Let's see: Live 10 got Wavetable, a pretty powerful WT synth, DrumBuss, which makes most transient designers redundant; much deeper Max4Live integration; Collections, Multi-Clip-Editing for MIDI; Freezing sidechained-tracks; Echo - a very good-sounding delay, chase MIDI and predefined automation curves (absolute godsend) and Capture MIDI.Jaaba wrote: Wed Nov 01, 2023 5:26 pm I'm still on the 9 Suite. Apart from the lacking support of VST3, is there something else worth upgrading?
Live 11 got MPE on all of Live's instruments except Operator, MPE editing capabilities, comping and take lanes, probability and randomization both for MIDI notes and velocity, Tempo Follower to have Live's tempo change according to audio input, Hybrid Reverb (mix of convolution and algorithmic reverb), Spectral Resonator, Spectral Time, PitchLoop89, Drift (new VA), improved racks (more macros, randomization), more follow actions.
And each came with a couple of huge sound packs.
If any of these features or devices make it worth upgrading for you, only you can decide. But as a die-hard Live user I can safely say that chase MIDI, Capture, predefined automation curves, velocity randomization, Max4Live integration and the improved racks makes Live 10 and 11 very well worth.
If you don't care for any of this and are running a system on Live 9 that will remain stable in terms of plugins for another couple years, then, yeah, there is nothing.
