Don't you tell me what to do
'Analog' sound from VSTs
- addled muppet weed
- 111329 posts since 26 Jan, 2003 from through the looking glass
was that a yoko song?
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- KVRist
- Topic Starter
- 180 posts since 16 Oct, 2009 from Italy
Well I was impressed by the movement, depth and complexity that he gets from a plugin.... But I admit I'm not into sound design that much, so maybe he did nothing special... But it sounded really good to me4damind wrote: Sat Feb 15, 2020 6:17 pmThat would be interestingchk071 wrote: Sat Feb 15, 2020 5:52 pm4damind wrote: Sat Feb 15, 2020 5:33 pm"Shocked" because of the digital sound of Serum? That's just the sound that many people like, especially with current music in EDM/Trance etc. For an "analog" sound I would not use Serum, Spire etc.
There are better (but not free) plugins like from U-He, Arturia, Slate and some others.Maybe he should tell us why he was shocked.
I am musically schizophrenic
- KVRAF
- 2990 posts since 31 Jan, 2020
Does this help you, about spreading voices and adding drift? Is this what you mean?Spring Goose wrote: Sat Feb 15, 2020 10:07 pm
https://soundcloud.com/user-492255322/t ... ne/s-9ldG8
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- Banned
- 1779 posts since 26 Aug, 2012
Tha emulators are gonna sound weak, dats just tha way it goes. Maybe for filtered soundz like pads and shit but anyfin bright, fowget it. Ya gotsta look at sample synths like uvi synth anthology. Just bear in mind some their presets are out of tune and processed wit their own fx, shit but at least they cut through
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- KVRAF
- 35713 posts since 11 Apr, 2010 from Germany
Serum sounds excellent.Ghost Snake wrote: Sun Feb 16, 2020 9:57 pmWell I was impressed by the movement, depth and complexity that he gets from a plugin.... But I admit I'm not into sound design that much, so maybe he did nothing special... But it sounded really good to me4damind wrote: Sat Feb 15, 2020 6:17 pmThat would be interestingchk071 wrote: Sat Feb 15, 2020 5:52 pm4damind wrote: Sat Feb 15, 2020 5:33 pm"Shocked" because of the digital sound of Serum? That's just the sound that many people like, especially with current music in EDM/Trance etc. For an "analog" sound I would not use Serum, Spire etc.
There are better (but not free) plugins like from U-He, Arturia, Slate and some others.Maybe he should tell us why he was shocked.
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- KVRist
- Topic Starter
- 180 posts since 16 Oct, 2009 from Italy
haha straight to the point, I like thatKinh wrote: Tue Feb 18, 2020 9:28 am Tha emulators are gonna sound weak, dats just tha way it goes. Maybe for filtered soundz like pads and shit but anyfin bright, fowget it. Ya gotsta look at sample synths like uvi synth anthology. Just bear in mind some their presets are out of tune and processed wit their own fx, shit but at least they cut through
I am musically schizophrenic
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- KVRian
- 1189 posts since 11 Jun, 2019
An always again interesting Evergreen-Topic in the VST Dimension... My two Cents about it:
My Focus is not "analog", I never use VA Synthesis and even Filters frequently stay untouched. But my Ears are used to more Depth, Warmth and Complexity that are usually also associated with analog Sound and Gear. I still remeber the Polysix Saw Pad standing in the Room, shimmering, breathing ... simply beautiful.
However ... I tried a lot, made extensive Tests, trialed many VSTs and so on ...
I recommend not to expect too much from VST Synths. Your Ears are used to hear mastered Sounds and you´ll always compare your Sounds with what you remember. So - you should maybe consider the "End of the Story/Chain" at the Beginning.
I´m now completely satisfied with Consoles/Channel Strips/Compressors/Mastering Tools from bx and Acustica Audio. Those Tools add everything I always missed and I can even determine how much of that Charcter I want. Compression is very important. Never underestimate good Compressors concerning Depth, Coloration, Warmth and so on - as well as the right EQs. bx´s VGAIN and THD are hepful anyway.
