i have to remember that, even though i wanted to learn swedish next, not spanish.jax wrote: sacanas = +/- motherfuckers
for those who think you need highly sophisticated soft/gear
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- KVRist
- 426 posts since 23 Apr, 2004 from the people's republic of popistan
My Distortion is Analogue...
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- KVRAF
- 2830 posts since 2 Mar, 2003 from The only civilized county in Texas
"Hardware is that part of the computer you can kick"Karsten Viese wrote:Most hardware is just a case used to keep the software running it falling onto the floor.
V.
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- KVRAF
- 2323 posts since 4 Mar, 2004 from Portugal (Lagos)
... and blame too:
-parents
-priests
-polithicians
-Michael Jackon
-Police officers
-MacDonalds
-Judges
-SONY
-...


-parents
-priests
-polithicians
-Michael Jackon
-Police officers
-MacDonalds
-Judges
-SONY
-...
Eventually something intelligent will appear written here. Watch this space.
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- KVRAF
- 7489 posts since 6 Jul, 2004
Surely not?pHz wrote:i blame the teachers ...headquest wrote:Standards have dropped, old chap, thing's just aren't what they used to be in our day. The young people of today just don't have any respect. Now when I was their age, if I had spoken out of turn I would have earned myself a damned good thrashing, etc...
slainterob
No, it's the parents, I'm telling you!
They're irresponsible, and they let their offspring watch The Simpsons, I mean - I ask you!
- KVRAF
- 25015 posts since 12 Jul, 2003 from West Caprazumia
If Rob says it's the teachers fault I bet it is -headquest wrote:Surely not?pHz wrote:i blame the teachers ...headquest wrote:Standards have dropped, old chap, thing's just aren't what they used to be in our day. The young people of today just don't have any respect. Now when I was their age, if I had spoken out of turn I would have earned myself a damned good thrashing, etc...
slainterob
No, it's the parents, I'm telling you!![]()
They're irresponsible, and they let their offspring watch The Simpsons, I mean - I ask you!
he should know best...
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- KVRist
- Topic Starter
- 79 posts since 19 Aug, 2003
he... I'm not Liam Howlett...
Sorry for the poor english, I do my best.
Sorry for the poor english, I do my best.
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- KVRAF
- 2323 posts since 4 Mar, 2004 from Portugal (Lagos)
Not Spanish, it's Portuguese!dekky wrote:jax wrote:
sacanas = +/- motherfuckers
i have to remember that, even though i wanted to learn swedish next, not spanish.
Eventually something intelligent will appear written here. Watch this space.
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- KVRAF
- 3528 posts since 18 Apr, 2002 from British Columbia, Canada
Sonar55 wrote:ejo is actually very right u bedroom producers have no freaking clue about the music business and how it works thats why i feel so bad for all these fruity loops mix's and traktion producers and reason beatmakers...
all your dreams will be crushed if your ever put in a position for a label to aquire your songs im not talking about a record label that your friend started out of his garage or some local nonsense we will release your record anyday now label im talking about a real label....
if your making music as a hobby thats cool but if your serious about this craft stop with the loop making software its gonna bite u in your ass in the longrun
do you really think a mastering engineer who graduated from the audio arts is gonna spend weeks trying to fix your poor quality songs just cause the lead is nice or the bass is good???
imo dont ever use a sequencer that doesnt include some kind of import/export to protools if u use nuendo or logic your ok cause they support omf which is alot easier for the mastering engineer...
you guys think that internet downloads make a song great, you think cause some guy who made a song with reason then invested his own money to put in on vinyl gives u some kind of inspiration that u can do it also...if thats what u wanna do do it...
but if your serious about this craft start understanding what the difference between quality and quantity is....
and im not just talking out of my butt i was in the same situation i had decent songs in almost all of the cheap sequencers but when i finally got my foot in the real studio door all my tracks were scrapped due to nothing but poor quality...
get serious or else youll be 40 years old telling your friends u got a record coming out anyday now...
child.
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- KVRAF
- 2323 posts since 4 Mar, 2004 from Portugal (Lagos)
Let's make one thing clear: I don't give a shit for big studios, big productions, big stars in the industry, etc. I know things do not have to be that way, but in current days big studios=MacMusic (like in MacDonalds). So, I hate the "industry", the "system"
. And lately I've heard more interesting music here on KVR than I do on the radio: the "industry" music; the establishement music. Not perfect mixes? Still I prefer them. Period!
I take one thing for sure: some home studios may be not that fancy, but can achieve better results than recordings made in the 50s, 60s, 70s, 80s, maybe 90s (and before, of course); some wonderful music was recorded in 2-4 track studios that couldn't reach (or even dream of) the power of most home studios today. And still we loved it...
The botom line, I suspect, is that the technological developement and democratization of unexpensive solutions can turn professionals very unconfortable. We all heard many bad examples of tracks mixing (I did lousy mixes myself, and still do
) but it's mainly a matter of practise, study, talent; and then maybe a good gear can help a little. It's not the gear that makes a professional, you have to have something else...
A real professional is expected to deal with ProTools or Logic, and the lousy starting musicians are expected to meet their standards, gearwise? Surprise, surprise: I suspect that it will happen the other way round
And maybe (just maybe) the standard will become the 32 bits wave (?), whatever sequencer produced it.
The rules are changing, my friends...
I take one thing for sure: some home studios may be not that fancy, but can achieve better results than recordings made in the 50s, 60s, 70s, 80s, maybe 90s (and before, of course); some wonderful music was recorded in 2-4 track studios that couldn't reach (or even dream of) the power of most home studios today. And still we loved it...
The botom line, I suspect, is that the technological developement and democratization of unexpensive solutions can turn professionals very unconfortable. We all heard many bad examples of tracks mixing (I did lousy mixes myself, and still do
A real professional is expected to deal with ProTools or Logic, and the lousy starting musicians are expected to meet their standards, gearwise? Surprise, surprise: I suspect that it will happen the other way round
The rules are changing, my friends...
Eventually something intelligent will appear written here. Watch this space.
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- Banned
- 590 posts since 20 Jan, 2003
jax for moderator ...
listen to this man ... than listen to my latest work on a MacG4 blablabla digi001 blablabla ...
( i´ve been on the G5 working already too )
now am i respected Kvr user cause i work on a Mac and use Digidesin ProTools ... ?
"á brava ..."
this my lastest , is a really pice of sh*t , an digidesign should be carefull with who is using their products ... it´s compromising their credibility .
... because too , there are some who still keep doing it just for fun .
a big good morning to you all , whoever you may be
(40ºc here today ... my death is approaching
)
listen to this man ... than listen to my latest work on a MacG4 blablabla digi001 blablabla ...
( i´ve been on the G5 working already too )
now am i respected Kvr user cause i work on a Mac and use Digidesin ProTools ... ?
"á brava ..."
this my lastest , is a really pice of sh*t , an digidesign should be carefull with who is using their products ... it´s compromising their credibility .
... because too , there are some who still keep doing it just for fun .
a big good morning to you all , whoever you may be
(40ºc here today ... my death is approaching