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Titanium2

Mastering Compressor Plugin by Acustica Audio
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Titanium2
Titanium2
Titanium2 by Acustica Audio is a Virtual Effect Audio Plugin for macOS and Windows. It functions as a VST Plugin.
Product
Version
1.4.133
Windows 7 - Windows 10
Product
Version
1.4.133
OS X 10.8 - OS X 10.11
Effect
Formats
Copy Protection
Online Activation (Challenge / Response)
My KVR - Groups, Versions, & More
9 KVR members have added Titanium2 to 7 My KVR groups 12 times.
Not In Your MY KVR Groups
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+7 in private groups

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Titanium2 mastering multi-band stereo compressor is a renewed and updated version of first version including lasted Acustica Audio's technologies as CORE9 audio engine, Shape control for attack behaviour (SHMod), Ultra-match and Zero Latency (ZL). Titanium2 also can work as version 1 of Titanium in TIT1 mode allowing customers to choose which compressor behaviour want to use in each compressor band.

Titanium2 was re-sampled using lasted version of Acustica Audio's stand alone sampling application NAT4 ensuring a high precision compression emulation plus Ultra-match post-processing for minimising digital compression curves errors.
Titanium2 include also a single-band compressor for mixing duties and low CPU load and Titanium1 customers will receive new version automatically for free.

Titanium 3B (triple band compressor):
• X-over high: from 1.2 kHz to 6 kHz.
• X-over Low: form 60 Hz to 300 Hz.
• SHMOD (attack envelope shape modulation): from 0 to 4.
• Threshold: from 0 dB to -50 dB.
• Ratio: from 1.5:1 to 10:1.
• Attack: from fast (0.50 ms) to slow (300 ms).
• Release: mode TIT2 (default) from fast (48 ms) to slow (3.15 s). old mode TIT1 from fast (50 ms) to slow (10 s).
• Gain: from 0 dB to 25 dB.
• Meters: input, output and gain reduction meters.
• Mode TIT1: enable and disable.
• Mute (band mute): on and off.
• Input trim: from -15 dB to +15 dB.
• Output: from -15 dB to +15 dB.

Titanium 1B (single band compressor):
• SHMOD (attack envelope shape modulation): from 0 to 4.
• Threshold: from 0 dB to -50 dB.
• Ratio: from 1.5:1 to 10:1.
• Attack: from fast (0.50 ms) to slow (300 ms).
• Release: mode TIT2 (default) from fast (48 ms) to slow (3.15 s). old mode TIT1 from fast (50 ms) to slow (10 s).
• Gain: from 0 dB to 25 dB.
• Meters: input, output and gain reduction meters.
• Mode TIT1: enable and disable.
• Side (side-chain): on and off.
• Input trim: from -15 dB to +15 dB.

Licensing:
• Challenge-response authorization system allowing two computers activation per each license.
• Trial version work four weeks, trial license allow two computers activation per each license.

Formats supported:
• Support operation systems: OS X and Windows.
• Supported plug-in formats: VST2, AAX, and AU.
• Supported architectures: 32 and 64-bits.

Price and availability:
• Titanium2 commercial version: €129.00. Available as a digital download immediately after payment.
• Titanium2 trial version: free 4 week test license. Available as a digital download immediately after €0.00 payment.

About Acqua Effect plug-ins:
An Acqua plug-in is a stand-alone skinned Nebula library, in other words it is a software product developed as a parametrization of one or more Nebula's instances. Parametrization is achieved using the script languages proprietary to Acustica Audio and does not require external tools and compilers.

About Acustica Audio:
Acustica Audio is a company that is active in the field of information technology and audio engineering. The company's goal is to provide the most authentic reproduction of sampled vintage gear and other high-end hardware devices. Over the years it has become well known for audio plug-ins, by manufacturing its own software products and marketing them both in Italy and worldwide. Acustica technology is based on a software engine of DSP (Digital Signal Processing) developed by Acustica Audio that emulates other DSPs, by modelling them through a proprietary sampling technique. Unlike the audio sampler, which is an electronic musical instrument able to capture and reproduce audio samples, Acustica technology can sample and emulate the behaviour of an audio processor, by reproducing its harmonic response, harmonic distortion and dynamic response as time and other external variables (like user controls) change.

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