The thing about ANA2 is that there are a LOT of options in each section of the synth. If you want a saw oscillator, there are many to choose from (somewhere between 10-20 iirc). Each one can be stacked and detuned, and then the detune can be adjusted for shape, width etc.recursive one wrote: I also have a Virus (iirc you were one of the people who convinced me to buy it) and I am a huge fan of its sound. I think I hear some of that depth/dimension/movement in your pads which I love about Virus pads. Sure this mostly comes down to the skills of the man who designed the presets but I think the synth's own character is also important. Also the supersaws and acids posted earlier sound great, not specifically "virusy" but I think almost equally good.
I only hope that the sounds I hear in your example mainly rely on the synth engine as such and not on samples, i mean that's not you have created cool moving textures elsewhere and then just dropped them into the sampler and switched the onboard reverb on or something.
I'd also love to hear some examles of FM sounds and vowel filters.
Modulation is deep, really deep. Several different types of mod source, and some of those have multiple instances (3 lfo's, 4 mod envelopes on top of the amp and filter envelope for example) and can be routed to almost every parameter on the synth. This means that you can really fine tune a sound, a lot.
And then....dozens of filter types!
Some movement you hear will be samples, specifically the bells/wind chimes. Everything else is generated in the synth with a combination of wavetables and/or modulation. I have not created anything elsewhere and just dropped it in. I'd be sacked
Thanks!nordickvr wrote: I'd also like to know about this.
Plus, a specific question.
At 0:35, could you tell what was the synthesis type/technic/process used to obtain that result?
What you did sounds pretty good btw!
At that point you're hearing the wind chimes (the sample) being pitch modulated and also the filter acting on that sound being modulated. The other sound you can hear is a modulated wavetable that's mimicking a resonant filter sweep.
The preset being used there is called 'Borderlands'

