This is - in my experience - the crucial thought._leras wrote: Wed Jan 01, 2025 8:53 pm
I see it being more around giving the main parts enough space to carry a theme,
and also allow notes to ring out and hold, letting a theme hang there,
before continuing.
Which production concepts/techniques have improved your production the most?
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- KVRAF
- 3389 posts since 19 Mar, 2008 from germany
free mp3s + info: andy-enroe.de songs + weird stuff: enroe.de
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- KVRer
- 12 posts since 22 Dec, 2024
MetricAB for reference tracks
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- KVRer
- 16 posts since 7 Jun, 2023
Your old pub rock classic "false ending". See "Strange Brew" by Cream for a good example.Uncle E wrote: Sat Jan 04, 2025 6:34 pmSuch as?CrystalWizard wrote: Sat Jan 04, 2025 11:16 am Don't know about a second but there is tons of music with silence in it.
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- KVRian
- 940 posts since 24 Sep, 2016
Can't believe nobody has said sidechain compression yet. Gamechanger! 
SoundCloud
"I believe every music producer inherently has something unique about the way they make music. They just have to identify what makes them different, and develop it" - Max Martin
"I believe every music producer inherently has something unique about the way they make music. They just have to identify what makes them different, and develop it" - Max Martin
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- KVRian
- 940 posts since 24 Sep, 2016
probably cuz it's a mixing technique.3lu5iv3 wrote: Wed Jan 22, 2025 11:35 am Can't believe nobody has said sidechain compression yet. Gamechanger!![]()
SoundCloud
"I believe every music producer inherently has something unique about the way they make music. They just have to identify what makes them different, and develop it" - Max Martin
"I believe every music producer inherently has something unique about the way they make music. They just have to identify what makes them different, and develop it" - Max Martin
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- KVRAF
- 3389 posts since 19 Mar, 2008 from germany
Actually, that's the crucial question: Which method has advanced
song production the most—or even advanced it at all?
After several years of production and some experience – with all
sorts of individual techniques and tricks – my conclusion is this:
Taking a break and listening to the song after a while with fresh
ears is the most important thing. This is when you really notice
what needs to be changed and improved. You can hear how the
song affects new listeners—and what definitely needs improvement.
The problem is the habituation effect: You work on a track or song
for a long time and get used to everything: the melody, the rhythm,
the overall sound, etc. And in the process, you lose the ability to
evaluate the song at all.
That's why long breaks, a long time gap and listening with fresh
ears are the most important thing of all.
song production the most—or even advanced it at all?
After several years of production and some experience – with all
sorts of individual techniques and tricks – my conclusion is this:
Taking a break and listening to the song after a while with fresh
ears is the most important thing. This is when you really notice
what needs to be changed and improved. You can hear how the
song affects new listeners—and what definitely needs improvement.
The problem is the habituation effect: You work on a track or song
for a long time and get used to everything: the melody, the rhythm,
the overall sound, etc. And in the process, you lose the ability to
evaluate the song at all.
That's why long breaks, a long time gap and listening with fresh
ears are the most important thing of all.
free mp3s + info: andy-enroe.de songs + weird stuff: enroe.de
