Isn't that what TriTone Digital's stuff does?Frippertronix wrote:Another thing to consider is that other types of h/w are not thoroughly captured by impulse responses either. For instance, tube coloration that happens dynamically (i.e. "warmth" created by dynamic harmonic coloration) can't be recreated by static impulses, though I've heard there is such a thing as dynamic convolution.
CSR-1 - Lexicon300 - Comparison
- KVRAF
- 19156 posts since 13 Feb, 2003 from Vancouver, Canada
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- KVRAF
- 5200 posts since 17 Aug, 2004
Hm...
From all threads here, when you sum all things all subjective and objective opinions it seems that guys from ArtsAcoustic somehow manage to done fantastic job with their flagship ArtsAcoustic Reverb. In all rounds.
It is not pretended to be "i am in lexicon bandvagon" fancy nonsense and it have specific sound character. Realy realy goood character
It is a bit expensive to "bedroom" musicians but it will give alot for price. Copy protection scheme is without famous dongle(it is only serial number), "fair use" license policy, fantastic sound which work wonders in a mix, not so hard on CPU and great GUI. And YOU CAN TRY A DEMO!!!!
I am looking forward to buy this. My only wishes is maybe true plate algorithm(though you can get similar character) and maybe volume envelope (like that on Masterverb)
Ehh...just my two $...sorry for bad typing....
From all threads here, when you sum all things all subjective and objective opinions it seems that guys from ArtsAcoustic somehow manage to done fantastic job with their flagship ArtsAcoustic Reverb. In all rounds.
It is not pretended to be "i am in lexicon bandvagon" fancy nonsense and it have specific sound character. Realy realy goood character
It is a bit expensive to "bedroom" musicians but it will give alot for price. Copy protection scheme is without famous dongle(it is only serial number), "fair use" license policy, fantastic sound which work wonders in a mix, not so hard on CPU and great GUI. And YOU CAN TRY A DEMO!!!!
I am looking forward to buy this. My only wishes is maybe true plate algorithm(though you can get similar character) and maybe volume envelope (like that on Masterverb)
Ehh...just my two $...sorry for bad typing....
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- KVRAF
- 3617 posts since 26 Sep, 2003 from Bradford - The Armpit of Britain
Not to hijack, but I agree Kmonkey - right now AA is the only one i'd consider buying.
I'd like to play with a demo of CSR (non-dongle only, if possible) - but it would have to be fewkin amazing & actually trash AA to justify the 140 euro higher price tag.
That is before taking into account my attitude on dongles.
I'd like to play with a demo of CSR (non-dongle only, if possible) - but it would have to be fewkin amazing & actually trash AA to justify the 140 euro higher price tag.
That is before taking into account my attitude on dongles.
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- KVRAF
- 5017 posts since 13 Dec, 2005 from The Void
Hell no, I got some crap like Cubasis4, wavelab lite, and SFX Machine lite or some garbage like that..bduffy wrote:Sorry, I didn't see this. With the E-MU I got the T-Racks EQ and Amplitube LE. Pretty frickin' decent, if you ask me. You didn't get that with yours??Sickle wrote:What OEM stuff for 1212m are you talking about? They must have changed the bundle since I got mine..bduffy wrote:Thanks, Sickle. hey, I just realised I qualify for a $50 discount because of the OEM stuff that came with my E-MU 1212m...SWEET!!!Sickle wrote:I do, but it's not here yet; it was shipped this afternoon.bduffy wrote:So does anybody own CSR?

Jens, "B.t.w.: it appears I was wrong"
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- KVRAF
- Topic Starter
- 2208 posts since 13 May, 2005
Are impulse responses as good as the real thing? No, they're not. The modulation does indeed add a lot to the classic sound, but there's more than this: If you turn Spin and Wander to 0 (= switch of modulation), create an impulse response and send a sample through both the hardware and a convolution plugin, the real unit still sounds better. It's probably not that obvious for many, but the bass sounds a lot more defined, punchier and the highs are more pleasant, clearer (which means that transient response is obviously better) - there is some degration of sound due to convolution. Turn on the modulation again, and the hardware sounds a lot less smeared than the impulse. In the context of a mix, the added clarity combines to an audibly more transparent, punchier sound.
As far as the sound examples are concerned: Could anyone just run them trough the CSR and post screenshots anyway? I'm aware that the settings won't match, but it'll be a lot easier to adjust the Lex300 accordingly.
Squish, thanks a lot for your offer of selling the CSR at that increadibly price. However, I really do not need it right now (two Lexicons in a mix DO suffice) - unless it's as good as a 480l. Still, I'm very interested in how it compares...
As far as the sound examples are concerned: Could anyone just run them trough the CSR and post screenshots anyway? I'm aware that the settings won't match, but it'll be a lot easier to adjust the Lex300 accordingly.
Squish, thanks a lot for your offer of selling the CSR at that increadibly price. However, I really do not need it right now (two Lexicons in a mix DO suffice) - unless it's as good as a 480l. Still, I'm very interested in how it compares...
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- Banned
- 318 posts since 27 Jul, 2005
you have a Lexicon 300? Could you sample the original vs. IR one without modulation of the original?
- KVRAF
- 11380 posts since 3 Feb, 2003 from Finland, Espoo
This I would believe is more dependant on what IR Reverb engine you use. For instance, pristine space from voxengo sounds different to SIR and Waves IR reverb sounds still different. They all use slightly different methods of playing back those impulses. None of them I think is pure brute force (which would then theoretically sound identical as long as the original is also in a truly static mode).living sounds wrote:Are impulse responses as good as the real thing? No, they're not. The modulation does indeed add a lot to the classic sound, but there's more than this: If you turn Spin and Wander to 0 (= switch of modulation), create an impulse response and send a sample through both the hardware and a convolution plugin, the real unit still sounds better. It's probably not that obvious for many, but the bass sounds a lot more defined, punchier and the highs are more pleasant, clearer (which means that transient response is obviously better) - there is some degration of sound due to convolution. Turn on the modulation again, and the hardware sounds a lot less smeared than the impulse. In the context of a mix, the added clarity combines to an audibly more transparent, punchier sound.
