DnB Breaks

Anything about MUSIC but doesn't fit into the forums above.
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timewastin wrote: But i don't like the current development - technology is developed very fast, music is not.
Do you think that there is a lag involed? That todays technology must be absorbed fully before great creative leaps are made?

People who use samples and stuff in a dull way will hopefully get there payback in that their music will on the whole not sell or be respected.

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Makoto released a tune recently that used an Amen 'Golden Girl' featuring MC Conrad. Plenty of other artists are using their own constructed breaks these days so we are in safe hands :lol:
Can you spot a used break in LTJ Bukem's 'Journey Inwards'? Not me!

I personally get tired of hearing amens all the time but there is the odd time where it feels like the only break that will suit the vibe of the tune.. So I guess it has been become immortalised like the 909 drum machine :)

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AudioWhore wrote: So I guess it has been become immortalised like the 909 drum machine :)
worse things happen at sea...

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AudioWhore wrote:Can you spot a used break in LTJ Bukem's 'Journey Inwards'? Not me!
No, although the break has very a similar groove.

But listen to his (also great) tunes "Horizons" and "A Couple of Beats" (@ about 3:18 ). Sounds like an amen with heavy effect modification.
But don't misunderstand me, as to me, Bukem's still the most skilled and innovative D&B artist.
Equilibrium wrote:Do you think that there is a lag involed? That todays technology must be absorbed fully before great creative leaps are made?
I think you shouldn't let a new technology take over the 'bad work' you have to solve during production. This 'bad work' can be very inspring. But we shouldn't go 'back to the roots' and use Lo-Fi samples. Also, if we just stick to old, used things (303/808/909) we can't push things forward (although we all may like their sound).
Music should be a result of the artist's circumstance and his mood, not of the available techniques. I think nowadays innovation can be reached by trying things that are in common considered crap. Generally, try to make as many musical aspects as possible that nobody made before. And don't say 'the next song i'll make is dark techstep'. Move around the borders of opposite music styles. :) 8)

Just my two OT-cents :D

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Chase wrote:then what does the fightfight come from?
I just said, firefight = amen, paris, tighten up.

The drum pattern is different but the sound is similar to the tramen due to the use of the two breaks. i think it is from a song called Firefight or Streetsweeper.

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Lady J wrote:
Chase wrote:then what does the fightfight come from?
I just said, firefight = amen, paris, tighten up.

The drum pattern is different but the sound is similar to the tramen due to the use of the two breaks. i think it is from a song called Firefight or Streetsweeper.
I was just wondering who made it.
Last edited by The Chase on Mon Aug 30, 2004 2:23 am, edited 1 time in total.

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I have no idea. Try Dog on Acid.

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Lady J wrote:I have no idea. Try Dog on Acid.
they say the tramen and firefight are the same thing. Does anyone know an example of the firefight thats on the web so i can see the difference?

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Chase wrote:
Lady J wrote:I have no idea. Try Dog on Acid.
they say the tramen and firefight are the same thing.
they also say that the Tighten Up break was sampled from James Brown rather than from Archie Bell and the Dells.

Does anyone know an example of the firefight thats on the web so i can see the difference?
If you don't find it, please let me know. I think I have the firefight break. I'll look for it.

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the guy is asking, so let´s give our point of view and experience.

A good or a bad song is one thing.
The way it was bulid, composed, mixed...etc is another.
One thing is to be a musician.
One thing is to be a music lover playing with computers or hardware.
etc
etc
etc...

Play with the "amen break" whatever you want, you´ll get the basics.
Play also with the "Funky Drummer", and follow the links you´ll find in this page.
But i recommend that you do the whole process, even sampling it from the plastic.
Even... cut it by hand. It will fine tune your ears.
Then use recycle, to try it.
It´s very productive to work in a "old school" environment, but also you can spend hours on it in another creative way.
You won´t discover anything again as a future post will reveal...

Every thing is been done before...

it´s a learning process, investigation, and fun. Welcome and happy d&b!

...and what about da bass?
"..preserving the old ways from being abused,
protecting the new ways for me and for you..."
The Village Green preservation Society
Ray Davies
</biojazzard>

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biojazzard wrote:the guy is asking, so let´s give our point of view and experience.

A good or a bad song is one thing.
The way it was bulid, composed, mixed...etc is another.
One thing is to be a musician.
One thing is to be a music lover playing with computers or hardware.
etc
etc
etc...

Play with the "amen break" whatever you want, you´ll get the basics.
Play also with the "Funky Drummer", and follow the links you´ll find in this page.
But i recommend that you do the whole process, even sampling it from the plastic.
Even... cut it by hand. It will fine tune your ears.
Then use recycle, to try it.
It´s very productive to work in a "old school" environment, but also you can spend hours on it in another creative way.
You won´t discover anything again as a future post will reveal...

Every thing is been done before...

it´s a learning process, investigation, and fun. Welcome and happy d&b!

...and what about da bass?
Thank you for the reply, a valueable view point.
"Don't fear your mistakes, there are none" - Miles Davis

http://www.thehungersite.com/

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timewastin wrote:I get to know music by exchanging tapes with classmates.
hey, that's cool! I thought the younger generation got everything from P2P...

when I was a kid none of my friends knew shit about music - except for what I had taught 'em. I had to _buy_ records. If I spent my whole allowance on LPs I could buy one every week. Man, that's a slow way to learn... I used to tape 'em right away and only use the tape. Good to know there are still people out there using tape!

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Chase wrote:Today, i mostly make my own beats with single-shots.

As for sampling it, the entire genre was formed from sampling
yeah, I guess sampling is cool, but I can't help respecting your way of working (making your own beats) a LOT more.

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I think there has been a notable drop in the popularity of the amen in jungle these days, especially darkcore. I own every record with Dieselboy's name on it that has been released in the past 2 years, and the amen appears only a few times. Infact, on a 3 peice vinyl set (6 tracks) he released, the amen only appears for 4 measures on 2 occasions for fills.

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cptgone wrote:I had to _buy_ records. If I spent my whole allowance on LPs I could buy one every week. Man, that's a slow way to learn...
LOL that brings back memories of being a 13 year old DJ :oops:

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