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Compressor Plugin by John Crosby Acoustics
Olitanh Olitanh Olitanh
Olitanh by John Crosby Acoustics is a Virtual Effect Audio Plugin for macOS and Windows. It functions as an Audio Units Plugin and a VST 3 Plugin.
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Olitanh - Vintage Vibe Compressor.

Distortion coupled with compressor brings interdependent wave-shaping and envelope-shaping. Controlled adding of harmonics. Level boosting and stereo enhancing.

Good for "warming up" bass instruments, guitars and vocals, or for "gluing" stereo mixes and groups.

List of parameters:

  • Drive, 0-40 db of gain to Tanh curve waveshaper.
  • Power, .25-4 tilts distortion curve from soft to hard.
  • Threshold, -18-0 db sensitivity of the compressor from low to off.
  • VU, 0-1000 peak detection response from modern to vintage.
  • Attack, 0-1000 speed of gain reduction from fast to slow.
  • Gap, 0-9 db offset between gain reduction and gain recovery.
  • Release, 0-1000 speed of gain recovery from fast to slow.
  • Knee, .25-4 response of the compressor from soft to hard.
  • Link, 0-100 % linking of the compressor's LRMS channels.
  • Para, 0-100 % mix of the compressor from off to full.
  • Filter, 0-100 % Low Pass filtering from dark to off.
  • Mix, 0-200 % from Dry to Wet and to Solo Effect.
  • 1/8, switch between none or 8 times oversampled processing.

Principle of operation

From Left-Right stereo signal Mid and Side signals are also extracted, then each of the four channels passes through 8x Upsampler, Gain Reduction Unit, Tanh waveshaper, Level Detection Unit, Filter, Downsampler and than all four channels are mixed to Left and Right output.

Set the desired amount of peak limiting, harmonic generation or distortion (Drive). Change type of the distortion (Power). Control the distortion of loud notes (Threshold). Control the responsiveness of the compressor (Attack, Release, VU, Gap, Knee and Para). Enhance stereo image (Link). Darken the distorted part of the signal (Filter). Move Mix knob towards 0% in order to lessen the effect, to bring back some original dynamics or just to compare with the input signal. Move Mix knob to 150% in order to strengthen the effect and ease settings of the parameters. Mix 200% can be useful in parallel chains of processors, but in most cases Mix should be at 100%.

The story behind

Olitanh was made using iPlug2 C++ framework, and it evolved from Oli Larkin's Oversampling Example. At first, it was just an exercise of adapting it from Mono to multichannel LRMS Stereo, but as I started to like its softness and was using it more and more in my daily productions, it deserved an upgrade. Power knob to bend the soft knee of Tanh curve. Filter knob to tame the highest harmonics and further decrease aliasing. The Compressor story. When I was excited about how versatile Olitanh became, it occurred to me that this would be just the right type of waveshaper to answer the common question: "Should I plug distortion after compressor or before?" As both answers have its own merits and its own flaws, the best of both worlds brings Olitanh - feedback compressor - where Compressor's Level Detection Unit monitors Distortion's output, but Compressor's Gain Reduction Unit reduces Distortion's input. Interdependent play of wave-shaping and envelope-shaping.

Latest User Reviews

Average user rating of 3.00 from 2 reviews

Reviewed By Eine Alte Oma
July 7, 2021

i would also say that adding autogain and additional gain knobs would make this plugin more comfortable to use. also i'd like to suggest adding a lookahead knob. it's not clear what some of the parameters do, like VU and Gap. I know you explain that in the description but idk, I just don't get it. Maybe it would be cool to see a demonstrational video with some common usecases for those parameters. Apart from that I think it's really great and a lot of fun. The plugin has a unique character defined by the perculiar signal flow between the distortion unit and the compressor as well as some of the internal processors' artefacts. it can be used for subtle settings but it shines when you take it more closer to the extremes (considering you lower the gain afterwards ofc).

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Reviewed By catatron
July 4, 2021

A rather good sounding compressor, but there are a few issues.

1. No make-up or output gain. I don't think I have to elaborate on why this is a problem for a comrpressor.

2. Oversampling is a CPU hog. And I think I know why.
2a. x8 is an overkill for a compressor.
2b. Judging by what is written in the description, it needlessly upsamples Mid and Side signal, which turns x8 oversampling into x16 CPU usage for no reason, as Mid-Side can be converted from Left-Right and back with no data loss at any point. After upsampling, for example.

So yeah, would like to use it, but can't use oversampling as it eats 50% of my CPU power and have to use a separate gain plugin after (and before too actually) this one to properly gain-stage.

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