Ive been experimenting trying to achieve a semi-realistic string/woodwind trill in a subtractive synth (Diva in this case) without much luck.
After trying out a load of different approaches (varying midi time, pitches, filters) I think the one thing that sticks out the most is the ADSR envelope. (not a criticism of Divas, just envelopes in general). It isnt smooth or natural enough on a repeated midi note, it still sticks out too much - trying to get the appropriate balance of a slow attack is very difficult, and legato isnt helping. Theres still a percussive click with sustain at maximum.
Is this just a situation with adsr? Is there a particular envelope shape that would help better? Or a particular routing to help balance this pluck on repeated? Its as if the notes dont 'blend' or 'gel' convincingly. Or maybe it requires alot of variation on the attack/decay stage.
Gliss doesnt help either, as 'scaling up' to the note is still too obvious.
Any ideas?
Want to emulate a trill in diva (or bazille)
-
- KVRist
- 143 posts since 30 Apr, 2010
- KVRAF
- 5223 posts since 20 Jul, 2010
Have you tried a square LFO to pitch yet? Too unnatural sounding?
http://sendy.bandcamp.com/releases < My new album at Bandcamp! Now pay what you like!
- KVRAF
- 24456 posts since 7 Jan, 2009 from Croatia
I'd use square LFO with some lag applied.
- KVRAF
- 5223 posts since 20 Jul, 2010
Totally. Essential for pretty much any acoustic-style sound, IMO. Real life doesn't do completely periodic waveforms, they are the voice of electricity.pdxindy wrote:noise modulation
http://sendy.bandcamp.com/releases < My new album at Bandcamp! Now pay what you like!
