One Synth Challenge #135: TRICENT mk III by Full Bucket Music (jasinski wins!)
- KVRist
- 60 posts since 25 Jan, 2018 from Split,Croatia
Here is my final submission. I must say I was pleasantly surprised by this synth, It possess some really unique sonic qualities.
This is my favorite Full Bucket synth so far!
https://soundcloud.com/user-253743970/s ... er-osc-135
DAW : Reaper 6.11
22 x Tricent
Plugins:
TDR Kotelnikov, TDR SlickEQ, Tube Saturator Vintage, Limiter No6, ReaComp, GClip, OrilRiver, ReaEQ, OTT, W1 Limiter,JS: MIDI Note FIlter, LoudMax 64, FreeClip, JS:TransientControler, JS:Saturation, Couture, HeadCrusherFREE, CamelCrusher, JS:Bit Reduction, Dragonfly Hall Reverb, Delay(Kiloheartz), Leveling Tool, MCharmVerb.
This is my favorite Full Bucket synth so far!
https://soundcloud.com/user-253743970/s ... er-osc-135
DAW : Reaper 6.11
22 x Tricent
Plugins:
TDR Kotelnikov, TDR SlickEQ, Tube Saturator Vintage, Limiter No6, ReaComp, GClip, OrilRiver, ReaEQ, OTT, W1 Limiter,JS: MIDI Note FIlter, LoudMax 64, FreeClip, JS:TransientControler, JS:Saturation, Couture, HeadCrusherFREE, CamelCrusher, JS:Bit Reduction, Dragonfly Hall Reverb, Delay(Kiloheartz), Leveling Tool, MCharmVerb.
- KVRist
- 164 posts since 5 Dec, 2017 from New Mexico
Not a waste of time at all, it's all part of the creative process!
In April I almost posted a mash-up of my abandoned ideas, I had a few. When I listen to them now I say to myself why didn't I go with that, or that one ?
I'm interested in how you and others edit their ideas, and some OSC contributors/competitors do post their musical bits for us that don't make it to the final entries.
So, keep on...
"I can't listen to the Ninth anymore at all."
- KVRian
- 575 posts since 27 Oct, 2015
Good point. I like to see people's processes. TheNeverScene always delivers super-detailed insta-grooves with his WiP's, ilmai drums up some big fat chords, and Taron apparently has memorable, ethereal melodies at his fingertips.. fun to observe where people start.MalToné wrote: ↑Fri May 29, 2020 4:24 pmNot a waste of time at all, it's all part of the creative process!
In April I almost posted a mash-up of my abandoned ideas, I had a few. When I listen to them now I say to myself why didn't I go with that, or that one ?
I'm interested in how you and others edit their ideas, and some OSC contributors/competitors do post their musical bits for us that don't make it to the final entries.
So, keep on...
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- KVRer
- 5 posts since 28 May, 2020
Hi!
Noob here. So, I decided to use this quarantine to study music recording and production, discovered KVR OSC and thought it'd be a good way to learn about digital audio, and how to use synths and the DAW.
I started just playing with the synth and reading the DAW help, and after one month and many many hours of study, I ended up with this kind of hybrid song, which starts with a lot of percussive sounds, inspired in brazilian rhythms, then morphs to a more electronic sound, and finally to a mix of both styles in the end. It makes me imagine a movie scene of a gunfight in a semi-arid brazilian landscape, which is the meaning of the name.
It would be nice to hear your impressions and advices on the mixing, the sounds, effects, and any topic that I can study for improvement.
Link to my submission:
https://soundcloud.com/user-210840839/t ... a-caatinga
DAW: Cubase AI 10.5
Tricent Instances: 15
Plugins:
Each synth track uses built-in strip equalizer, a Molot03 or RoughRider3, and sends to a paralel FX track with Mverb2020.
Stereo Out track uses built-in strip equalizer, ReaXComp, IVGI2.
Noob here. So, I decided to use this quarantine to study music recording and production, discovered KVR OSC and thought it'd be a good way to learn about digital audio, and how to use synths and the DAW.
I started just playing with the synth and reading the DAW help, and after one month and many many hours of study, I ended up with this kind of hybrid song, which starts with a lot of percussive sounds, inspired in brazilian rhythms, then morphs to a more electronic sound, and finally to a mix of both styles in the end. It makes me imagine a movie scene of a gunfight in a semi-arid brazilian landscape, which is the meaning of the name.
It would be nice to hear your impressions and advices on the mixing, the sounds, effects, and any topic that I can study for improvement.
Link to my submission:
https://soundcloud.com/user-210840839/t ... a-caatinga
DAW: Cubase AI 10.5
Tricent Instances: 15
Plugins:
Each synth track uses built-in strip equalizer, a Molot03 or RoughRider3, and sends to a paralel FX track with Mverb2020.
