399 KVR members have added Mariana to 415 MyKVR groups 479 times.
Download KVR Studio Manager (FREE)
Mariana is a dual-layer synthesizer, allowing you to mix together two completely different synthesizer sounds that can dynamically complement each other or be played duophonically. Each layer is built around two oscillators with precise and inventive controls to make your bass tone punch through a mix and stand out from the rest, with a sub-oscillator adding even more low-end weight. Two resonant Moog filters and a third filter specifically for the sub-oscillator let you shape your sound, adding warmth while rolling off high frequencies or pushing up the resonance for added bite. With stereo oscillators and crossover filter functionality, Mariana is optimized for quickly fine-tuning stereo content while simultaneously preserving a powerful mono bass foundation.
Warm tube, tape, and overdrive saturation and a tight compressor add heaviness and glue to your bass lines while an illuminating real-time metering section lets you monitor your sounds and dial them in to a professional standard. Flexible built-in delay and chorus effects operate on separate layers and can expand the stereo image of your sounds while preserving a solid mono signal with high-pass filters. Whether designing your own bass tones from scratch or using one of the 200 included presets as a starting point, Mariana is an accessible and versatile tool for any modern production environment. And although Mariana is optimized for bass, it is fully capable of producing strong leads, punchy percussion, and multidimensional effects, making it possible to craft an entire song using this single instrument.
Mariana's intuitive user interface is designed for quick and efficient workflow while being fully equipped with three LFOs, three envelopes, and two random generators per layer. Combined with a creative and extremely deep modulation editor, Mariana excels at in-depth sound design and sounds that dynamically evolve over time. Nearly every parameter of Mariana can be modulated internally via MIDI, MPE, and virtual CV to build an interconnected ecosystem right in your DAW. With an optimized resizable user interface, expressive on-screen keyboard for iPad and standalone desktop versions, and seamless integration into any DAW (digital audio workstation), Mariana is the most accessible way to add the unmistakable Moog bass sound to your productions.
Features:
{See video at top of page}
Ill start by saying, this is a NICE sounding, playing synth and I am not the usual audience for Moog products, especially the new post-acquisition Moog. Im really not into "classic" or analog sounding emulations or new offerings from that space, and I see classic/analog as a small part of just one modern synth. I got this because of a steep discount and only wound up paying $40 for it.
That said, Im giving Mariana 3 out of 5 stars until CPU performance is improved a bit. This thing sounds huge, it has meat on its bones, and the various sub frequencies it pushes are super fun and propulsive in my music, but the CPU consumption of Mariana borders on broken on my modern studio workstation.
Using Cubase 14's enhanced realtime ASIO meter(it makes a graph), you can easily see Mariana causing huge (80%??) ASIO peaks without any other processing, any other instruments loaded into a project. I was so confused about what was doing this on my project that, before I looked at the meter, I was removing/powering off other instruments first, then realized it was Mariana.
Mariana has quite a bit more sound character than merely a "bass synth", which is another pleasant surprise. So far Ive found great ambient/drone sounds, huge bass of all flavors, and even many bass tones or presets which just sound like interesting leads or pads when played on the higher octaves. This is a great synth --- it just REALLY needs an optimization pass to reduce that CPU use.
edit: oh, also there is a fairly small number of stock presets, and... an there is a store to buy new preset packs from... which is another reason I took 2 stars away.
As always, Moog has created another really usable and great sounding synthesizer and I think it has great potential ... I think it is pairing very good with Animoog Z ... Totally recommended.
Fatter than Santa.
This virtual synth sounds like the rumblin' thunderin' bass from a Moog Modular on steroids. No need to say more...
... except that it can easily become dominant in the soundscape, so it is important that you know what you are doing.
In addition, the fat sound comes with a price - it draws significant resources from the CPU. Not extreme, I have other virtual instruments or effects that load the computer just as much, but you probably shouldn't run this if you don't have a powerful enough processor. The advice is -Try before buy! If the computer can handle it, Mariana is a fantastic plug.
Five stars but the last ones shine dimly because of this.
Reviewed By DrWashington [all]
May 29th, 2024
Version reviewed: 1.1.0 on Windows
Needs serious work: it's a CPU hog and the sound quality just can't justify it--it's nothing extraordinary. It's good, but it definitely does not sound like a hardware Moog (which it was intended to replace on my end, a Minitaur specifically) and the filters really lack that special something I want to hear in analog bass synths. In any case, there's no way such a massive CPU hit on latest generation CPUs can be justified.
Secondly, putting so many basic controls on another page makes programming a real pain.
Thirdly, MIDI Learn is a PITA to use and is well-hidden.
I really wanted to like this synth, but even at $49 it's a purchase I regret. The UI really is terrible to use. We can handle all the basic synth functions on one page. That isn't "cluttered": it's normal for synth users in 2024.
Just please standardize around right-click MIDI Learn/Unlearn and be done with it. Stop trying to complicate things just because you can.
It bears repeating: even on an i9-13900K, the CPU hit is intolerable. There's just no excuse for this in 2024, not on a synth that sounds quite this underwhelming, anyway.
Many other devs are making far more analog-sounding, meatier bass synths (or synths that happen to be fantastic bass synths) that are quite well-optimized and well-behaved. Moog is seriously dropping the ball here.
v 2.0 better be a massive step up in terms of sound and usability or I can't honestly see myself pulling this one back up. Really disappointing.
It seems Moog - like Roland - will also be joining the ranks of legendary hardware creators that couldn't code their way out of a VB hello world calculator. The sound is brilliant, but the DSP load and UI is quite possibly the worst i've encountered.

Please log in to join the discussion
Submit: News, Plugins, Hosts & Apps | Advertise @ KVR | Developer Account | About KVR / Contact Us | Privacy Statement | Sell @ KVR | KVR Marketplace Terms & Conditions
© KVR Audio, Inc. 2000-2026