A rise of "Page 22" (post by Jan) rubbish in the Cafe?

Anything about MUSIC but doesn't fit into the forums above.
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Hey, look at that ---------------------------------------------------------------------------->
700 posts! -- I love round numbers... and the lucky 7 too! :D
www.youtube.com/Synthillator
er... keep on rocking (despite all obstacles :shrug: ) :band2:

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cryophonik wrote:Or, instead of being perceived as a bunch of elitist jerks, maybe some of us could just figure out how to not listen to music that we're not interested in hearing. It's actually quite simple and I've been successfully doing it for decades. If there's enough interest, I could make a short tutorial. At first, it may take you an hour or so to figure out how to not click on a link to a song that you're not interested in hearing, but, with enough practice, you can actually learn do it in less than one second. Yeah, seriously. :D
That's exactly what I'm practicing but sometimes it can be interesting to listen to a song or track you don't like to find out what to avoid in making music. For example 2 minute long intros with an annoying 4-to-the-floor-beat... :o

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Tricky-Loops wrote:
cryophonik wrote:Or, instead of being perceived as a bunch of elitist jerks, maybe some of us could just figure out how to not listen to music that we're not interested in hearing. It's actually quite simple and I've been successfully doing it for decades. If there's enough interest, I could make a short tutorial. At first, it may take you an hour or so to figure out how to not click on a link to a song that you're not interested in hearing, but, with enough practice, you can actually learn do it in less than one second. Yeah, seriously. :D
That's exactly what I'm practicing but sometimes it can be interesting to listen to a song or track you don't like to find out what to avoid in making music. For example 2 minute long intros with an annoying 4-to-the-floor-beat... :o
Or the opposite problem, an 8 bar intro and then start with the risers and "epic" slow pitchbends up, leading into a first drop at approximately 30 seconds into the track :dog:
http://sendy.bandcamp.com/releases < My new album at Bandcamp! Now pay what you like!

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Sendy wrote:
Or the opposite problem, an 8 bar intro and then start with the risers and "epic" slow pitchbends up, leading into a first drop at approximately 30 seconds into the track :dog:
:lol:
....Stirling.....again....

I agree with the idea of listening to music you don't like to hear what not to do.

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Sendy wrote:
Tricky-Loops wrote:
cryophonik wrote:Or, instead of being perceived as a bunch of elitist jerks, maybe some of us could just figure out how to not listen to music that we're not interested in hearing. It's actually quite simple and I've been successfully doing it for decades. If there's enough interest, I could make a short tutorial. At first, it may take you an hour or so to figure out how to not click on a link to a song that you're not interested in hearing, but, with enough practice, you can actually learn do it in less than one second. Yeah, seriously. :D
That's exactly what I'm practicing but sometimes it can be interesting to listen to a song or track you don't like to find out what to avoid in making music. For example 2 minute long intros with an annoying 4-to-the-floor-beat... :o
Or the opposite problem, an 8 bar intro and then start with the risers and "epic" slow pitchbends up, leading into a first drop at approximately 30 seconds into the track :dog:
After the epic riser, shouldn't there be a break-down, so people can prepare their ears for the next drop? :help:

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I am astounded that in this day and age people are still making music I don't like.

Didn't they get the memo?

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Axis1~SL61 wrote:
Hink wrote:I think that happened to a lot of us, wasn't that the Fonzarelli effect? :hihi:
:hihi: The only "Fonzerelli effect" I know about was the one described in the '80s "Happy Days" series (part of the '50s revival that took place in the '80s, yes), but anyway what I mean is that I don't discard music as "dated", "passé" or uninteresting just by becaude it uses older sounds or is inspired by past trends. I like new sounds, but making music that uses old sounds in new contexts, mixing genres and making something that doesn't fit in any genre (by having elements of different genres) can sound good and interesting as well (at least to me)
Yes I was being sarcastic about Happy Days, but it was really mid 70's to early 80's :)
The highest form of knowledge is empathy, for it requires us to suspend our egos and live in another's world. It requires profound, purpose‐larger‐than‐the‐self kind of understanding.

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Hink wrote:I think that happened to a lot of us, wasn't that the Fonzarelli effect? :hihi:
if you mean this thread has "jumped the shark", then yes, 100% agree :tu: :clap: :hihi:
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debra1rlo wrote:
Hink wrote:I think that happened to a lot of us, wasn't that the Fonzarelli effect? :hihi:
if you mean this thread has "jumped the shark", then yes, 100% agree :tu: :clap: :hihi:
:tu: :wheee: :party:
Barry
If a billion people believe a stupid thing it is still a stupid thing

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let's see some examples of your music that is acceptable for kvr?
my music: http://www.alexcooperusa.com
"It's hard to be humble, when you're as great as I am." Muhammad Ali

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ATS wrote:let's see some examples of your music that is acceptable for kvr?
defensive much? why does it have to be a pissing contest?
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debra1rlo wrote:
ATS wrote:let's see some examples of your music that is acceptable for kvr?
defensive much? why does it have to be a pissing contest?

how is this defensive? I really want to know
my music: http://www.alexcooperusa.com
"It's hard to be humble, when you're as great as I am." Muhammad Ali

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Let's get offensive, this month's Cafe Contest is 'Free for All'...

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I'm with what ATS said, we can talk all day about music we don't like, but why talk in negatives when we can show music that we do like?

That other people can compare it to "EDM" :D

Tho honestly if people *are* joining the forums to just post in there over and over, it might be worth it to put, say a 5 to 15 post limit before they can start a topic, similarly to how the forums treats signatures. I think 50 is too much as if you post say 2-3 posts a day (a reasonable amount) 50 or 100 would take you anywhere from a month to three to get in there.

If people know that they will either look for other forums to try to get exposure or spam, so I guess there is a downside but at the same time spamming to up post count will make it pretty obvious who's serious and who's not much quicker and thus to promptly ignore.
cryophonik wrote:Or, instead of being perceived as a bunch of elitist jerks, maybe some of us could just figure out how to not listen to music that we're not interested in hearing. It's actually quite simple and I've been successfully doing it for decades. If there's enough interest, I could make a short tutorial. At first, it may take you an hour or so to figure out how to not click on a link to a song that you're not interested in hearing, but, with enough practice, you can actually learn do it in less than one second. Yeah, seriously. :D
But that would be too easy.

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ATS wrote:
debra1rlo wrote:
ATS wrote:let's see some examples of your music that is acceptable for kvr?
defensive much? why does it have to be a pissing contest?

how is this defensive? I really want to know
you appear to be challenging people to some sort of "acceptable for kvr" screening process. as if you were some sort of arbiter for the site, presumably (seeing as you are active in the cafe) using your work as some sort benchmark for acceptability. why does it matter if my music is "acceptable for kvr" if I think this thread is an unproductive discussion? seemed defensive to me on the surface.
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