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Filter MINI

 My KVR
Filter Plugin by Arturia
Filter MINI
Filter MINI
Filter MINI by Arturia is a Virtual Effect Audio Plugin for macOS and Windows. It functions as a VST Plugin, an Audio Units Plugin, a VST 3 Plugin and an AAX Plugin.
Product
Version
1.4.2
System Requirements
Win 8.1+ PC: 4 GB RAM; 2 GHz CPU.
1GB free hard disk space
OpenGL 2.0 compatible GPU
Product
Version
1.4.2
System Requirements
10.13+: 4 GB RAM; 2 GHz CPU.
1GB free hard disk space
OpenGL 2.0 compatible GPU
Effect
Formats
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Ever wanted to use one of the world's most famous synth filters in your DAW?

The classic filter from Arturia's lovingly recreated Mini V software instrument is now in a dedicated plugin. Now you can add the familiar filter tone to warm or smooth out your audio, or to add sweetness to a sensitive recording.

Not only that, but Filter MINI also includes a powerful modulation section which consists of an envelope follower, an LFO, and a step sequencer. A patch manager is also built-in, along with a set of presets to inspire your creativity.

In 2003, Arturia collaborated with Bob Moog to recreate the illustrious synthesizers he designed as software instruments, allowing a whole new generation of musicians, producers, and enthusiasts the chance to experience his unique method of synthesis. Fast-forward 15 years, and sadly the godfather of synthesis is no longer with us; but his legacy remains forever.

Through the collaborative effort and expertise, Arturia was not only able to perfectly recreate his iconic 70s monosynth, but also isolate individual components. The 24dB per octave ladder filter has always been at the core of the Model D monosynth mythos, and they were intrigued as to how it would sound on other audio sources. So they applied the greatest care and used the latest technological advances to reproduce its warm and highly musical tone.

For many music producers and electronic musicians, filters are an essential part of their sound and creative process. Put simply, filters cut or boost certain sound frequencies, letting you control the tonal 'shape' of audio.

For example, if you had a vocal recording that you wanted to remove some low, bassy rumbles from, you could use a high-pass filter.

A low-pass filter could be used in the same way, but to remove unwanted high frequencies; maybe to tame particularly zingy cymbals or hi-hats in a drum recording.

Notch filters can pinpoint certain frequencies and either boost or cut them; one great use for these is to find and remove clothy, unwanted mid-range resonance from recordings of acoustic instruments.

Main Features:

  • Virtual recreation of a 24dB/oct Low Pass Ladder filter:
  • Drive parameter.
  • Cutoff Frequency and Emphasis.
  • Dry/Wet setting.
  • Output volume setting.
  • Low Frequency Oscillator.
  • Can be synchronized with DAW's clock.
  • 4 waveforms + Sample and Hold mode.
  • Phase parameter.
  • Can modulate the Cutoff, Emphasis and Cutoff modulation amount of the Sequencer.
  • Step Sequencer.
  • Can be synchronized with DAW's clock.
  • Up to 8 steps.
  • Smooth parameter.
  • Can modulate the Cutoff, Emphasis and the LFO rate.
  • Envelope follower.
  • Sensitivity parameter (vertical sensitivity).
  • Attack and Decay time parameters.
  • Can modulate the Cutoff, Emphasis and the LFO rate.
  • 30 presets from top sound designers.
  • State-of-the-art TAE analog modeling.

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