Although it's had its foothold deeply rooted in the folk, gospel, blues, soul, country, jazz and rock songwriting tradition, Americana music has kept evolving and become a huge umbrella under which anything that doesn't quite fit the commercial country music mold can thrive. This EBX was tailored to bring you a workhorse-type expansion that functions in all these scenarios – for anything from small and acoustic setups to full-on electric rock instrumentations.
The Americana EBX comes with a classic American brand bass sampled in two fundamentally different ways: one by using a traditional finger playing style and the other by muting the strings with rubber foam and striking with the thumb. In addition to the sounds, a broad collection of presets as well as a custom MIDI library of basslines are included.
If you're looking to boost your EZbass with a jeans-and-t-shirt-type expansion that works in any scenario, this is it. No frills or extras, just good old rock and roll, folk, gospel, blues and, well, the entire mosaic of styles that can be traced back to Americana.
When scouring the world of basses for an instrument that could rightfully be dubbed Americana, the Toontrack Sound Design team had their ears set on one that could muster the vast range of styles that huddle up under the genre's umbrella.
Seeing as this Americana encompasses anything from small and acoustic to loud, full-on electric rock band instrumentations, we needed a bass that had a leg in each world, so to speak.
Ulf Edlund, EZbass lead sound designer.
The instrument in question is of course a Fender Telecaster Bass.* The specific model sampled for this EBX stems from the very first batch in this new line of basses that Fender brought to market in 1968. Or maybe one should say reintroduced – the Telecaster was actually based on the very first and discarded rendition of the now-iconic Precision Bass from 1951. This makes the Telecaster Bass the first-ever Fender* reissue.
This original version of the Telecaster, with its hefty slab-style body, single-coil pickup and large chrome bridge and pickup covers, lasted until the early '70s. After that, changes so substantial were made to it that it essentially was a new instrument.
Welcome to add this chameleon of an instrument to your toolbox of tones – a bass that seamlessly can move between timid and loud without making any compromises and simply just adapts on its own terms, much like the Americana genre itself.
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