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UAD Marshall Silver Jubilee 2555
UAD Marshall Silver Jubilee 2555 by Universal Audio is a Virtual Effect Audio Plugin for macOS and Windows. It functions as a VST Plugin, an Audio Units Plugin, a VST 3 Plugin and an AAX Plugin.
Product
Version
11.8.0
Product
Version
11.8.0
Effect
Formats

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The legendary high-gain amp choice of Slash, Rush, and the Red Hot Chili Peppers.

Developed by Softube — and available exclusively for UAD-2 hardware and Apollo audio interfaces — the Marshall Silver Jubilee 2555 plug-in is a thorough emulation of this ultra-rare amp, down to its four EL34 power tubes and hallowed high-gain preamp. It also offers powerful multi-mic sounds for a range of professional studio tones.

Introduced in 1987, the Marshall Silver Jubilee 2555 100-watt amplifier commemorated Jim Marshall's 25th year in the amp-making business. With its striking silver Tolex and tastefully tweaked EQ, the SIlver Jubilee became a go-to for Slash, John Frusciante of Red Hot Chili Peppers, Alex Lifeson of Rush, and Joe Bonamassa.

Features:

  • Faithful emulation of Marshall's own reference Silver Jubilee 2555 amp, with an era-correct 2551AV speaker cabinet.
  • Microphone selections and placements by Tony Platt, captured in Strongroom Studios, London.
  • Over 50 finely-tuned presets built-in, designed by Tony Platt.
  • Two different microphone combinations available — Condenser and Dynamic.
  • Four separate mics per setting, two close and two room.
  • Room Mic Delay with feedback for slapback and echoes.
  • Channel strip includes pans and volume faders for each mic, plus Input Gate.
  • Physical input impedance and hands-on control of Gain staging with Unison technology.

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Latest User Reviews

Average user rating of 5.00 from 1 review
UAD Marshall Silver Jubilee 2555

Reviewed By Faydit [all]
November 29th, 2023
Version reviewed: 2.5.71 on Windows

Nice plugin, I really was surprised, that this plugin sounded better than the real 2554, which I once had.
Maybe because of the 412 cabinet, I don't know. Nevertheless more a Marshall for heavy stuff, the cleaner tones still sound too sharp for my taste, without any of the vintage sweetness, which also a typical 1959 still offers, if properly adjusted.
But sonically nicely flexble for a Marshall.

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