Pulse Wave LFO in Zebra2?
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- KVRer
- Topic Starter
- 21 posts since 15 Sep, 2005 from Somewhere near Hollyweird
If there a way to make a pulse wave LFO? I'm in the process of trying with the user LFO, but not having much luck yet. The effect I'm looking for is like the synth part to "Won't Get Fooled Again" from The Who. It's always misstated as a square wave LFO, but it's actually a pulse wave. You'll see what I mean when you see a attached png of their isolated synth part.
I know there are several ways to accomplish the final sound. The easiest would be with the arp/seq, but I'd like to find a way to do it with the LFO because it's turned into a puzzle to me. That, and I'm a glutton for punishment.
I know there are several ways to accomplish the final sound. The easiest would be with the arp/seq, but I'd like to find a way to do it with the LFO because it's turned into a puzzle to me. That, and I'm a glutton for punishment.
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Last edited by armenjc on Sun Dec 10, 2017 10:34 am, edited 1 time in total.
- KVRAF
- 23103 posts since 7 Jan, 2009 from Croatia
In which instrument exactly? In Zebra, you can use the User wave in the LFOs to do what you want.
- KVRAF
- 4123 posts since 23 May, 2004 from Bad Vilbel, Germany
Zebra. Fairly easy, but you need to adjust the speed to the number of handles. Try 4 steps first.
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- KVRer
- Topic Starter
- 21 posts since 15 Sep, 2005 from Somewhere near Hollyweird
Oops! Yes, Zebra2. I just edited the subject to say Zebra2.EvilDragon wrote:In which instrument exactly? In Zebra, you can use the User wave in the LFOs to do what you want.
Thanks.
- KVRAF
- 4123 posts since 23 May, 2004 from Bad Vilbel, Germany
Maybe like this for 8ths with 75% gate time:
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- u-he
- 28065 posts since 8 Aug, 2002 from Berlin
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- KVRer
- Topic Starter
- 21 posts since 15 Sep, 2005 from Somewhere near Hollyweird
Yes, for sure, I wanted to see if I could accomplish it with an LFO, just as an exercise.pdxindy wrote:You can also do it with an MSEG if you want a bit more rounded edge to it.
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- KVRer
- Topic Starter
- 21 posts since 15 Sep, 2005 from Somewhere near Hollyweird
Yes, thank you. That's the look I needed. I was under the impression that I could just pull up a 4-step user LFO and move the points around to turn in into that same shape (pulse wave). But after reading the LFO and GLFO sections in the manual (pg 53-55) and don't see that moving the points to turn a square wave into a pulse wave is a possibility.Howard wrote:Maybe like this for 8ths with 75% gate time:
Last edited by armenjc on Sun Dec 10, 2017 9:54 pm, edited 1 time in total.
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- KVRer
- Topic Starter
- 21 posts since 15 Sep, 2005 from Somewhere near Hollyweird
I'll give that a try. Thanks!Urs wrote:Or Sawtooth LFO -> ModMapper with the shape you want.
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- KVRer
- Topic Starter
- 21 posts since 15 Sep, 2005 from Somewhere near Hollyweird
I thought I'd share this, because if you're on this forum, then you are at least as curious as I am about how some sounds are created. Here's the isolated sound
https://youtu.be/tmVFBiC8MIA
Here's what I found out about the orginal sound I was trying to duplicate:
http://www.thewho.net/whotabs/gear/guitar/lowrey.html
"Pete is playing block chords spread between the two keyboards of the 1968 Lowrey Berkshire Deluxe TBO-1 organ. The output of the organ is fed into the audio input of the EMS VCS3 mk1 synth. The first bit of processing to be applied to the organ sound is a low-frequency oscillator (LFO) controlling the frequency of a voltage-controlled filter (VCF), using a sine or triangle wave shape. In other words, the synth is turning the tone of the organ from mellow to bright, up and down automatically.
Step 2 has the output of Step 1 being fed into a voltage-controlled amplifier triggered by a square wave LFO. This means the VCS3 is turning the volume of the organ on and off in a repeating fashion."
I'm eyeballing the image of the synthsizer to see if I can get any clues.
https://youtu.be/tmVFBiC8MIA
Here's what I found out about the orginal sound I was trying to duplicate:
http://www.thewho.net/whotabs/gear/guitar/lowrey.html
"Pete is playing block chords spread between the two keyboards of the 1968 Lowrey Berkshire Deluxe TBO-1 organ. The output of the organ is fed into the audio input of the EMS VCS3 mk1 synth. The first bit of processing to be applied to the organ sound is a low-frequency oscillator (LFO) controlling the frequency of a voltage-controlled filter (VCF), using a sine or triangle wave shape. In other words, the synth is turning the tone of the organ from mellow to bright, up and down automatically.
Step 2 has the output of Step 1 being fed into a voltage-controlled amplifier triggered by a square wave LFO. This means the VCS3 is turning the volume of the organ on and off in a repeating fashion."
I'm eyeballing the image of the synthsizer to see if I can get any clues.
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- KVRer
- Topic Starter
- 21 posts since 15 Sep, 2005 from Somewhere near Hollyweird
delete
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- KVRer
- Topic Starter
- 21 posts since 15 Sep, 2005 from Somewhere near Hollyweird
Thanks Howard. One little tweak to your suggestion by dropping the 4th step all the way down and that was it! The blue in the graphic is the original. The green is mine.Howard wrote:Maybe like this for 8ths with 75% gate time:
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- KVRAF
- 4123 posts since 23 May, 2004 from Bad Vilbel, Germany
RE VCS3 patch: No, it's a very different patch. BTW connecting Trapezoid to output channel 2 makes no sense, especially with those slow envelope settings.
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- KVRer
- Topic Starter
- 21 posts since 15 Sep, 2005 from Somewhere near Hollyweird
Right. That's not a photo of the patch used by Pete Townshend. It's just a photo of the synth he used. So I was just eyeballing it to see. I was able to recreate it very closely. I'll post it later today so you can hear how it turned out. Thanks for your help!Howard wrote:RE VCS3 patch: No, it's a very different patch. BTW connecting Trapezoid to output channel 2 makes no sense, especially with those slow envelope settings.