From my understanding:
- Threshold, Attack, and Release controls act how they normally do in a compressor
- Dynamics knob sets the maximum boost/attenuation for the band
- Level Gain acts as a pre-emphasis for the detector circuit only, much like an internal sidechain would, and does not affect the audible gain
- There is no ratio knob, but there is a Level Transformation graph that can be used to control the in:out ratio
- If my dynamics knob is at -12 dB, and my threshold is -40 dB, at what input level will the maximum gain reduction be applied? How is this determined?
- If my Level Transformation graph shows a straight line from 0,0 to 100,100 that would mean my ratio is 1:1. How, then, is gain reduction handled if I set the Dynamics knob to, say, -12?
- What are the advantages and disadvantages (sonically) of Logarithmic, Squared, and Linear shape settings?
