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Exponential Audio: Symphony

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Exponential Audio: Symphony
Exponential Audio: Symphony by iZotope / Exponential Audio is a Virtual Effect Audio Plugin for macOS and Windows. It functions as an Audio Units Plugin, a VST 3 Plugin and an AAX Plugin.
Product
Version
3.1.0
Windows: Win 10 – Win 11
CPU: Multicore processor, 2 GHz or greater
RAM: 4 GB or greater
Display: 1440 x 900 or greater
Product
Version
3.1.0
Mac: macOS Catalina (10.15.6) - macOS Monterey (12.5.x) *
* Supported on Intel Macs & Apple silicon Macs (Apple M1 chips) in Rosetta 2 and native
CPU: Multicore processor, 2 GHz or greater
RAM: 4 GB or greater
Display 1440 x 900 or greater.
Effect
Formats
Copy Protection
iLok USB Only
My KVR - Groups, Versions, & More
14 KVR members have added Exponential Audio: Symphony to 4 My KVR groups 17 times.
Not In Your MY KVR Groups
(or group limitation prevents versioning)
+4 in private groups

KVR Rank

Overall: 4205   3216   3988

30-Day: 4843; 7-Day: 3607; Yesterday: 1243

Symphony may be the most powerful reverb ever offered. It adds warmth and character to any mix, bringing it to new life. And it provides greater user control then ever before. New dynamic capabilities allow your mixes to have even greater clarity.

Features:

  • Lush surround reverb algorithm for up to 7.1 channels.
  • Channel-specific control over reverb gain and delay.
  • Over 1,700 presets.
  • Freeze, Chorus and Gate modules for creative effects.
  • Advanced control of reverb tail and early reflections.
  • Mono, Stereo, LCR, LCRS, Quad, 5.0, 5.1, 6.0, 6.1, 7.0, 7.1, SDDS.
  • Expanded EQ, building on the popular R4 architecture. Not only have we added bandpass and notch filters on the early reflections and tails, but we've also added an input EQ to help keep undesired elements out of the reverb.
  • Dense and powerful early reflection control -- twice as dense as R2Surround. There's a unique reflection pattern from every input to every output. You'll never worry about compatible fold-down.
  • As with all Exponential Audio reverbs every single reverb channel is decorrelated. You don't have to worry about color changes when that mix comes down to stereo--or mono. This becomes more and more important as channel counts go up and mix time goes down.
  • Tail modulation comes in multiple forms, both subtle and obvious. You can have the character of vintage reverbs (without the noise) and with channel counts hardware couldn't give you.
  • EQ modulation of the early reflections and tail. Dedicated LFOs allow you to add anything from subtle color changes to dramatic sweeps.
  • Freeze. Grab the tail and run it as long as you want. Sustain a tone, a chord or a room tone.
  • Dynamic control with tail-suppression (expanded from NIMBUS). Your mix will keep itself clear.
  • Warp, to add even more timbral and dynamic control. Warp incorporates a compander, an overdrive circuit and even word-size reduction. You can turn it on and off whenever you need it.
  • More stem options. Not only can you have mono-in/surround out. You can easily generate a surround reverb from LCR input. Or a 7.0 output from 5.0 input. There are even more options.
  • Optional tempo control of predelay and reverb delay. Rhythmic score? You'll be surprised how much pop you can add without needing a calculator by your side.
  • Presets--whether factory presets or your own user presets--work in all surround formats. If you've worked hard on a 5.0 preset, it's going to sound great in 7.1 or Atmos--without modification.

DAWs/NLEs

Pro Tools 2022, Live 11, Logic Pro, REAPER 6, Cubase 12, Nuendo 12, FL Studio 20, Studio One 5, Audition CC, Digital Performer 11.

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