Stereo Out track uses built-in strip equalizer, ReaXComp, IVGI2.
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- KVRian
- 653 posts since 13 May, 2017 from Virginia
I had an idea for a track that I started almost at the start of the month and then got too busy to continue until then. As I'm playing with the presets though, it just strikes me - how is it that Bjorns Korg emulations always feel more real than Arturias? I can hear where Bjorns filters don't quite respond like a real synth might, but everything else about it feels so real to me.
One preset in particular, all of sudden I heard Mathew Wilder - Break My Stride coming out of this synth. It's completely uncanny.
One preset in particular, all of sudden I heard Mathew Wilder - Break My Stride coming out of this synth. It's completely uncanny.
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Leonard Bowman Leonard Bowman https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=422028
- KVRist
- 193 posts since 4 Jul, 2018 from the nest
I suppose this is it. I could practice this some more but I doubt I can make it more musical in two days.
Presenting: Elm
https://soundcloud.com/anotherbenjamin/elm
Made in Reaper 6 with one instance of Tricent MkIII. No external processing was done, except that which Soundcloud will do.
You can find the score, patch, and MIDI here.
https://drive.google.com/drive/folders/ ... sp=sharing
Coincidentally, I rarely hit above 6% CPU for most of this process.
-- edit --
I rushed some sections of the track so I went back and performed it a little slower. Same deal as before, just trying to be a bit more expressive.
Presenting: Elm
https://soundcloud.com/anotherbenjamin/elm
Made in Reaper 6 with one instance of Tricent MkIII. No external processing was done, except that which Soundcloud will do.
You can find the score, patch, and MIDI here.
https://drive.google.com/drive/folders/ ... sp=sharing
Coincidentally, I rarely hit above 6% CPU for most of this process.
-- edit --
I rushed some sections of the track so I went back and performed it a little slower. Same deal as before, just trying to be a bit more expressive.
Last edited by Leonard Bowman on Sat May 30, 2020 3:53 pm, edited 1 time in total.
mostly here for the One Synth Challenge
you can hear some of my newest music at: https://wrenharmonic.bandcamp.com/ or https://www.youtube.com/@wrenharmonic
you can hear some of my newest music at: https://wrenharmonic.bandcamp.com/ or https://www.youtube.com/@wrenharmonic
- KVRian
- 506 posts since 10 Nov, 2018
Hi Everyone,
My submission for OSC 135 using Tricent.
https://soundcloud.com/theexponent/hope
DAW: Reaper 6
Tricent: 25 instances
Native FX: ReaComp, ReaEQ
3rd Party Free FX: midiChords, RandArp, Oril River, TAL Reverb 4, HY-Delay4 Free, GClip, Wider, LoudMax, Saturation Knob, Transpire, MSED
Mastering: JS: DC Filter, TDR SlickEQ, TDR Nova, TDR Kotelnikov, GClip, LoudMax
Metering: SPAN, Youlean Loudness Meter 2
My submission for OSC 135 using Tricent.
https://soundcloud.com/theexponent/hope
DAW: Reaper 6
Tricent: 25 instances
Native FX: ReaComp, ReaEQ
3rd Party Free FX: midiChords, RandArp, Oril River, TAL Reverb 4, HY-Delay4 Free, GClip, Wider, LoudMax, Saturation Knob, Transpire, MSED
Mastering: JS: DC Filter, TDR SlickEQ, TDR Nova, TDR Kotelnikov, GClip, LoudMax
Metering: SPAN, Youlean Loudness Meter 2
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- KVRist
- 478 posts since 22 Jun, 2019
Hi there !
First OSC challenge and first finished electronic music track for me, I'm a guitar teacher who's is kind of venturing in new territories, so I'm learning a lot!
Here's my track :
https://soundcloud.com/user-637213504/hypnose
I used used 20 tricent instances on reaper 6 and mixed it with stock reacomp reaeq reaverbate reaxcomp, there's a bit of dragonfly reverb, and some jsfx mr Elwood sky 2, saturation, mid/side processing, event horizon limiter.
I love this synth, thanks for that one Full Bucket Music.
Cheers
First OSC challenge and first finished electronic music track for me, I'm a guitar teacher who's is kind of venturing in new territories, so I'm learning a lot!
Here's my track :
https://soundcloud.com/user-637213504/hypnose
I used used 20 tricent instances on reaper 6 and mixed it with stock reacomp reaeq reaverbate reaxcomp, there's a bit of dragonfly reverb, and some jsfx mr Elwood sky 2, saturation, mid/side processing, event horizon limiter.
I love this synth, thanks for that one Full Bucket Music.
