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Product Reviews by KVR Members

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Chordalys Mood

Reviewed By zeph [all]
June 11th, 2026
Version reviewed: 1.0 on Windows

Giving me a VIRUS (Panda Anti Virus) when I try install !!!!!!.

Watch Out.

Developer respond!!.

Response from Artlace from Chordalys on June 12th, 2026

Thank you for reporting this.

I investigated the issue and found that the Windows installer was triggering a small number of antivirus heuristic detections. As a precaution, I have removed the installer and replaced the Windows download with a simple ZIP distribution containing the VST3 plugin directly.

I also verified the plugin itself separately using VirusTotal, where the VST3 plugin file scans clean.

The updated download is now available. If you are willing to give it another try, I would appreciate your feedback.

Thank you again for bringing this to my attention.

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Arponaut

Reviewed By edrickblade [all]
June 11th, 2026
Version reviewed: 1.0.3 on Windows

A real free Scaler alternative, it takes time to learn to use it but once you get into, you can use it to create your own presets.

GREAT JOB.

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DeepPerfection

Reviewed By Aarondavidestes [all]
June 11th, 2026
Version reviewed: 1.2.0 on Mac

Does what it says. Didn't realize my mixes had phase issues until I put it on. Only wish it had value readouts. Please include in a version update.

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Bionic Delay 2

Reviewed By Fruitynator [all]
June 11th, 2026
Version reviewed: 2.0 on Windows

This is (by far!) the best delay plugin I own, and I have some expensive industry-standard ones too. Bionic Delay 2 is a joy to use and sounds fantastic (beautiful-sounding filtering in the feedback path, very flexible, musical). It has character. See for yourself and try the demo version. I'm not giving it 5 stars - I'm giving it 6. That's all I can say.

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The-One

Reviewed By Warkyuu [all]
June 11th, 2026
Version reviewed: 1.0 on Windows

I received this plugin for free from the developer, however I will still try my best to be honest about my opinion with this plugin.

This is a really fun plugin! It's about what you would expect out of an analog synth, just pure fun retro sound design. Of course, the interface is also wonderful to look at. The small number of presets may be a bit disappointing for those who use them, and as this is an analog synth, there isn't anything in particular that is groundbreaking about it. If you want something that's cheaper then much of the competition and sounds good, this is far from a bad choice.

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Phonon

Reviewed By Warkyuu [all]
June 11th, 2026
Version reviewed: 1.0 on Windows

I received this plugin for free from the developer, however I will still try my best to be honest about my opinion with this plugin.

This is a fun, easy to use plugin with a good looking UI that reminds me of older plugins. It features pretty much everything you would expect to see in a granular synth, and it comes with extra powerful modulation capability for good measure. I do believe that often times the modulation capabilities this plugin has out preforms the overall feature set of the synth, leaving me to not use them as much as I would hope to. The small number of presets showcases the features well, however the number may be disappointing for those who use them. The effects are also a bit lacking, so bringing your own is a must.

Overall I think Phonon is a fun, easy to use granular addition to my collection, and I am happy that I spent time creating with it.

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Keystone

Reviewed By vintagevalor71 [all]
June 9th, 2026
Version reviewed: 1.0.0 on Windows

Excellent ! Je l'utilise tout le temps. J'utilisait Spectrum de Ableton Live 12 et le Keystone est super précis .

Je recommande à tout ceux qui cherche la rapidité et l'efficacité.

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Wake

Reviewed By tylepa [all]
June 9th, 2026
Version reviewed: 1.2 on Mac

Every few months a plugin shows up that's hard to file under an existing tab, and Reactive Audio's Wake is one of them. On paper it sounds like another audio-reactive effect. It detects transients in your audio and does something on each hit, and we've seen that before. But Wake isn't a shaper. It doesn't reshape the audio that's already there. It generates new sound that builds into every hit, and that one design choice makes it feel like a different category entirely.

The core idea
Drop Wake on a drum bus and play. For every transient it detects, it grows a swell that rises and resolves exactly on the hit, a kind of pre-echo. In Reverb mode that swell is a reverse-reverb of the hit. In Spectral mode it's resynthesized from the hit's own frequency content, which is where things get interesting. Because the swell is built from the sound that triggered it, it carries that timbre. A vocal blooms into a vocal-ish wash, a synth into a synth-ish riser, and it's all locked to the performance rather than a tempo grid.

It uses look-ahead to pull this off, so there's latency (your DAW compensates for it). That makes Wake firmly a mix-time tool rather than something for live monitoring, and the manual is upfront about it. Fair enough.

The 1.2 headline: MIDI-controlled harmony
The marquee addition in 1.2 is the one that made me sit up. In Spectral mode you can set Harmony to "Played (MIDI)", route a MIDI chord to the plugin, and the swells bloom into whatever you're holding. Hold a Cmaj and your hits harmonize to Cmaj. Move to Am and they follow. On a sustained vocal or a melodic plucked source it's genuinely lovely. You get these harmonized risers that move with the song, the kind of thing you'd normally automate by hand or layer in by ear. It turns an effect into something closer to a playable instrument.

On drums it's more of a coloration than a clean chord. Drums are mostly inharmonic, so you get a tuned, harmonic halo rather than a piano voicing. As an atmospheric riser under a build, it works a treat.

Niggles
A few. Routing MIDI to an audio-FX plugin is DAW-dependent. It's painless in Bitwig, Ableton, FL and Reaper, but fiddly in Logic, where AU effects don't take MIDI gracefully (a macOS limitation, not really Wake's fault, but worth knowing). The Windows build is brand-new this version and unsigned, so you'll click through a SmartScreen warning on install. And by nature this is a niche tool. It does one unusual thing extremely well rather than being a do-everything box, so whether it earns a slot in your chain depends on whether that thing speaks to you.

Verdict
At $20, Wake is an easy recommendation for anyone who likes sound design that reacts to the material instead of fighting it. Think film and trailer folks, electronic producers chasing risers, or anyone who wants tasteful movement on drums and vocals without drawing automation. The reverse-swell-into-the-hit is the genuinely original bit, and 1.2's MIDI harmony pushes it from "clever effect" toward "small instrument." It won't be on every track, but on the right ones it does something nothing else quite does.

Pros: Genuinely novel concept. Gorgeous spectral and harmonized swells. MIDI harmony is inspiring. Cheap, and cross-platform now.

Cons: Niche by design. Mix-time latency. MIDI routing awkward in Logic.

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Void Wave

Reviewed By Warkyuu [all]
June 8th, 2026
Version reviewed: 0.9 on Windows

I enjoy this synth quite a lot! It has a great looking interface, and it is rather powerful! The closest comparison I can make to this is Cobalt, as they sound similar though not the same. Overall great synth.

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Xpand!2

Reviewed By lenvdb [all]
June 7th, 2026
Version reviewed: 2.2.7 on Windows

I have been using this amazing Rompler for over a year now. I am moving to a Linux OS and was wondering if the Devs are planning to release a Linux version for us? Pretty please?

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Fixate:Midrange
Dynamic EQ
by Newfangled Audio
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