That might sound heretic to many, but that would be a killer feature in my opinion, especially as soon as Diva'll be able to input/filter audio.
That'd mean being able to have a first Diva instance with no filtering happening, routed into 2 other Diva instances in parallel, doing all kinds of filtering... Or combining 2 instances to have more enveloppes... Or running 2 Diva instances into one filter... Or inserting any kind of sound processing between Osc's and filters etc...
That be a nice way to extend Diva's palette and possibilities, without crowding its GUI with additional filter/enveloppe slots or matrices (which, even if it would be killer, would certainly weaken Diva's super-intuitive workflow).
Would it make sense to you all ? Urs ?
Bypassing Diva's filters
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- KVRian
- 724 posts since 15 Feb, 2012 from France
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- KVRAF
- 15135 posts since 7 Sep, 2008
Just turn the LP all the way up.
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"Oooh I dont know. Sounds a bit scary"
"It's not scary. You just lose a sense of who you are and all that sh!t"
"Oooh I dont know. Sounds a bit scary"
"It's not scary. You just lose a sense of who you are and all that sh!t"
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- KVRAF
- 1617 posts since 11 Dec, 2008 from Minneapolis
Doesn't this break polyphony? Does it do anything that can't be done with Divas in parallel? [e]. Sorry, rereading this it's snarkier than I intended. I just mean it's a pretty exotic configuration, and sounds tough to get hosts & all users on the same page - Dark Zebra is way more suited to this ATM and these sorts of filters won't be as scarce in the future I'm sure
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- KVRAF
- 5223 posts since 20 Jul, 2010
Slap the Drop over Diva if you want to double your analog modelled filter fun. It's envelope follower means you don't even really have to mess around with MIDI to get decent results.
Filtering in serial has it's limitations, though. Once you've highpassed and lowpassed your options for chipping away are somewhat reduced - peak, notch or comb filters would work. There's always doubling up cutoff filters for steeper slopes, too, or creating dual-peak resonances, but these always seem very subtle in series.
Filtering in serial has it's limitations, though. Once you've highpassed and lowpassed your options for chipping away are somewhat reduced - peak, notch or comb filters would work. There's always doubling up cutoff filters for steeper slopes, too, or creating dual-peak resonances, but these always seem very subtle in series.
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