Just putting this here, instead someone hasn't thought of it yet.
When you're buying that new improved saturation EQ or whatever, then notice that you already have a lot of effects. You just need to combine them.
So you want a saturated EQ of some kind? Then try:
[your saturation plug-in] -> your any EQ you have -> [your saturation plug-in]
[] signifies optionality
This already models alternatives to input and output saturations in EQs or other effects, but you can get tones your current plug-ins didn't have.
Also, post good examples of combining old plug-ins to form new ones.
Combining effects / You already have a lot of effects
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- KVRian
- 1194 posts since 28 May, 2010 from Finland
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- KVRian
- Topic Starter
- 1194 posts since 28 May, 2010 from Finland
A new reverb?
Your old reverb + EQ + [delays]
or
multiple of your old reverbs mixed together e.g. as
reverb into reverb into reverb into ...
e.g.
small hall -> large hall -> gated hall
If these are mixed together properly, then the individual delays will not stick out.
Your old reverb + EQ + [delays]
or
multiple of your old reverbs mixed together e.g. as
reverb into reverb into reverb into ...
e.g.
small hall -> large hall -> gated hall
If these are mixed together properly, then the individual delays will not stick out.
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- KVRAF
- 2719 posts since 2 Jul, 2010
If you aren't familiar with emphasis/de-emphasis EQ: get familiar with it! This technique can be used to make nonlinear processes like compression and saturation more/less frequency dependent.
If you want to try mid-side processing, use the free MSED or EdIsDim to wrap a stereo plugin.
https://www.voxengo.com/product/msed/
https://www.airwindows.com/ed-is-dim/
If you want to try mid-side processing, use the free MSED or EdIsDim to wrap a stereo plugin.
https://www.voxengo.com/product/msed/
https://www.airwindows.com/ed-is-dim/
- KVRAF
- 1583 posts since 26 Aug, 2019
I have held off on the latest revision of Trash, because it feels to me as if that is ripe for this sort of treatment. The old Trash 2 vs some current waveshapers and convolution plugins in combination, to see how close that gets me, certainly prior to spending money on the latest.
- KVRAF
- 20823 posts since 22 Nov, 2000 from Southern California
Use a transient designer on the effects bus right before a delay or reverb. Isolate the transient so you can get the reverb splash without taking up space, or isolate the sustain so you can get pure ambience with no attack.
