet v3 SEM solina stage73 synclavier vox continental wurli
44 samples : everything else
48 samples : Prophet 5
49 samples : rev spring 636
50 samples : rev plate-140
51 samples : filter ms20
64 samples : piano v2/v3
96 samples : Cold Fire OPAMP21
100 samples : Bus Force
108 samples : Tube Culture
176 samples : fragment
184 samples : tape meloffi
252 samples : Fet 76 et VCA 65
I have checked and found :
32 samples : Clavinet CMI diode 609 tube STA 32 sitral 295 farfisa filter mini dx7 jup8v3 matrix12 pre 1973 pre tridA pre V76 Prophet v3 SEM solina stage73 synclavier vox continental wurli
44 samples : everything else
48 samples : Prophet 5
49 samples : rev spring 636
50 samples : rev plate-140
51 samples : filter ms20
64 samples : piano v2/v3
96 samples : Cold Fire OPAMP21
100 samples : Bus Force
108 samples : Tube Culture
176 samples : fragment
184 samples : tape meloffi
252 samples : Fet 76 et VCA 65
-
- KVRAF
- 8037 posts since 28 Dec, 2015 from Atlantis Island
^^^ Kind of deal breaker, isn't it?
https://sonograyn.bandcamp.com/music Experimental Ambient
https://martinjuenke.bandcamp.com/music Alternative Instrumental
https://martinjuenke.bandcamp.com/music Alternative Instrumental
-
- KVRAF
- 4080 posts since 28 Jan, 2011 from MEXICO
I actually didn't like them that much, fragments has been the most interesting so far for me.
dedication to flying
-
- KVRAF
- 7712 posts since 2 Sep, 2019
I know about the input/output link button. That's why I don't understand why they didn't do the same thing for their preamp plugins.El°HYM wrote: Sun Sep 17, 2023 12:32 pm I think its quite good, if you spend some time with it. Especially using the Advanced - Panel with its Detection - Mode and SC - Options. The overall sweetspot is tiny though and needs to be dialed in carefully. Also keeping in Mind the obvious, that Input and Output are linked (8 in the bottom/left corner) by default and you will need to compensate the Input - Compression - Level. Still a unique and useful Plugin imho.
As it turns out, TUBE-STA is very sensitive to the source material. That's not surprising, since it is tube modeled. When I had tried it out, it was on an overdriven bass guitar going through a tube amp in TONEX. So this tube→tube chain was overloading TUBE-STA, causing it to get fuzzy and quiet.
When I tried TUBE-STA on a drum buss a little bit ago, it reacted quite nicely, and the sweet spot wasn't that small after all. Pretty much any setting did something nice.
THIS MUSIC HAS BEEN MIXED TO BE PLAYED LOUD SO TURN IT UP