Maybe Jules does not even want it to keep pace as such.Although the expectations for T2 are so high now that most people like me really think it will at least rival Live 4...only Jules knows I guess.Without knowing how many mackoids are working on development - it is not inconceivable that Tracktion development is still an entirely one man show, the chnaces of Tracktion being able to keep pace with Live4, and even keep ahead of Podium are hard to guess. Assuming Jules is still the main coding input though, it is unlikely that Tracktion will hold up well against Live4.
Unless Mackie surprise us all price should always be in Tracktions favour.Tracktion's main advantage is still price.
If T2 fixes everything that is currently not quite finished in T1, adds hardware controller support, and incorporates a decent commercial time stretch algorithm then the budget Cubasis market sequencers are in a lot of trouble. Is Live does the damage higher up in the market that it's starting to sound like it might do, then there are going ot be some worried sequencer companies out there.
I agree with the budget sequencer theory...with the right adjustments and features in T2 it will probably be no contest.
I also think Live 4 has already caused major shockwaves through the Sequencer landscape and that the big boys are surely concerned.
Who would bother spending £500 on something when they can get the same features for less.Of course many will still use the big packages out there (why not if thats your preference) but the Cakewalks and Steinbergs will hopefully rethink Cubase SX3 and Sonar 4 now.
Image line will be concerned about Live 4 as well I'm sure.... im real excited about live4 since it may well make my recent purchase of fl-studio a little redundant
A slimmed down version may emerge but I doubt it.Yes it is going to be very interesting indeed over the next few months.What will the big boys do now?... if live4s pattern sequencers for MIDI work as well as live3s audio capabilities then even the soft studio devs (fl / orion / P5 / even reason / etc) might be feeling their palms starting to sweat too (although they will obviously still have a price edge - anyone fancy a slimmed down cheaper version of live4 though ??? )
this is going to be a MIGHTY interesting few months ...
slainte rob
They really caught my attention just like the first time I tried out the Tracktion demo...amazed!Live4 definately raised my eyebrow. Those additional features are pretty hardcore... and the idea of processing midi in a fashion similar to the audio sounds pretty tempting. The pattern editor sounds sick too! I'll definately be checking it out without question.
They certainly work together very well.They may not be a better combination.In any case, I could see building certain arrangement with Live.. then rendering everything into tracktion for some serious editing, tweaks, and what not...
I was very close to buying either ERA or Energy XT as they are both highly recommended and many on KVR use Tracktion and Energy XT but Live 4 has put the breaks on that! For now anyway...if anything, I think eXT is more of a threat to Tracktion than anything else. It's getting an large number of new features weekly, it's pretty damn stable, it has a modular environment, you can compose in a clip based fashion (even automation! ), and if you are clever, you can compose midi with it LIVE (right now) and it's $40 cheaper.
Live 3 does have a complete arranger and a Live view. The arranger is exactly like Tracktion, Sonar or Cubase in terms of basic functions.This aspect of Live gets very little mention in any publicity for the program but takes up the first 15+ pages or so of the Live 3 manual and works very well.Live is software for doing live sets and always will be. Therefore it will always compromise certain things to maintain the 'live set' focus. I think Live is good in the studio for coming up with ideas quickly, but it's not so great for composing full songs from beginning to end like Tracktion is.
True... and I have a feeling that Jorgen (Energy XT) and our very own Julian Storer would agree with you.Oh and btw, as a programmer, I have seen people that are capable of creating software at 5-10x the speed of other developers. Just because Ableton is a big(ger) company and has more people programming, it doesn't mean that there isn't a genius dev out there that could program circles around a team of so-so or even decent coders. A lot of human inefficiencies are eliminated when you don't have to collaborate on a project.
I think alot of people will get both...I feel a strong relationship to Tracktion, but this made some serious considerations for me.
But I see the points over here, I might get bouth Live 4 and T2...
But from a Mac laptop perspective, this is simply awsome!!!


