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As was already guessed earlier in this thread the Morph modes seem to be what could make teh wavetables "3D". As both te wave index and the Morph knob could be modulated inreal-time this description somehow makes sense whilem of course there could be different definitiions about was could be called a "3D wavetable".The powerful oscillators offer the highest possible sound quality.
Icarus is a '3D wavetable synthesizer', as we expanded the wavetable concept, allowing you to cross-blend waveforms, with an additional dimension for morphing. You can use any of the 54 different 'morphmodes' to further shape the sound of your wavetables: Waveshaping, time-stretching, pitch- shifting, granulizing, stacking, PWM, formant shifting, BPM syncing, phase distortion, reversing, ringmodulation, sync, rearranging, FM, spectral editing, looping, denoising, mixing,... - literally anything is possible.
Icarus offers three oscillator blocks with stereo architecture. Each oscillator block itself again can contain up to 10 detuned hypersaw oscillators. We've expanded the popular hypersaw concept with a stereo architecture, precise phase control, punch and the ability to make single oscillators play chords.
37 different modes are available, including, hypersaw, supersaw, stereo hypersaw, unison, stacking, chords and flanging.
The hypersaw modes can be combined with any kind of wavetable or morphing.
Using one of the morphable filter modes (e.g. the EQ modes, morphable using the Reso parameter) could then add another "dimension" to the sound.
While other synths like e.g. Massive and Serum offer features comparable to those Morph modes none of those offers as many different options as in Icarus.
The FM, Sync and Phase Distortion modes use additional oscillators with fixed waveforms (names of the waveforms included in the names of the Morph modes) instead of using one of the 3 main oscillators for creating the reulting sounds. On the other hand each of the 3 oscillators could use a different Morph mode includeing those FM, Sync and PD modes.
The FM seems to work in a similar way as the "NeoFM" modes in Nemesis so it is supposed to create "real" FM and not phase modulation like in many FM synths like e.g. the DX7.
To get a proper and/or typical Sync like sound you should modulate the "Morph" parameter of the Sync Morph mode.
