I am sorry to disappoint you but crosstalk feature of console emulations is a fake

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vurt wrote:
Burillo wrote:Beatles are a jewish band, and double tracking is satanic. that's... quite a statement :D
backwards masking with double tracking is even worse, thats how to summon cthulhu :scared:
Isn't that how you get two Cthulhus? I thought regular backtalking would do the business on summoning or has everyone been doing it wrong all this time and the Great Old Ones are only a tape delay away?

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if you do one or the other, you only get one of the seven princes of hell.
Last edited by vurt on Wed Apr 11, 2018 3:52 pm, edited 1 time in total.
:ud:

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vurt wrote:
Burillo wrote:Beatles are a jewish band, and double tracking is satanic. that's... quite a statement :D
backwards masking with double tracking is even worse, thats how to summon cthulhu :scared:

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that was a terrible film. no self respecting demonic entity references that during any summoning.
:ud:

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vurt wrote:if you do one or the other, you only get one of the seven prices of hell.
I'd better wait for Black Friday. I don't want one of the higher prices of hell. The wages of sin are limited.

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Gamma-UT wrote:
vurt wrote:if you do one or the other, you only get one of the seven prices of hell.
I'd better wait for Black Friday. I don't want one of the higher prices of hell. The wages of sin are limited.
dagnabbit!


:hihi:
:ud:

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vurt wrote:that was a terrible film. no self respecting demonic entity references that during any summoning.
I used to love that film. Mind you, I was 15 and in a Metal phase

:band2:

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If vocal doubling is devilish then I'm probably quite a high grade demonic presence by now...
evil.JPG
..and Trevor Horn is probably Satan himself.
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donkey tugger wrote:If vocal doubling is devilish then I'm probably quite a high grade demonic presence by now...
evil.JPG
..and Trevor Horn is probably Satan himself.
Demonic ascendence can be achieved via freeware.

These are great (i.e. EVIL) times we live in.

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A lot of kshr trolls have arrived. However the magic about samplitude is to never use its built-in plugins such as eq and efx and others because they increase latency dozen times.
samplitude is the best daw for me. To have studio like sound before asking questions on any audio forums in the internet please read the book by alex unlocking fx creative potential

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Analog tape saturation is one thing but how does adding crosstalk improve a mix?
tonedef71 wrote:The crosstalk feature of Studio One Console Shaper recreates behavior from analog mixing consoles such as Neve and SSL where the channels would bleed the audio signal into each other.

Alex Solano demonstrates:
Intel Core2 Quad CPU + 4 GIG RAM

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solomute wrote:kshr trolls
What's this bollocks now laddie?

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solomute wrote:
Distortion and saturation was not a feature of old vintage analogue gear either. The old SSL engineers said when they were designing their boards, the idea was to avoid any distortion to the signal and create the cleanest most accurate signal path that was possible. However they were limited by the technology and components available to them at the time. Yes they were some engineers who liked to record hot and clip their gear but there were working outside of the operating guidelines of the gear.
BEcause at those times classical music still prevailed and then it was found that distortion effects can create new influences on the minds. Thus the jwsh band the Beatles adored double tracking technique where voice of the soloist was doubled. When i was in my much younger years I perfectly heard that double tracking satanic thing and I insisted to the parents on the fact that the voice was doubled but no one believed me. Now many years after I don't hear doubling due to natural hearing loss with age but as an investigator of sound with all digital tools in my disposal I now know perfectly that it may take place. So the interesting idea is that some effects of the past like doubling should be avoided because children can perfectly hear the crap inside.

Concerning the remark about advocating genwave, I want to emphasize that I no longer recommend using genwave because of its instability and large latency. Also I don't recommend so called linear phase eqs because they have ringing artifacts which are even worse that those of non-linear phase eqs + great latency. Currently I recommend using hofa iq-eq which is equalizer + compressor in one + sidechain support + ms\mono\stereo separate processing + 64 bit internal processing + resampling to higher values + high db\oct values + etc. So the guy who recommended hofa plugins was not lying and hereby I confirm it. You must use iq-eq on tracks instead of all other eqs and compressors you have. The only exception is the master bus where you should use some eq with analog coloring and to that matter I can recommend free lufticus eq which surpasses any nonfree eqs as to coloration. Also I have found that hofa's compressors do not add aftifacts at all. Recently I have come across the phenomenon that samplitude's efx_comp was not able to compress my acoustic recording. Also another channel strip's compressor by another nonfree dveloper failed the same way. So be perfectly sure that a lot of plugins are just crap but hofa is the way to go. Hofa adds no coloration, so for that matter you are invited to use some saturation plugins but don't use built-in plugins of samplitude due to their instability and unpredicted artifacts.
I’m sorry but I dont quite understand you.
Orion Platinum, Muzys 2

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