Eventide BLACKHOLE Plug-in Officially Released

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Extraordinary Spaces for Eventide Blackhole H9 Series: Blackhole$99.00Buy

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4damind wrote:The low price is of course interesting, I've seen Blackhole for about $42 (must be 37€). But the questions is of course if it makes sense for ValhallaShimmer users to own also Blackhole.
I decided against it. I'm happy with Shimmer and Blackhole isn't different enough to warrant the buy IMO. In fact, Shimmer is actually more versatile to me with the dark and bright options.

I've finally come to the conclusion that too many options just result in not ever getting anything accomplished.

Plus, I'll take Sean's support any day over a big company like Evintide. I'm very happy supporting him with all he does.

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ImNotDedYet wrote:
4damind wrote:
Plus, I'll take Sean's support any day over a big company like Evintide. I'm very happy supporting him with all he does.
100% behind you on this :clap:

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4damind wrote:The low price is of course interesting, I've seen Blackhole for about $42 (must be 37€). But the questions is of course if it makes sense for ValhallaShimmer users to own also Blackhole.
The exact dilemma I'm experiencing as well, and after A-Bing both I'm still confused. And then watching Simons use of both in a chain makes me thing I need both, haha!
My progressive rock band - free demos here!! (and if you do listen please let me know what you think!) http://www.aeonsatori.com/news/free-downloads

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opps - cant seem to delete this post
Last edited by LGK_Dude on Sat Mar 12, 2016 9:11 pm, edited 2 times in total.
My progressive rock band - free demos here!! (and if you do listen please let me know what you think!) http://www.aeonsatori.com/news/free-downloads

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Sampleconstruct wrote: I stopped buying reverbs ages ago as I know that I'm totally covered with 2CAudio/Valhalla stuff and the abuse of all these delay and granulator plugins which make for great spaces and ambiences just as well, but while I refused to buy BH back in 2012, I just got tempted this time round and after using it for a few days I'm actually glad I did.
Do you mind going into a bit more detail on what particularly makes you glad you purchased BH? I really respect your opinion and would love to get a better idea of what makes BH valuable to you, either sound wise (so I know what to listen for) or feature wise, or both?
My progressive rock band - free demos here!! (and if you do listen please let me know what you think!) http://www.aeonsatori.com/news/free-downloads

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LGK_Dude wrote:
Sampleconstruct wrote: I stopped buying reverbs ages ago as I know that I'm totally covered with 2CAudio/Valhalla stuff and the abuse of all these delay and granulator plugins which make for great spaces and ambiences just as well, but while I refused to buy BH back in 2012, I just got tempted this time round and after using it for a few days I'm actually glad I did.
Do you mind going into a bit more detail on what particularly makes you glad you purchased BH? I really respect your opinion and would love to get a better idea of what makes BH valuable to you, either sound wise (so I know what to listen for) or feature wise, or both?
I think I mentioned the ribbon control as being the major reason for finally purchasing it, not many verbs can be twisted like that in real time and especially not by programming a single slider which you can just play with creatively. Some of the Valhalla plugs can be twisted in real time without producing too many artifacts, ÜberMod is king in that respect actually, none of the 2CAudio plugins can be altered in real time, you only have to look at them and they start crackling.

And concerning the sound: it just sounds special to my ears and revisiting it after almost 4 years I wondered why I did not buy it in the first place in 2012.

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Well, that deal was too good to pass on it. Bought @ JRRShop, for a blazing 38 €. :) Got the license within a split second, looking forward to use it.

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Firebird wrote:
ImNotDedYet wrote:
Firebird wrote:
SteveWZ wrote:--


Blackhole on multiple tracks, side by side with VintageVerb.

A total of TEN reverb tracks are being used between the two verbs.

Interesting hearing the 2 together:


This is helpful, I was concerned at the overlap in sound between these two reverbs.
They are different in character and seem very compatible sonically.

Thanks for the video, its cool to hear them on the same project.
Sweet presets!
I think a better comparison is Valhalla Shimmer vs. Blackhole.

I'd love to bite on this plug, but really see no need as I have Shimmer. (which is always that price BTW ;))

Hearing it with something I own, and familiar with is helpful for me.
I have a better sense how it stacks up and sonic differences.
Its all useful.

Personally, you cant own too many reverbs IMHO.
Glad you found it helpful and I agree, the more verbs the better, and Blackhole is one interesting verb.

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I should know better than to post declarations about how I'm not going to buy something. I bought it.

Shimmer > Blackhole > VVV sounds great!
Incomplete list of my gear: 1/8" audio input jack.

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As obviously a lot of people chain their reverbs, how do i have to understand the effect of chaining? Do the reverbs simply get layered? Or do you set some kind of predelay. So that the signal of the first reverb, if possible, controls when the chained reverb should start? Also, do you apply some special settings so the signal doesn't get muddy or anything? I listened the examples from Simon, when he chained Blachole and Shimmer, and it sounds really nice, and i like the looong tail. Just wondering if there's some special trick to not get it too muddy, which i would suspect would happen, when reverbs get layered.

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chk071 wrote:As obviously a lot of people chain their reverbs, how do i have to understand the effect of chaining? Do the reverbs simply get layered? Or do you set some kind of predelay. So that the signal of the first reverb, if possible, controls when the chained reverb should start? Also, do you apply some special settings so the signal doesn't get muddy or anything? I listened the examples from Simon, when he chained Blachole and Shimmer, and it sounds really nice, and i like the looong tail. Just wondering if there's some special trick to not get it too muddy, which i would suspect would happen, when reverbs get layered.
One man's muddy is another man's celestial pad drone :) The key is to parallel /dry mix them to suit, if you want to retain clarity. I personally like to drown things in reverb and treat the reverb like an instrument in itself.

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:borg:
Last edited by ontol on Mon Jul 11, 2016 2:16 am, edited 1 time in total.

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That face at the end is epic.

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What movie is that ^, I want to watch that. Does anyone know?
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chk071 wrote:As obviously a lot of people chain their reverbs, how do i have to understand the effect of chaining? Do the reverbs simply get layered? Or do you set some kind of predelay. So that the signal of the first reverb, if possible, controls when the chained reverb should start? Also, do you apply some special settings so the signal doesn't get muddy or anything? I listened the examples from Simon, when he chained Blachole and Shimmer, and it sounds really nice, and i like the looong tail. Just wondering if there's some special trick to not get it too muddy, which i would suspect would happen, when reverbs get layered.
What I have found is that running reverbs parallel tends to have more clarity in the final mix.
Having said that, running small reverbs with little pre-delay into a larger reverb will work better then running a large reverb into another large reverb.

A different effect like chorus, EQ, or delays, will often give better results when running effects in a chain.

But, experimentation has no rules.....

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