If you want to go further you should maybe look at the Stereo Dimension first. Bass-Frequencys > mono - slightly pan certain Frequency Bands (Melda) - M/S Balance - M/S EQing - Stereo Enhancing.
I´d assume that most of us will not go further than that - I usually don´t - but there are many Ways to do so. Unlimited creative Potential. And don´t forget to adapt the Synth Settings again ... especially the U-he Stuff is full of very helpful Options.
I´ll maybe post a little Demo later. Great "analog" Sound coming from the Sampler. Halion. With just bx ssl E and SH-Mastering Comp. Even HALs Filters sound good this Way ...
My Focus is not "analog", I never use VA Synthesis and even Filters frequently stay untouched. But my Ears are used to more Depth, Warmth and Complexity that are usually also associated with analog Sound and Gear. I still remeber the Polysix Saw Pad standing in the Room, shimmering, breathing ... simply beautiful.
However ... I tried a lot, made extensive Tests, trialed many VSTs and so on ...
I recommend not to expect too much from VST Synths. Your Ears are used to hear mastered Sounds and you´ll always compare your Sounds with what you remember. So - you should maybe consider the "End of the Story/Chain" at the Beginning.
I´m now completely satisfied with Consoles/Channel Strips/Compressors/Mastering Tools from bx and Acustica Audio. Those Tools add everything I always missed and I can even determine how much of that Charcter I want. Compression is very important. Never underestimate good Compressors concerning Depth, Coloration, Warmth and so on - as well as the right EQs. bx´s VGAIN and THD are hepful anyway.
If you want to go further you should maybe look at the Stereo Dimension first. Bass-Frequencys > mono - slightly pan certain Frequency Bands (Melda) - M/S Balance - M/S EQing - Stereo Enhancing.
I´d assume that most of us will not go further than that - I usually don´t - but there are many Ways to do so. Unlimited creative Potential. And don´t forget to adapt the Synth Settings again ... especially the U-he Stuff is full of very helpful Options.
I´ll maybe post a little Demo later. Great "analog" Sound coming from the Sampler. Halion. With just bx ssl E and SH-Mastering Comp. Even HALs Filters sound good this Way ...
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- KVRian
- 505 posts since 27 Feb, 2007
Why the hell You used arturias jupiter "emu" as your entry vsti is beyond me, its like trying to play poker for money for the first time and lose your money, house, wife and kids to a guy who cheats and everyone knew that but you did not ask beforehand.
Analogue is what, more low freqs or destabilised osc, i think analog in this kind of way is overrated but i do love the sounds of subtractive synths from the 80s.
People argue about analog and all but do you really think if the bass you hear in a track was analogue or digital, nobody does that but obsessed sound engineers.
After hearing those old roland synths and analyzing the sound from multiple raw examples i can tell that for example JP-8 is overrated like nothing else.
I sold my Roland JP-8000 because i compared side by side my vstis and the difference was not big enough to care and to keep it , so it collected dust and i was happier when i sold it than when i bought it.
Random Vsti with proper detuning algos and unison modes , 2 voies can get very simialr sounds and with some EQ can come close.That magic that people post online, it just is not there when you compare it to plugins even free ones.
We are waaaaaaaay beyond that analog gear.
Id buy some old roland synth but it would probably be D-50 , not because of the sound but its a piece of synth history, and on the inside its just pcm rompler with 4 layers, i can do that in 5 minutes in my daw now with 4 sampler layers.Most of the patches on D-50 were made so middle is not muffled like it happens when you dont multisample enough.Tricky but got the job done.Also it was digital which means that vsti can sound and sounds identical.
The tricks he shows on that vid, can be done with lfos to imitate chorus and get that brassy high end goin.
Analogue is what, more low freqs or destabilised osc, i think analog in this kind of way is overrated but i do love the sounds of subtractive synths from the 80s.
