https://www.muzines.co.uk/articles/the- ... jarre/5812I want to continue using sampling, but only to create sounds, and to get away, generally speaking, from all manufactured sounds. These are traps, because the music industry - and the Japanese manufacturers in particular - has replaced the organ with new products that are not, in my opinion, so much synthesizers as just preset electronic instruments. They were manufactured in factories, and the result of this is that we are listening to the same sounds almost everywhere in the world. I would like to escape from this, and so for my next project I'm being really careful in my selection of the instruments that I want to work with: instruments like the Elka Synthex synthesizers, the old Memory Moog, the Akai S1000, the Roland D50, an old matrix sequencer that Michel Geiss manufactured, and the Akai MPC60, which I like a lot as a drum machine.
so I think it's fair to say jean-michel was not a fan of sticking with ye old 2-osc-into-a-filter structure just because he made two albums in the 70s that revolve around analogue synths.