2.0 Modulator fun
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- KVRian
- Topic Starter
- 1224 posts since 2 Dec, 2008 from Finland
What are some good use cases for the Math modulator? I can get it to reverse modulation, sort of -- looks like the behaviour depends on what is being modulated (a range or something that is bipolar). But what else?
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- KVRAF
- 4811 posts since 21 Jan, 2008 from oO
Does this page help maybe?
http://www.makenoisemusic.com/modules/maths
Could be used to build a ringmod device maybe.
http://www.makenoisemusic.com/modules/maths
Could be used to build a ringmod device maybe.
JamWide - a cross-platform Ninjam client for DAWs
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- KVRAF
- 5144 posts since 3 Oct, 2013
same as the automation modifiers just don't have to draw themras.s wrote:What are some good use cases for the Math modulator? I can get it to reverse modulation, sort of -- looks like the behaviour depends on what is being modulated (a range or something that is bipolar). But what else?
"Where we're workarounding, we don't NEED features." - powermat
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- KVRAF
- 5144 posts since 3 Oct, 2013
same with modulators
at first applying the two lfo together then multiplying the result of it with the first ( I was lazy to create a third one
)
at first applying the two lfo together then multiplying the result of it with the first ( I was lazy to create a third one
)"Where we're workarounding, we don't NEED features." - powermat
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- KVRian
- Topic Starter
- 1224 posts since 2 Dec, 2008 from Finland
Thanks, both of you. That makenoise module, perhaps some of it is applicable here as well, have to look deeper into the manual there.. Curious if it's somehow possible to delay a modulator with it.
Definitely a sort of "modulation modifier", at least it's easy to control the strength of another modulator.
One thing that I did manage to get out of it was something that I often want to do but I'm unable, because a synth isn't capable of it; lower notes have longer attacks and less sustain while higher notes have shorter attack and more sustain. Good for electric piano type of sounds (or playing, rather), the lower end doesn't muddy up while holding down chords and playing choppier chords or melodies with right hand. Basically a Math modulator (different modes for different effects), an ADSR modulating A knob, Keytrack modulating B, and the Math module adjusting attack and sustain.
Another one is Math with MIN/MAX mode, an LFO modulating A; then whatever the Math module modulates, adjusting B knob directly allows to "take control" of what the LFO is controlling by passing thru the Math module, that is, at it's default value the LFO keeps on swinging round and about, but depending which mode the Math module is on, going above or below the default value stop the LFO from affecting it's target and the target takes its value from the B knob.
Definitely a sort of "modulation modifier", at least it's easy to control the strength of another modulator.
One thing that I did manage to get out of it was something that I often want to do but I'm unable, because a synth isn't capable of it; lower notes have longer attacks and less sustain while higher notes have shorter attack and more sustain. Good for electric piano type of sounds (or playing, rather), the lower end doesn't muddy up while holding down chords and playing choppier chords or melodies with right hand. Basically a Math modulator (different modes for different effects), an ADSR modulating A knob, Keytrack modulating B, and the Math module adjusting attack and sustain.
Another one is Math with MIN/MAX mode, an LFO modulating A; then whatever the Math module modulates, adjusting B knob directly allows to "take control" of what the LFO is controlling by passing thru the Math module, that is, at it's default value the LFO keeps on swinging round and about, but depending which mode the Math module is on, going above or below the default value stop the LFO from affecting it's target and the target takes its value from the B knob.
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crazyfiltertweaker crazyfiltertweaker https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=277536
- KVRian
- 918 posts since 25 Mar, 2012
what affects "timbre" by the way?
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- KVRian
- 818 posts since 18 Oct, 2014
Makenoise maths is something completely different.
BWS´Math is a vca in mult, a polarizing mixer in add/sub and a clipper in min/max mode.
'Timbre' is a note expression you can edit in the piano roll (or record it translated from aftertouch or sth.).
BWS´Math is a vca in mult, a polarizing mixer in add/sub and a clipper in min/max mode.
'Timbre' is a note expression you can edit in the piano roll (or record it translated from aftertouch or sth.).
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- KVRAF
- 5144 posts since 3 Oct, 2013
I've had to create a rhythmically triggering device so share it hope it gives some idea to somebody, seems the stable chain should contain
a
- legacy step mode (modded by buttons)
> dc offset
> replacer (which is driven by the on/off button)
> fx layer (to remove the clicks of the dc offset)
the generated MIDI out of the chains are go to the common fx container through some serial chained note receivers
https://data.hu/get/10375426/midi_trigg ... .bwproject
a
- legacy step mode (modded by buttons)
> dc offset
> replacer (which is driven by the on/off button)
> fx layer (to remove the clicks of the dc offset)
the generated MIDI out of the chains are go to the common fx container through some serial chained note receivers
https://data.hu/get/10375426/midi_trigg ... .bwproject
"Where we're workarounding, we don't NEED features." - powermat