How many differetnt reverbs u use in a song?
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- KVRian
- 527 posts since 22 Jun, 2004
Usually I use 2 reverbs. One on the snare, and one on a send bus.
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- KVRist
- Topic Starter
- 273 posts since 5 Apr, 2005
God...how many (number) different revs you use to use in a project (whole production, tune, track...name it as you wish)? then which are your settings for those reverbs (1.room short, 2.med plate, 3.long dark plate, etc..)?
Escuses if i didnt explain it well enough.
Escuses if i didnt explain it well enough.
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- KVRAF
- 2208 posts since 13 May, 2005
Depends, doesn't it? And, BTW, quite often a delay does the job better, as it won't mud the mix as much...
- Beware the Quoth
- 35520 posts since 4 Sep, 2001 from R'lyeh Oceanic Amusement Park and Funfair
Why?eddu wrote:Yes, it completely depends, thats why i asked how many revs YOU USE to have. In global terms.
An idiot on Set Theory:
"In some cases there is an object called red that contains everything that is red. In much the same way a pot is a plate."
"In some cases there is an object called red that contains everything that is red. In much the same way a pot is a plate."
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- KVRAF
- 4074 posts since 28 Apr, 2004
ten hundred bazillion and one, or 42, or 1, or none depending on the tune.
steve.
steve.
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- KVRist
- Topic Starter
- 273 posts since 5 Apr, 2005
Just curiosity. As I said i tend to use only delays, and maybe 1 reverb when i want exactly a very defined reverb sound. Just wanted to see if people do this as well or if they use a lo of reverbs.
BTW i do mostly electronic music. Maybe that style doesn't demand the reverb sound too much.
BTW i do mostly electronic music. Maybe that style doesn't demand the reverb sound too much.
- KVRAF
- 20932 posts since 22 Nov, 2000 from Southern California
Two on average & usually as a minimum, four max if the song calls for that little extra "dreaminess". 
As living sounds said, delays can do the job of a reverb with less mud. My typical project will have lots of delay inserts, mostly short 50-70ms ones for adding stereo spread. Both long & short delays are usually mixed in very low (<12% on average).
As living sounds said, delays can do the job of a reverb with less mud. My typical project will have lots of delay inserts, mostly short 50-70ms ones for adding stereo spread. Both long & short delays are usually mixed in very low (<12% on average).
- Beware the Quoth
- 35520 posts since 4 Sep, 2001 from R'lyeh Oceanic Amusement Park and Funfair
I do 'electronic music'. And reverb is demanded where and when necessary.eddu wrote: BTW i do mostly electronic music. Maybe that style doesn't demand the reverb sound too much.
http://www.kvraudio.com/forum/viewtopic ... 27#1852327
An idiot on Set Theory:
"In some cases there is an object called red that contains everything that is red. In much the same way a pot is a plate."
"In some cases there is an object called red that contains everything that is red. In much the same way a pot is a plate."
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- KVRist
- Topic Starter
- 273 posts since 5 Apr, 2005
Of course, but its less critical using delays instead of reverbs on glitch weird tracks than doing so over a lead female voice on a ballad or soul tune. At least thats what my ear demands when listening to these more conventional songs.
- Beware the Quoth
- 35520 posts since 4 Sep, 2001 from R'lyeh Oceanic Amusement Park and Funfair
I find it more critical. But since you didnt make the context 'conventional songs', how do we know what you're actually interested in?eddu wrote:Of course, but its less critical using delays instead of reverbs on glitch weird tracks than doing so over a lead female voice on a ballad or soul tune. At least thats what my ear demands when listening to these more conventional songs.
An idiot on Set Theory:
"In some cases there is an object called red that contains everything that is red. In much the same way a pot is a plate."
"In some cases there is an object called red that contains everything that is red. In much the same way a pot is a plate."



