total agreement here!vurt wrote:well for me i use orion platinum
i would feed the whole track through a master bus as well and only switch the phaser on at the point of neccessity
how you do it: whole mix through a filter somewhere in song
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- KVRian
- 717 posts since 30 Apr, 2004 from Jerusalem, Israel
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- KVRAF
- 8074 posts since 9 Jan, 2003 from Saint Louis MO
FLStudio 4+5 have built-in wet/dry controls and on/off switches for all effects; I just automate those 
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- KVRAF
- 1981 posts since 26 Oct, 2003 from Toronto
Well, hate to tell you E-modic - I think the true trick is to 'make a .WAV' from it and reinsert it.
That's what I do for all my weird blips and glitches on my Orion for the most part. Especially when using PhutBoy Slim and SmEx plugs and such. Get it to sound the way you want, filters and all on that given sound (don't worry about the rest of the mix) Then just SOLO it, stream it/convert to .WAV, pump it up in a sample editor, and reinsert in a AUDIO/WAV track back into the song.
The beauty of this is, you can then re-feed it through Phutboy Slim or Skidder et al at different settings for even wilder effects - OR, if the effects in question were CPU heavy, you're free to remove them now.
That's how I do it anyways.
That's what I do for all my weird blips and glitches on my Orion for the most part. Especially when using PhutBoy Slim and SmEx plugs and such. Get it to sound the way you want, filters and all on that given sound (don't worry about the rest of the mix) Then just SOLO it, stream it/convert to .WAV, pump it up in a sample editor, and reinsert in a AUDIO/WAV track back into the song.
The beauty of this is, you can then re-feed it through Phutboy Slim or Skidder et al at different settings for even wilder effects - OR, if the effects in question were CPU heavy, you're free to remove them now.
That's how I do it anyways.
