Hi Peter,Peter from LinPlug wrote:Well, there is basically no sharp line as we not yet chose a exact release date, so for now lets say 7th November, but we might extend that a week or two.Ingonator wrote:What's the deadline?
There is no rule of thumb. Wait, there is one: if you are great than 12 is enough, thats the 100% rate that few of our sound designers hit. However, to be honest, sometimes we get presets submitted with a 0% rate, thats not to say you have no chance, it just means IT DEPENDS.Ingonator wrote:Condition for a free license is 12 presets contained in the final product so based on my experiences with factory sounds and soundsets for other synths this would need around the double amount (around 25 presets) to be submitted.
What do we expect from the presets:
- it should please us (wow, thats vague), so it needs to be great (...ehrm, again vague)
- it should preferably use a at least slightly uncommon filter shape and not just a 12db lowpass maybe
- it should make use of Modwheel and AT, some guys then use AT to increase some nearly inaudible modulation to some still nearly inaudible modulation, that wont work, its should _really_ do something
- it not needs to be at an exact level, but please not extremely loud or silent (though thats easy to fix)
- think of CPU, a spectral osc/filter in itself uses quite some CPU, if you run 4 layers with spread and a wonderful long Release you can break every CPU
- make use of effects, but not just drown everything in echos or reverb
- break any rule if you like, but have a good reason
Good luck!
many thanks for the detailed reply.
7th of november should be more than enough to do some nice patches (hopefully more than 12). Would be also no problem for me if you use more than 12 as a return foe a free license.
Some of those conditions you posted seem to be quite familar to me, like e.g. using both Aftertouch and Modwheel. Those are also part of the sound designer guideline for e.g. Waldorf.
For one of thefew patches i have finished i created a stepp LPF (60 dB) and for another one is used a BPF. BTW could we also submit Filtershape and/or oscillator shape files?
I'll also try to do a combination of "bread & butter" sounds (e.g. i like to do Synth Bras sounds..) and some more complex and/or "digital" sounds.
One feature request:
Would it be possible to implement import of single cycle waveforms from WAV files? For example Diversion got a nice spectrum editor for the waveforms that support import/export of WAv files.
I made lots of single cycle waveforms for use in e.g. Tone2 Rayblaster (with using e.g. DNR Wave Designer).
Ingo
