How to set up a nice mixdown

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No need to frown, subject. ;) I wasn't upset, I just didn't know what else I could say to explain why I think an "all vox" track is a bad (or at least only infantessimally useful) idea that I haven't already said. :D
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:D

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rpc9943 wrote:BetaThuggz
RonC
:x

if you have a problem with Greg.... well that's your problem.

Greg is propably the most important member and the heart of Betabugs, but he wasn't talking to you as a representative of Betabugs... he was talking as himself.

so I would like to see you not blaming all the bugs... we have done nothing other than providing some free software - so please stop it mate

cheers,
mully

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Back on topic...

... tea in a mug is so uncivilised. :(

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More tea please... :oops:

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I drink tea in a mug merely because a cup is so danged small. I need more tea in me than that! Sure, you can always top your cup off again, but I'd rather just give'er. Waitasec... that means I AM uncivilized afer all!

:hug: @ Mully
Last edited by Lunch Money on Sat Jul 30, 2005 10:12 pm, edited 1 time in total.
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okey

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Wopelka wrote:okey

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Dude, a bone through the nose is so 1990's... :P

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don't tell me about that, more tea is so 1890's

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Wopelka wrote:don't tell me about that, more tea is so 1890's
:hihi:

and now admit that you rehearsed this.... saying 1990's instead of 90's is so 1600 :roll:

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I agree with Greg on the vocal thing.

I view background vocals as an instrument that is to enhance the main vocal and blend the main vocals into the context of the song as a whole.

From this perspective I wouldn't want to group the main vocals with anything else. To group the main vocals with the backing tracks, would be like grouping the kick drum with the accustic guitar from my perspective - what is gained by this. Often times the background vocals are the bridge that bring the song and the lead vocals together, so I always want to make adjustments to mains and background independently.

The only time I have done this differently was in bluegrass recording where there is a more drastic volume difference between the vocals and the instruments. Here the main vocals and the background were definitely tied in together. So I guess there are no set rules, but as a practice I don't want the lead and background in the same group in any of the popular styles of music.

I guess it is the differences we all have in creating music is what accounts for variety and creativeity - which is a very good thing (usually :wink:) !

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Wopelka wrote:okey

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More racism... :P

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Left Headphone wrote:
Wopelka wrote:okey

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More racism... :P
sad, isn't it

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Solafide wrote:I agree with Greg on the vocal thing.

I view background vocals as an instrument that is to enhance the main vocal and blend the main vocals into the context of the song as a whole.

From this perspective I wouldn't want to group the main vocals with anything else. To group the main vocals with the backing tracks, would be like grouping the kick drum with the accustic guitar from my perspective - what is gained by this. Often times the background vocals are the bridge that bring the song and the lead vocals together, so I always want to make adjustments to mains and background independently.

The only time I have done this differently was in bluegrass recording where there is a more drastic volume difference between the vocals and the instruments. Here the main vocals and the background were definitely tied in together. So I guess there are no set rules, but as a practice I don't want the lead and background in the same group in any of the popular styles of music.

I guess it is the differences we all have in creating music is what accounts for variety and creativeity - which is a very good thing (usually :wink:) !

this is how i mix aswell,

but then i send all vox to another bus then that bus to its own asio out

or do you send backing & main to different asio outs? if not then all the vox are still going to one bus the master bus :shrug:


or did i get it wrong again :dog:


:)

Subz

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but then i send all vox to another bus then that bus to its own asio out
Obviosly there is nothing wrong with that approach, especially if it works.

I just (in the majority of cases) don't see why I would want to group background and lead vocals, seeing they are performing two distict purposes. They get different effects are eqed differently, different amouts and types of compression, etc, etc.

To me it would make more sence to group the background vocals with a pad or something, as their purpose is more in line (not that I do that by the way)

Therefore the only benifit I could see in grouping them is to adjust the volume of lead and backing together (and as I've stated, normally I view lead and backing vocals as distinct, so I normally would not want to do this).

Obviously there is no harm in doing it the way you mentioned (as I hope there is no harm in the way I do it), it just seems poitless to me, and adds an extra track to keep straight (which can become an issue).


or do you send backing & main to different asio outs? if not then all the vox are still going to one bus the master bus
Only if using outbord effects. :hihi:

Seriously, I think this discussion was started by Ron on the way he uses groups and sub groups. Obviosly everyone is going to use them diferently. I think we all group in catagories, percusion with percusion, guitars with guitars, etc. I see background vocals the way they are used in modern music, more as a backing "instrument" like a pad, etc. therefore I don't group them with the main vocals.

Not a big deal either way in the big picture.

I think I am going to have a cup of tea!! :?

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