havran wrote:don't worry, S. Hamann, I can't even explain to myself why I make these random statements
you wouldn't happen to be a fan of Ionesco would you?
Wise words.Peter Sotos wrote:Art seems to be a good job for confused people. The people who have inspired me the most are those who set an example by just getting on with their lives.
That describes me to a T. Only problem is I haven't gotten on with my life so much as spent my whole life trying to get on with it..Peter Sotos wrote:Art seems to be a good job for confused people. The people who have inspired me the most are those who set an example by just getting on with their lives.
To you, maybe. To me, it's the most interesting sector. But not the ONLY interesting one. Some of us can appreciate a wider variety of acoustic phenomenadystonia_ek wrote: Music is one of the least interesting sectors of the whole area of acoustic phenomena
Unlike that last paragraph?dystonia_ek wrote: plus it's usually made by wankers with an axe to grind and a desperate need for attention.
Words of wisdom if any have ever been spoken.CypherOne wrote: I just want to make music that I enjoy listening to and it's a bonus if others like it too.
Yeah, there's been a Bouguereau revival/rescue thing going on in the last decade. Prior to that, art schools completely burried his name, and taught all the conceptual/abstract/post modernism stuff they can shove down the throats of students. If a student actually wanted to learn how to draw and paint in the traditional manner, they tell that student, "We thought you wanted to be a REAL artist." It was a scary time for artists. Pseudo intellectual masturbation bullshit of conceptual art was the REAL art and if you dared to try to draw and paint in the traditional sense, you'd get a lecture from people "who knew better." I can't tell you how many older colleagues of mine who went to college in that time period told me horror tales of graduating with a degree in fine arts, but can't draw/paint better than a child, and felt like they were cheated out of their tuition. All they learned was how to spew pseudo intellectual masturbation bullshit with other "artists."
I thought we resolved this already, but it's a neverending cycle I suppose.Lunatique wrote:How do we judge excellence if that's the case? How do we set standards? Creative endeavors will always be measured by some kind of standard for excellence. If you get away from that then everyone is a Mozart or Shakespeare or Michelangelo or Stanley Kubrick...
Why not? Why must one person be more special than another? Who the f**k is anyone to decide that? Haven't people been trying to erase this kind of bullshit thinking for the past two hundred years, by moving towards representational government, by putting an end to slavery and segregationist doctrine, by developing concepts of inalienable human rights, by trying to think of people as inherently equal?Lunatique wrote:...and no one is truly special. Is that what we want?
What did I ever do to you?Lunatique wrote: That couch potato who watches TV 15-hours a day, drinks one six-pack of beer after another, farts into the cushion, picks his nose and wipes on the coffee table, living off of welfare and couldn't be bothered to get a job
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