PullOver EQ

PullOver EQ [advanced additive linear phase graphic equalizer with mouse overdrag system and dynamic unmasking].

Video Demo: {See video at top of page}

Features:

• PullOver overdrag mechanism applied in 4 different operation modes (!).
• multi-input network sidechain compression for summed spectral unmasking.
• lasso-slect frequency ranges to assign them to different (even overlapping) sidechain sources.
• multi-layer analyzer that can show all plugin instances' in- and outputs at once so you can see overlapping frequencies.
• multi-instance volume contribution map view for analyzer.
• multi-instance conflicting frequency glow with volume difference parameter ("Delta").
• sidechain pre-EQ, ratio & timing tilt-distribution over the spectrum.
• inter-channel plugin communication and editing. (You can edit multiple EQs from within a single plugin instance and exchange curves.).
• 64 frequency bands in logarithmic order.
• attenuation only, hence no clipping possible.
• linear phase.
• workflow similar to that of a parametric EQ.
• several different EQ curve shapes like Shelving and Bell.
• EQ curve presets save & load.
• EQ curve matching and morphing.
• several curve editing functions.
• a whole bunch of function keys to speed up the workflow.
• scene memory with scene morphing over an adjustable time span.

Operation Modes:

1. Profiling: adds character to your channels and tracks.
2. Unmasking: statically unmasks overlapping frequencies of instruments and sub busses within a group.
3. Juggling: juggles certain frequency bands back and forth between similar sounding instruments.
4. External: lets you move other plugin instances' EQ-curves from the active instance without moving the local curve.

Recent Update history:

[Build 12.04.2026 22:30] polished out some issues with the color selection of the analyzer curves, so they are no longer displayed twice.

[Build 10.04.2026 16:40] polished some issues with 1) the sidechain compression of the bass and 2) the selection of sidechain sources and 3) how the frequency band faders' head colors adapt to the sidechain sources they're assigned to.