WalkMix Creator

WalkMix Creator enables musicians and creators to produce music easily and creatively in an immersive spherical sound field by using their familiar platform and workflows in 360 Reality Audio Music Format. 360 WalkMix Creator can be used within a studio environment or on the go utilizing only a laptop and headphones.

360 Sounds 360 Experience

With standard stem files or multi-track recordings from the studio or a live performance, mix in 360 Reality Audio using WalkMix Creator. Encode and deliver your music in 360 Reality Audio Music Format, a format optimized for music distribution and compliant with MPEG-H 3D Audio, an open audio standard.

Virtualizer-ready For Headphones

WalkMix Creator has a virtualizer for reproduction with headphones. When the sound reaches the eardrum, it is affected by the echo of the room and the shape of the ear, causing a change in the sound in the space. When playing back with headphones, you can embody the feeling of being there by digitally reproducing the same changes in the sound played through the headphones.

Features

Connect with your audience like never before with a transformative production that will envelop an awe-inspiring element that has yet to be introduced until now. Distinguish your craft and experience the difference of WalkMix Creator:

• Object Grouping: Group objects and create subdivisions within those groups to uniquely position key elements within the production.
• 360 Degree Control: Automate up to 128 audio sources to fully encapsulate your listeners.
• Track Automation: Optimize sounds within various stages to ensure the integrity in the shape of both static and dynamic sources.
• Mapping of Audio File: Navigate audio positions with fidelity through a 360 degree sound field.
• Automated Workflow Integration: Adaptive audio technology enhances key performance sectors to aid in automating each nuance within the workflow.
• Drag and Drop: Designed with premier object positioning that aids in furnishing your workflow in an intuitive fashion.

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