New DIVA components

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Which synth's components would you like to see u-he add to DIVA next?

Yamaha CS-80
124
25%
Oberheim OB-X
133
27%
Prophet 5 V2
73
15%
ARP 2500
38
8%
Synthacon Filters
4
1%
Roland TB-303 Filters
67
14%
Synthi
22
5%
Polyvoks
27
6%
 
Total votes: 488

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bmanic wrote: If you can't hear the incredibly obvious difference between the hardware and software in that very clip then I'm afraid you need a bit more practice, better monitoring or hearing implants.
Whoa you are right! I am fan of the newish PPG Wave v3 plug-in, I even bought it when it came out. But when I hear the real hw side by side like this it makes me sad how much warmer it sounds :cry: ... Still I keep on using it since I get nice sounds of it but it would be nice to have this extra warmth and presence too ..
circuit modeling and 0-dfb filters are cool

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The poll is lacking one important alternative: Sequential Prophet VS!

IMSBHO, of course…

/Joachim,

sorely missing Vector sector
If it were easy, anybody could do it!

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Can someone please offer some sound examples showcasing the different synths? A track, a demo .. anything :)
:hug:

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Crackbaby wrote:Can someone please offer some sound examples showcasing the different synths? A track, a demo .. anything :)
Here's a bit of the stuff we have around, but not many from the list yet... (more in part two)


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Noticed that video has the lead from http://www.u-he.com/diva/songs/HowardSc ... e_Diva.mp3 - probably patched differently [e: and transposed, etc] but, delicious both in the hardware and Diva IMO :)

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Nice timing Urs :lol: I think i speak for most of us that you don't need to emulate the upside down sliders :hihi:
:hug:

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8) Edit: OT
Last edited by goldenanalog on Thu Oct 25, 2012 9:42 pm, edited 1 time in total.

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goldenanalog wrote:Urs: 'wave sequencing' without the discontinuity...

Do CPU's have enough DSP to handle morphing oscillators, where a waveform can continously change shape over time versus following the PPG model where you use 128 waveforms lined up in succession in a wave sequence?

That I don't believe has been done before in multiple. Singularly, yes, but not where the user could select from several morph patterns, if you will.

Imagine being able to morph an osc from moog characteristics to roland characteristics etc. just as one crude example.
I've always been of the assumption that this was what Zebra does. Seamless morphing of user definable shapes and two further dimensions of morphing patterns with the OscFX :clown:

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Korg 800DV (love my 770) would be amazing modelled in DIVA. So unique!

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OT
Last edited by goldenanalog on Thu Oct 25, 2012 9:43 pm, edited 1 time in total.

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This of course implies that there would be inherent animation in any waveform; then to modulate it-force it to travel along a path where it's characteristics are changed from one that's moog centric to one that's ARP centric (ex) - you could imagine the possibilities depending on the accuracy of your model what an arp-moog or roland-arp osc might sound like....

And then there are the filters-imagine if you could morph filter characteristics over time...you have the potential to create a new class of synthesis, dependent on the depth and accuracy of your modeling.

Nice collection, btw. You obviously love your machines a great deal.

I hope that your wife doesn't get too jealous of them; there are some real beauties...

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Here is a CS-80 video. Vangelis is famous for using one in "Chariots of Fire", but this video is not Vangelis:



Here is Vangelis with CS-80:

You can hear my original music at this link: https://www.soundclick.com/artist/defau ... dID=224436

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I see why'd you want aftertouch :-o
:hug:

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goldenanalog wrote:an individual waveform by itself that has 'embedded' the personality of a moog or arp or roland waveform w/o ANY modulation.
Do Moog, Arp, or Roland oscillator waveforms have identifiable personalities?

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Crackbaby wrote:I see why'd you want aftertouch :-o
I agree. It's the polyphonic aftertouch that makes the CS80 such a special and expressive instrument.

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