Cable Tidies!
The manual states that ‘like in hardware modular systems, there’s no cure-all for cable spaghetti’. However, unlike hardware cables, software cables can be infinitely lengthened and tucked round corners to keep them out of the way. I suggest that around the outside of the synth (the wooden panel and on the OSC/LFO labels at the top), we could plug cables in and daisy-chain them around, to keep the main interface looking neater.
Here are two images to illustrate my point:


In the top image, the cables go straight to their destination. In the image below, the cables daisy-chain to their destination. Granted, it arguably looks worse in the daisy-chained one, but you can imagine that in a complex patch, the centre of the synth would be easier to see if cables doing long voyages took detours around the oscillators and filters.
Sequencer ‘Divide’ Modulation Input
I want the sequencer’s speed to change over time! Even if it was menu-based, like the mod inputs for filters 3 and 4.
Expanded / Swappable Oscillators
Some people seem to want wavetable in Bazille. I am indifferent towards this idea. I would be more interested in novel or unusual oscillator functions. One idea is Vector Phase Shaping, which has been implemented in FAW’s Circle2 synth. Or, there could be an analog-style oscillator (perhaps even borrowed from ACE). For this, the oscillators could be swappable. I could get behind this idea.
New PD Waveforms
I love the Res 1/2/3 waveforms; I find them to be an endless source of strange, unpredictable sounds. What kinds of waveforms could be added to the list?
Expanded Multiplex Function

I believe the multiplexes would be improved by having a selector under each to choose how the signals will be combined. This would make the multiplexes more self-explanatory. It would make patches more tweakable (being able to switch from AM to RM to X-fade in a single click). It would free up multiplexes and simplify the workflow, for example by allowing three signals to go straight into a multiplex and be ring modulated by a fourth signal.
Having a multiplex mode selector would also make room for new ways of combining the signals. What are such ways? I don’t know. Maybe some kind of waveshaper? Some other ideas I have are essentially space/time-savers. For example, double RM: the RM output goes into another multiplex and is ring modulated by the same source as before. This may be just a space/time-saver, but it would also facilitate experimentation and more complex patches.
Integrated Effects

I would like to see some selection of basic effects, such as a mono delay with a time and feedback control.
As a side note, it would be good if the main FX on/off buttons were MIDI mappable, so that I could activate/deactivate them without leaving the main page.
Improved ‘Original’ View Layout

Filters 3/4 should have cutoff+resonance controls on the main page. Some controls should be kept together: for example, you wouldn’t put an envelope’s AD and SR controls on separate pages. Yes, tucking these controls away makes the main page look neater and less cluttered. But, it makes using these filters very inconvenient. I actually find it easier to switch to GearPorn to use these filters; going back and forth between tweaks and the main page is something I never get used to.
As an alternative to this, I suggest adding a button equivalent to the Tweaks button on Repro 1/5. This could be a quick switch between Standard and GearPorn.
