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White 2A Leveling AmplifierbyIK Multimedia
 White 2A Leveling Amplifier by IK Multimedia is a Virtual Effect Audio Plugin. It functions as a VST Plugin, an Audio Units Plugin and an RTAS Plugin.
White 2A Leveling Amplifier
White 2A Leveling Amplifier
Product White 2A Leveling Amplifier
Developer IK Multimedia
Price (MSRP)
$79.99 / €64,99
Type / Tags Dynamics (Compressor / Limiter)
Plug-in, App & Soundware Format(s)
Effect(s)   
Operating System Availability
Operating
System
Latest
Version
Download Released
 
5.1
 
Downloads Released
System Requirements
Windows (64-bit)

Minimal: Intel Core 2 Duo or AMD Athlon 64 X2, 4 GB of RAM (8 GB suggested), Windows 7, Windows 8 or Windows 10. Requires an ASIO compatible sound card.

Supported Plug-in formats (64-bit): VST 2, VST 3, AAX.

NOTE: EQual processor requires an OpenGL 2 compatible graphics adapter.

Internet connection is required as all of the Custom Shop operations are web based.

*For 32-bit compatibility check out T-RackS 4 CS' at the link below.

https://www.ikmultimedia.com/products/tr4cs/
 
5.1
 
Downloads Released
System Requirements
Mac (64-bit)

Minimal: Intel Core 2 Duo, 4 GB of RAM (8 GB suggested), macOS 10.9 or later.
Supported Plug-in formats (64-bit): Audio Units, VST 2, VST 3, AAX.

*For 32-bit compatibility check out T-RackS 4 CS' at the link below.

https://www.ikmultimedia.com/products/tr4cs/
Miscellaneous Information
Copy ProtectionOnline Activation (Challenge / Response)

The White 2A Leveling Amplifier is based on a legendary vintage unit that is entirely tube-based. It's a totally different device in terms of construction where all the compression magic happens inside an optically coupled element formed by a fluorescent panel and some photocells: the famed T4A element. There is no electronic circuitry involved with the compression itself. It's just a tube amp with photo-resistors, lighted by a fluorescent panel driven by the output signal. At the time of this invention, there were not many ways of making an audio compressor: only variable-mu and optical. Optical was the simplest one, and if proper elements for both the light emitting panel and the photocells were matched, magic happened.

Originally intended for use in broadcasting, it immediately became a truly signature unit for music recording and mixing. It's a must-have for both tracking and mixing vocals, but it's also tremendously effective on electric bass, upright bass, piano, winds and many other tracks where you need a gentle compression with great warmth and consistency. This is one of the few units in the audio industry that nobody will allow to be substituted with anything else.

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