PreSonus Studio One 7 apparently imminent

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koalaboy wrote: Mon Sep 23, 2024 5:05 pm
Lbdunequest wrote: Mon Sep 23, 2024 12:26 pm I dont know if i have missed this, but after that one year, what will be another year to update?
You then need to pay for another year's upgrades when you want anything new, but don't have to do that until you want the new features and everything that came before. You still get to use/keep everything you already have without upgrading.
Sorry i wasnt specific, that i understand, its the same with every daw, if you dont want to upgrade no need this is nothing new, but what will be the price for the upgrades thats a question.

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We don't know exactly (prices may change) but the $149 (or equivalent) for this upgrade will likely be similar I think.

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koalaboy wrote: Mon Sep 23, 2024 7:34 pm We don't know exactly (prices may change) but the $149 (or equivalent) for this upgrade will likely be similar I think.
For this yes but for future upgrades.

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BONES wrote: Mon Sep 23, 2024 1:51 am what we are saying is you don't understand how easy it is in Studio One and why those little handles, and the line between them, are so important to many of us for the type of work we do.
Lol... there's only few DAWs who don't have that... it's really not much to write home about at all - what you don't understand is what a generic feature this actually is...

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jens wrote: Mon Sep 23, 2024 8:59 pm
BONES wrote: Mon Sep 23, 2024 1:51 am what we are saying is you don't understand how easy it is in Studio One and why those little handles, and the line between them, are so important to many of us for the type of work we do.
Lol... there's only few DAWs who don't have that... it's really not much to write home about at all - what you don't understand is what a generic feature this actually is...
Yeah, that's the thing. I had simply responded to jamcat's assertion that beatmakers and loop producers probably do indeed know about such basic things. It's not like... Some obscure "power user" type of feature, ya know? :P
Screenshot_20240922-224001.png
Granted, if Presonus did indeed break or ruin this functionality, I'll be as mad as he is. However, I'm reserving judgment until I actually get to look at the released version.

And like... Maybe we can lay off the superiority complex when referencing beatmakers? Or maybe not assume they are/call them dumb? Pipe dream? :dog: :lol:
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Presonus is not going to break one of the most fundamental features that almost every daw on this planet has.
Why would anyone even think that ?
Eyeball exchanging
Soul calibrating ..frequencies

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gentleclockdivider wrote: Mon Sep 23, 2024 9:35 pm Presonus is not going to break one of the most fundamental features that almost every daw on this planet has.
Why would anyone even think that ?
Because this is KVR :wink:
No auto tune...

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JasonSpatola wrote: Mon Sep 23, 2024 9:28 pm And like... Maybe we can lay off the superiority complex when referencing beatmakers? :
What I keep saying is that only those who are actually rather insecure - because deep-down inside they know that their skills and talent are decidedly meh - do this... I've never seen any of the hugely talented musos I've met in my live coming even close to doing anything of that sort. Instead they were all incredibly open, tolerant and humble - someone to look up to indeed.

Edit: grammar :oops:
Last edited by jens on Mon Sep 23, 2024 10:29 pm, edited 2 times in total.

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gentleclockdivider wrote: Mon Sep 23, 2024 9:35 pm Why would anyone even think that ?
Because people feast on drama and hyperbole...

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They should feast on pizza bagels instead. When pizza's on a bagel, you can eat pizza anytime.

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Stylistically, loops are supposed to abruptly repeat. Entire genres are built on that sound.

But in genres that are meant to more or less present a live continuous performance, you want splices to be seamless. I figured all of this was a given.

But Jens never misses an opportunity to project.
THIS MUSIC HAS BEEN MIXED TO BE PLAYED LOUD SO TURN IT UP

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gentleclockdivider wrote: Mon Sep 23, 2024 9:35 pm Presonus is not going to break one of the most fundamental features that almost every daw on this planet has.
Why would anyone even think that ?
Because some people lack critical thinking and are speaking through their emotions. The most obvious reason why they wouldn't remove it is because it would ruin backwards compatibility with older projects.

They didn't remove it. Let's move on from this.

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They removed the always present visibility of it, at the very least. Which means as users, we will be presented with fewer critical visual cues to inform us what is happening in the mix.
THIS MUSIC HAS BEEN MIXED TO BE PLAYED LOUD SO TURN IT UP

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jamcat wrote: Mon Sep 23, 2024 10:56 pm Stylistically, loops are supposed to abruptly repeat. Entire genres are built on that sound.

But in genres that are meant to more or less present a live continuous performance, you want splices to be seamless. I figured all of this was a given.

Yes yes - if it wasn't for the small detail that in reality the world isn't black and white and people can do whatever they want and feel like and there's as many genres/subgenres as there are musicians and one needs to be extremely narrow-minded and ignorant to say the kind of things you do about other musos - oh, and full of resentment and envy too of course on top of the afore mentioned insecurity and self-loathing.
But Jens never misses an opportunity to project.
I'm clearly not projecting here - stop saying these things and then afterwards claiming that it's just us misinterpreting them...
Last edited by jens on Mon Sep 23, 2024 11:07 pm, edited 1 time in total.

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jamcat wrote: Mon Sep 23, 2024 11:02 pm They removed the always present visibility of it, at the very least. Which means as users, we will be presented with fewer critical visual cues about what is happening in the mix.
Are we moving goals posts now? I'm sure once the fades are made, they will be constantly visible. That's what I would assume from a proper design choice.

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