The thing that interests me more about algo reverbs versus IR reverbs is that I find the algo reverbs somehow blend better into a mix. They become a part of the mix instead of a layer that is added in the background. Anybody else noticed this? It's especially obvious if you are mixing modern pop/dance tunes that are extremely dry sounding to begin with. Here I've totally failed to use impulses and rely nearly 100% on my AA reverb. I noticed this thing the first time when I was mixing a silly rock project in the university and switched from Altiverb to a Lexicon PCM 91. There was a difference in how the reverb was geeling with the mix. I'll investigate this further for sure as it interests me quite a bit!
Cheers!
bManic
"Wisdom is wisdom, regardless of the idiot who said it." -an idiot
"They don't ban hate speech; they ban speech they hate." -an oracle
"They don't ban hate speech; they ban speech they hate." -an oracle
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- Banned
- 318 posts since 27 Jul, 2005
What is an AA reverb?
and your lower part totally contradicts the upper one...
and your lower part totally contradicts the upper one...
- KVRAF
- 19156 posts since 13 Feb, 2003 from Vancouver, Canada
That's weird...I got all that crap too, and the IK stuff. Maybe check your CD's again?Sickle wrote:Hell no, I got some crap like Cubasis4, wavelab lite, and SFX Machine lite or some garbage like that..bduffy wrote:Sorry, I didn't see this. With the E-MU I got the T-Racks EQ and Amplitube LE. Pretty frickin' decent, if you ask me. You didn't get that with yours??Sickle wrote:What OEM stuff for 1212m are you talking about? They must have changed the bundle since I got mine..bduffy wrote:Thanks, Sickle. hey, I just realised I qualify for a $50 discount because of the OEM stuff that came with my E-MU 1212m...SWEET!!!Sickle wrote:I do, but it's not here yet; it was shipped this afternoon.bduffy wrote:So does anybody own CSR?
I'm glad some people mentioned the Arts Acoustic reverb; it doesn't try to be anything other than a great digital reverb, which it is. The best available (barring CSR demos), IMHO.
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- KVRian
- 1119 posts since 29 Jun, 2004 from within you without you
I'll be shocked and amazed if the CSR is better than the AAR verb.
The Arts Acoustic blows all the others away. imho And like others said, it doesn't try to be hardware or fool you with a fancy rackmount gui into thinking it sounds better than it does. It just sounds beautiful. imho
The Arts Acoustic blows all the others away. imho And like others said, it doesn't try to be hardware or fool you with a fancy rackmount gui into thinking it sounds better than it does. It just sounds beautiful. imho
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- KVRAF
- 5017 posts since 13 Dec, 2005 from The Void
I'm positive. I just ordered the audiodock upgrade and it comes bundled with...[wait for it...]...bduffy wrote:That's weird...I got all that crap too, and the IK stuff. Maybe check your CD's again?Sickle wrote:Hell no, I got some crap like Cubasis4, wavelab lite, and SFX Machine lite or some garbage like that..
I'm glad some people mentioned the Arts Acoustic reverb; it doesn't try to be anything other than a great digital reverb, which it is. The best available (barring CSR demos), IMHO.
CubaseVST 5!

Jens, "B.t.w.: it appears I was wrong"
- KVRAF
- 19156 posts since 13 Feb, 2003 from Vancouver, Canada
Hell yeah! I hear that's got ONE LEVEL OF UNDO!Sickle wrote:I'm positive. I just ordered the audiodock upgrade and it comes bundled with...[wait for it...]...bduffy wrote:That's weird...I got all that crap too, and the IK stuff. Maybe check your CD's again?Sickle wrote:Hell no, I got some crap like Cubasis4, wavelab lite, and SFX Machine lite or some garbage like that..
I'm glad some people mentioned the Arts Acoustic reverb; it doesn't try to be anything other than a great digital reverb, which it is. The best available (barring CSR demos), IMHO.
CubaseVST 5!
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Well, that's lame...that must be a US/UK thing...but IK is Italian! Who knows?
- KVRAF
- 11380 posts since 3 Feb, 2003 from Finland, Espoo
No, dynamic convolution is patented by Sintefex.bduffy wrote:Isn't that what TriTone Digital's stuff does?Frippertronix wrote:Another thing to consider is that other types of h/w are not thoroughly captured by impulse responses either. For instance, tube coloration that happens dynamically (i.e. "warmth" created by dynamic harmonic coloration) can't be recreated by static impulses, though I've heard there is such a thing as dynamic convolution.
- bManic
"Wisdom is wisdom, regardless of the idiot who said it." -an idiot
"They don't ban hate speech; they ban speech they hate." -an oracle
"They don't ban hate speech; they ban speech they hate." -an oracle
- KVRAF
- 19156 posts since 13 Feb, 2003 from Vancouver, Canada
Right, I thought that sounded familiar.bmanic wrote:No, dynamic convolution is patented by Sintefex.bduffy wrote:Isn't that what TriTone Digital's stuff does?Frippertronix wrote:Another thing to consider is that other types of h/w are not thoroughly captured by impulse responses either. For instance, tube coloration that happens dynamically (i.e. "warmth" created by dynamic harmonic coloration) can't be recreated by static impulses, though I've heard there is such a thing as dynamic convolution.
- bManic

