Agree 100% except for the part about Sakamoto and Yanno. I love both, but I think Sakamoto is the more original one. Yanno's ripped off Sakamoto on more than a few occasions--from her score for Cowboy Bebop to Macross Plus and others. Sakamoto is in a league all his own.StrangeCat wrote:Sakamoto Ryuichi is ok another you know producer Composer. Yoko Kanno is God Ha!
I just like to do more melodic styles, also there is a lot more harmony going on in Jpop then any style of popular music period, and lot of the producers can compose music other then just putting together a song. But yea it's all in the connections. Singers are only as good as there producer^_* idol singers etc. One way I know to get in is get the attention of a developer by doing something big in the US...
I barely post in KVR because frankly I can't stand the music people talk about(music?) grab some guitars instruments drums, mix master in studio and cd...and no harmony week melody, pathetic song structure, no cressendos, key changes etc...
ja
Isn't it amazing how Jpop has such lush melodies, arrangements, far wider range of styles, and much superior musicality in general compared to music from other countries (although the Koreans are catching up)? The average producer/songwriter/arranger in Japan is far better of a musician, knowing a ridiculous wide range of styles to draw from to form a complex and sophisticated sonic palette. I've been a huge fan since I was 13, and that love for Jpop has never wavered, even during the crappy T.K. years (I found sanctuary in bands like B'z, Buck-Tick, and various anime scores).
Think about it--you take the songwriting/composition/arrangement from the biggest pop stars in the U.S., and compare the quality of the music to the ones in Japan, there is just no comparison. The U.S. pop charts are filled with that crappy R&B stuff where everything sounds the same and the melodies/harmonies/arrangements are just crap. Even something as shallow as Morning Musume has awesome music.
