AudioDamage Phase 2 Released
- KVRist
- 443 posts since 12 Feb, 2004
Just a quick mention that the Phase 2 is now available...nice one Audio Damage....right on cue...Monday 12.00.01 GMT.
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- KVRAF
- 2107 posts since 12 May, 2003 from gone
and it's AWESOME!!

incredible sounds...thick, smooth, dense
watch out Billy Corgan
i love
this plugin
incredible sounds...thick, smooth, dense
watch out Billy Corgan
i love
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- KVRAF
- 12235 posts since 18 Aug, 2003
I've had a couple of days to play with it now and agree, very smooth was my first thought on the sound, too. None of that vocodery raspiness and narrow-band, shrill feedback that plagues a lot of software phasers.
I've been working it in to a couple of tracks, but I'm starting to realize that I seem to prefer phasers in the background, sort of buried in the miasma.
So bearing in mind that I'm not a guitarist, what do people usually do with phasers? I like it on drums, mind you, especially with automating the Sweep CC into a really slow ramp envelope instead of the LFOs.
I've been working it in to a couple of tracks, but I'm starting to realize that I seem to prefer phasers in the background, sort of buried in the miasma.
So bearing in mind that I'm not a guitarist, what do people usually do with phasers? I like it on drums, mind you, especially with automating the Sweep CC into a really slow ramp envelope instead of the LFOs.
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- KVRAF
- 2107 posts since 12 May, 2003 from gone
hard to answer that, because i've always been a 'phasor guy' myself. on drums, bass, guitar (obviously) and even vocals. just to thicken them up and get that shimmery, phasory sound 
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- KVRAF
- 4867 posts since 18 Dec, 2000
I have always been in love with phasors. I have yet to get a AD plug becuase I can't download a demo and they are just out of reach of my impulse purchase threshhold.
I want the delay, the pitchshifter and the phasor.
dw
I want the delay, the pitchshifter and the phasor.
dw
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- KVRian
- 753 posts since 22 Aug, 2002 from on the inside looking out
Spot on. Phase 2's feedback envelops the sound rather than sitting on top of it. Really impressed.shamann wrote:None of that vocodery raspiness and narrow-band, shrill feedback that plagues a lot of software phasers.
- KVRAF
- 2818 posts since 30 Aug, 2001 from where dinosaurs are still alive
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original flipper original flipper https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=8999
- KVRAF
- 2544 posts since 14 Sep, 2003 from Essex
HI
I love a phaser on horns - with delay and a fierce swept filter or EQ for instant Lee Perry style DUB.
Love it on acoustic piano as well.
Flipper.
I love a phaser on horns - with delay and a fierce swept filter or EQ for instant Lee Perry style DUB.
Love it on acoustic piano as well.
Flipper.
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original flipper original flipper https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=8999
- KVRAF
- 2544 posts since 14 Sep, 2003 from Essex
HI
I tend to use this type of effect in an OTT way - for subtle stuff it might not be to everyones liking? - or feel right - but then again, DUB can be about outlandish use of FX.
I generally apply a slow phase 'rate' on most stuff, to get a kinda evolving phase to go through it's cycle perhaps every 4-8 bars.
Flipper.
I tend to use this type of effect in an OTT way - for subtle stuff it might not be to everyones liking? - or feel right - but then again, DUB can be about outlandish use of FX.
I generally apply a slow phase 'rate' on most stuff, to get a kinda evolving phase to go through it's cycle perhaps every 4-8 bars.
Flipper.
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- KVRist
- 256 posts since 1 Jun, 2003 from USA
add delay with it and use it on anything, light effects, little fader action whatever.
Man that Filter is pretty bad ass too. These actually sound great!
Man that Filter is pretty bad ass too. These actually sound great!
In the midst of life
what shall I compare it to
Daybreak, emptiness left behind a rowing boat.
"Sami Mansei"
what shall I compare it to
Daybreak, emptiness left behind a rowing boat.
"Sami Mansei"
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- KVRAF
- 12235 posts since 18 Aug, 2003
I decided to give some suggestions a try. I've discovered that one of the benefits of a smooth phaser is that you can use it for somewhat subtle depth/texture effects. Here's an example of what I tried out:
Started with two cutup horn loops.
Added phaser.
Added a bit of stereo delay.
I tend to approach modulation effects a bit more aggressively, but I like the way this one sounds with a bit of restraint shown.
Started with two cutup horn loops.
Added phaser.
Added a bit of stereo delay.
I tend to approach modulation effects a bit more aggressively, but I like the way this one sounds with a bit of restraint shown.