People argue about analog and all but do you really think if the bass you hear in a track was analogue or digital, nobody does that but obsessed sound engineers.
After hearing those old roland synths and analyzing the sound from multiple raw examples i can tell that for example JP-8 is overrated like nothing else.
I sold my Roland JP-8000 because i compared side by side my vstis and the difference was not big enough to care and to keep it , so it collected dust and i was happier when i sold it than when i bought it.
Random Vsti with proper detuning algos and unison modes , 2 voies can get very simialr sounds and with some EQ can come close.That magic that people post online, it just is not there when you compare it to plugins even free ones.
We are waaaaaaaay beyond that analog gear.
Id buy some old roland synth but it would probably be D-50 , not because of the sound but its a piece of synth history, and on the inside its just pcm rompler with 4 layers, i can do that in 5 minutes in my daw now with 4 sampler layers.Most of the patches on D-50 were made so middle is not muffled like it happens when you dont multisample enough.Tricky but got the job done.Also it was digital which means that vsti can sound and sounds identical.
The tricks he shows on that vid, can be done with lfos to imitate chorus and get that brassy high end goin.
Last edited by bwwd on Sat Apr 18, 2020 3:18 am, edited 1 time in total.
- KVRAF
- 18511 posts since 26 Jun, 2006 from San Francisco Bay Area
Is there such a thing as a Yoko song?
Zerocrossing Media
4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~
4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~
- KVRAF
- 18511 posts since 26 Jun, 2006 from San Francisco Bay Area
Not really. There’s a lot more to analog than “more bass” and unstable oscillators. There’s a lot going on and multiple nonlinearities are not that easily calculated. I don’t pretend to understand all of it, but I know that only a handful of plugins get it right, and Jup-8 isn’t one of them. Now, “analog,” isn’t a prerequisite to being a good synth, but when you want to scratch that itch, you better be using something on the level of Legend or RePro.bwwd wrote: Sat Apr 18, 2020 3:07 am Why the hell You used arturias jupiter "emu" as your entry vsti is beyond me, its like trying to play poker for money for the first time and lose your money, house, wife and kids to a guy who cheats and everyone knew that but you did not ask beforehand.
Analogue is what, more low freqs or destabilised osc, i think analog in this kind of way is overrated but i do love the sounds of subtractive synths from the 80s.
People argue about analog and all but do you really think if the bass you hear in a track was analogue or digital, nobody does that but obsessed sound engineers.
After hearing those old roland synths and analyzing the sound from multiple raw examples i can tell that for example JP-8 is overrated like nothing else.
I sold my Roland JP-8000 because i compared side by side my vstis and the difference was not big enough to care and to keep it , so it collected dust and i was happier when i sold it than when i bought it.
Random Vsti with proper detuning algos and unison modes , 2 voies can get very simialr sounds and with some EQ can come close.That magic that people post online, it just is not there when you compare it to plugins even free ones.
We are waaaaaaaay beyond that analog gear.
Zerocrossing Media
4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~
4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~
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- KVRian
- 505 posts since 27 Feb, 2007
Yeah but id rather have stable synth, by the way, that method of delaying midi input works fantastic, whuy i did not thought of that sooner ... damn, i think that behaviour should be in all DAWS with single humanize button .
Im usin humanisator for this and setting min and max note timing, this changes a lot in the way sound is produced, so its harder to get aliasing, sounds definitely more like those old synths.
IS there a DAW that has this note random delaying function somewhere ? How come its not a thing in DAWs yet ?
Or better yet, how come its not a thing in most VSTi's ? This is easily the easiest way to get closer to analog sound.easily.
Im usin humanisator for this and setting min and max note timing, this changes a lot in the way sound is produced, so its harder to get aliasing, sounds definitely more like those old synths.
IS there a DAW that has this note random delaying function somewhere ? How come its not a thing in DAWs yet ?
Or better yet, how come its not a thing in most VSTi's ? This is easily the easiest way to get closer to analog sound.easily.
