When you're creating sounds from scratch with the oscillators (and you happen to be an OCD control freak) it's really offputting how the phases of the unison voices could be in an arbitrary position, often causing extreme cancellation or boosts. I prefer many types of bass sound without unison, and I really think turning unison detune to 0 should either mute or reset the phase of the unison oscs.
Aside from that, I'm really excited by this. The sync oscillators can do some wonderfully acidic things with the slave pitch disconnected from the master (it resembles a filter with keytracking off
