For example "trance music". Music that is supposed to put you in a trance - cut to 15 years later - while being blasted in both ears with super-saws that sound like an air raid siren.
That sounds really mellow.
aciddose wrote:your musical identity depends entirely upon the culture you are exposed to
Well, isn't that still the case, though, despite exceptions (like myself)? Made by black people for black people? I don't think R&B artists in the studio care about what might appeal to white or Asian people. They do their thing, as part of the African-American cultural identity (which again is not without exceptions of course, but still).highkoo wrote:It may not necessarily imply prejudice, but its racial stereotyping.
The term obviously comes from that point of view, and imo still references those ideas with its modern use.
In the US, the word 'fag' has had an interesting journey.
Its common use now often does not have anything to do with sexuality.
So for some people, that word has softened, because its not being used in the same way about the same thing.
This is different, imo, because regardless of the claim that 'black music' is now its own term, it still means 'music made by and for black people', and the line between 'white' music and 'black' music is still drawn with racial considerations.
aciddose wrote:your musical identity depends entirely upon the culture you are exposed to
And it is limitless.
Given more exposure, art appreciation is almost infinite.
fluffy_little_something wrote:Well, isn't that still the case, though, despite exceptions (like myself)? Made by black people for black people? I don't think R&B artists in the studio care about what might appeal to white or Asian people. They do their thing, as part of the African-American cultural identity (which again is not without exceptions of course, but still).highkoo wrote:It may not necessarily imply prejudice, but its racial stereotyping.
The term obviously comes from that point of view, and imo still references those ideas with its modern use.
In the US, the word 'fag' has had an interesting journey.
Its common use now often does not have anything to do with sexuality.
So for some people, that word has softened, because its not being used in the same way about the same thing.
This is different, imo, because regardless of the claim that 'black music' is now its own term, it still means 'music made by and for black people', and the line between 'white' music and 'black' music is still drawn with racial considerations.
aciddose wrote:your musical identity depends entirely upon the culture you are exposed to
And it is limitless.
Given more exposure, art appreciation is almost infinite.
As I said, I am not the one making this a matter of race. It is a matter of music, though. It doesn't matter whether we call it black music, or urban contemporary (which I take it is the current pc term for it). I don't care what color the people are who make black music.highkoo wrote:fluffy_little_something wrote:Well, isn't that still the case, though, despite exceptions (like myself)? Made by black people for black people? I don't think R&B artists in the studio care about what might appeal to white or Asian people. They do their thing, as part of the African-American cultural identity (which again is not without exceptions of course, but still).highkoo wrote:It may not necessarily imply prejudice, but its racial stereotyping.
The term obviously comes from that point of view, and imo still references those ideas with its modern use.
In the US, the word 'fag' has had an interesting journey.
Its common use now often does not have anything to do with sexuality.
So for some people, that word has softened, because its not being used in the same way about the same thing.
This is different, imo, because regardless of the claim that 'black music' is now its own term, it still means 'music made by and for black people', and the line between 'white' music and 'black' music is still drawn with racial considerations.
aciddose wrote:your musical identity depends entirely upon the culture you are exposed to
And it is limitless.
Given more exposure, art appreciation is almost infinite.![]()
No offense, really; But the things you say come from a very strange pov, imo.
Not everyone defines their existence or their art or their interface with others in terms of race.
Again no offense, but I get the impression that you have not been around lot of racial diversity.
I would agree that sometimes stereotypes exist for a reason, but in 2014 it is not hard to find people of all types that break the old molds...
Actually, you kinda did make it a matter of race, right in the OP.fluffy_little_something wrote:As I said, I am not the one making this a matter of race. It is a matter of music, though. It doesn't matter whether we call it black music, or urban contemporary (which I take it is the current pc term for it). I don't care what color the people are who make black music.
fluffy_little_something wrote:Do black people have their own boards, like an R&B board?
I did not say anywhere that this board was "so completely dominated by" white music. But as someone else said it is predominantly white, yes, that is my impression (which does not correspond to your search hits at all). There is nothing wrong with that, still I am looking for something that is a bit more on my wavelength musically speaking.whyterabbyt wrote:There are 13 thousand hits for 'hiphop' or 'hip hop' at KVR, compared to 20 thousand hits for 'trance'. There are 7500 hits for 'funk' compared to 5000 for 'punk.' There are 17,000 hits for 'jazz' compared to 30,0000 for 'pop'. There are 7000 hits for 'soul' and only 5000 for 'dubstep'. There are 2000 hits for 'reggae' versus 3000 for 'garage'.
On that basis, Im really not that convinced that the OPs theory that this board is so completely dominated by genres one could arbitrarily dichotomise as 'white music' as they claim. There would appear to be a fairly significant part of KVR foccussed on 'black music'.
No, I have repeatedly said that while of course there is a strong correlation between black music and black people, there are also exceptions, like myself, simply because I grew up listening to that kind of music.whyterabbyt wrote:Actually, you kinda did make it a matter of race, right in the OP.fluffy_little_something wrote:As I said, I am not the one making this a matter of race. It is a matter of music, though. It doesn't matter whether we call it black music, or urban contemporary (which I take it is the current pc term for it). I don't care what color the people are who make black music.
fluffy_little_something wrote:Do black people have their own boards, like an R&B board?
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