Cheers
- KVRAF
- 2135 posts since 29 Sep, 2011
Cheers on the submission! Just a note: is event horizon this one? If so, it would not be allowed as it's a 3rd party commercial effect.
- KVRist
- 164 posts since 5 Dec, 2017 from New Mexico
Nice job on the one instance challenge!Leonard Bowman wrote: ↑Sat May 30, 2020 12:31 am I suppose this is it. I could practice this some more but I doubt I can make it more musical in two days.
Presenting: Elm
https://soundcloud.com/anotherbenjamin/elm
Made in Reaper 6 with one instance of Tricent MkIII. No external processing was done, except that which Soundcloud will do.
"I can't listen to the Ninth anymore at all."
- KVRer
- 4 posts since 30 May, 2020
Hi everyone,
this is my first submission for the OSC. I hope you like it
https://soundcloud.com/airtoast/lost-in-cyberspace
DAW: Reaper 6.11
23x Tricent mk III
FX:
1x Butterworth 4-Pole Filter (JS)
1x Delay w/Tempo Ping-Pong (JS)
2x Dragonfly Hall Reverb
3x Dragonfly Room Reverb
3x Limiter No6
1x Molot
5x MSED
1x Nova67P
2x OTT
2x Ping Pong Pan (JS)
4x ReaComp
1x ReaDelay
6x ReaEQ
1x ReaFir
2x ReaGate
1x Stereo Touch
2x TAL-Reverb 2
3x TDR Kotelnikov
11x TDR Nova
30x TDR VOS SlickEQ
1x Tremolo (JS)
2x TubeAmp
4x Valhalla Supermassive
this is my first submission for the OSC. I hope you like it
https://soundcloud.com/airtoast/lost-in-cyberspace
DAW: Reaper 6.11
23x Tricent mk III
FX:
1x Butterworth 4-Pole Filter (JS)
1x Delay w/Tempo Ping-Pong (JS)
2x Dragonfly Hall Reverb
3x Dragonfly Room Reverb
3x Limiter No6
1x Molot
5x MSED
1x Nova67P
2x OTT
2x Ping Pong Pan (JS)
4x ReaComp
1x ReaDelay
6x ReaEQ
1x ReaFir
2x ReaGate
1x Stereo Touch
2x TAL-Reverb 2
3x TDR Kotelnikov
11x TDR Nova
30x TDR VOS SlickEQ
1x Tremolo (JS)
2x TubeAmp
4x Valhalla Supermassive
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- KVRian
- 596 posts since 14 Apr, 2019
Welcome AirToast! Very useful post you just made as it caused me to realize why I should use SlickEQ despite it only having 3 bands lol.
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- KVRist
- 206 posts since 8 Dec, 2015
Hi everybody,
here is my first-time-ever-OSC-submission!
As I liked the Trident in the early 1980s but could not afford it, I'm very happy that FullBucket offers it for free now!
Here ist my track: https://soundcloud.com/user-935392739/n ... ricentOnly
DAW: MuLab 8.6.9-32bit
Tricent: 1
Effects: Classic Limiter, Classic Reverb
I used only one single instance, routed to three individual racks for adding individual reverb.
Limiter for safety on each rack and on master.
Only one reverb-rack, adressed with individual sends from the three racks.
Hope, you like it!
here is my first-time-ever-OSC-submission!
As I liked the Trident in the early 1980s but could not afford it, I'm very happy that FullBucket offers it for free now!
Here ist my track: https://soundcloud.com/user-935392739/n ... ricentOnly
DAW: MuLab 8.6.9-32bit
Tricent: 1
Effects: Classic Limiter, Classic Reverb
I used only one single instance, routed to three individual racks for adding individual reverb.
Limiter for safety on each rack and on master.
Only one reverb-rack, adressed with individual sends from the three racks.
Hope, you like it!
- KVRist
- 75 posts since 31 Mar, 2019 from California
My Track for this months OSC:
https://soundcloud.com/user-194933727/f ... ltz-osc135
Synth: Tricent by Full Bucket
DAW: Studio One
Tracks x9
Plugins Used:
Presonus: ProEQ, Chanel Strip, Analog Delay. Beat Delay.
Mix Verb, Ampire
Klanghelm: IVGI2
Mix Bus:
Fat Channel, M Compresor, Bittersweet (Flux), MSpecteral Pan, Limiter
https://soundcloud.com/user-194933727/f ... ltz-osc135
Synth: Tricent by Full Bucket
DAW: Studio One
Tracks x9
Plugins Used:
Presonus: ProEQ, Chanel Strip, Analog Delay. Beat Delay.
Mix Verb, Ampire
Klanghelm: IVGI2
Mix Bus:
Fat Channel, M Compresor, Bittersweet (Flux), MSpecteral Pan, Limiter