This is certainly a valid concern, but I would argue that you serve the music better by re-recording at the new tempo. No matter how good your timestretch is, it's not going to be as good as the real deal. Like I said, I'm not a big "fix it in the mix" kind of guy.braj wrote:Imagine these scenarios:
Pro: You hire a session musician to come in per hour and lay down some tracks, hire some back-up vocalists as well. Maybe a Bass player. A drummer would be a big deal. Any one of these. Then a week later you want to gradually increase/decrease parts of the song. Without decent timestretch you would have to pay them twice. Of course if you are a pro you probably own other tools to do this, but it would be nice to have it all in T.
Of course, I realize that money doesn't grow on trees, and so the best solution isn't always affordable. But I tend to believe there's an easy way, and then there's the right way.
I just can't imagine ever needing to do this, myself. And even then, it would be a rare occasion. I do understand the draw, I'm just saying it's not really something I need.braj wrote:Me: My 2 year old son wanders into my 'studio' and wants to sing, so record him singing something at 90 BPM, just randomly. Later I want to use this in a tune @110 BPM. T won't let me do this, but it would with decent timestretching will. Live for instance is super simple in this regard, dealing with audio is incredibly easy (though I would hope T's eventual implementation of a new algorithm is better than Live's).


