Grey area ? "Automated notch-filter" is the very definition of a phaser. I don't see how it matters if it's done with a dedicated plugin or DAW-automation.exponent1 wrote: Wed Oct 07, 2020 3:44 pmThis is a grey area ...Spring Goose wrote: Wed Oct 07, 2020 12:10 pm Is an automated notch filter, against the rules? It sounds like a phaser. Is it actually a phaser?
One Synth Challenge #140: Pendulate (exponent1 wins!)
- KVRian
- 613 posts since 29 Nov, 2019
- KVRAF
- 2990 posts since 31 Jan, 2020
OK i didn't know that.ELEX wrote: Wed Oct 07, 2020 4:44 pm"Automated notch-filter" is the very definition of a phaser.exponent1 wrote: Wed Oct 07, 2020 3:44 pmThis is a grey area ...Spring Goose wrote: Wed Oct 07, 2020 12:10 pm Is an automated notch filter, against the rules? It sounds like a phaser. Is it actually a phaser?
- KVRian
- 613 posts since 29 Nov, 2019
@ Spring Goose
Dedicated phasers have more than one notch though ( four or six, I think, in the old days ; optionally more these day ), but the effect is the same, as you already noticed. May your feathers shine and your tracks too !

Dedicated phasers have more than one notch though ( four or six, I think, in the old days ; optionally more these day ), but the effect is the same, as you already noticed. May your feathers shine and your tracks too !
- KVRian
- 528 posts since 10 Nov, 2018
A phaser is made using an all pass filter whose delay is modulated. Not technically done using notch but the effect is similar when you automate multiple notches because non-linear eqs tend to induce phase shifts by design. And I said it's grey area just because a lot of folks have used this technique in OSC before without disqualification. That's why I even added that achieving this effect by any external means is best avoided.ELEX wrote: Wed Oct 07, 2020 4:44 pmGrey area ? "Automated notch-filter" is the very definition of a phaser. I don't see how it matters if it's done with a dedicated plugin or DAW-automation.exponent1 wrote: Wed Oct 07, 2020 3:44 pmThis is a grey area ...Spring Goose wrote: Wed Oct 07, 2020 12:10 pm Is an automated notch filter, against the rules? It sounds like a phaser. Is it actually a phaser?
- KVRAF
- 2990 posts since 31 Jan, 2020
Why thankyou!ELEX wrote: Wed Oct 07, 2020 5:06 pm @ Spring Goose
Dedicated phasers have more than one notch though ( four or six, I think, in the old days ; optionally more these day ), but the effect is the same, as you already noticed. May your feathers shine and your tracks too !![]()
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- KVRAF
- 3204 posts since 17 Apr, 2010 from Slovenia
Oh dear, I've played around with this thing today and I would make the prediction that this will become one messy osc, hahahaha. The synth is incredible in its own way, but I wager it will be very, very, very challenging for a sparkling OSC round. 
Well, I've managed to get a decent kick and a surprisingly effective hihat, but there are a few challenges again with the DC snap at the end... loads and loads of clicking it will be.
Thus far I haven't figured out what really controls the volume here, because ...well... I can't yet see a definite access of any envelope to any gain, except the subs, possible. More later...
Well, I've managed to get a decent kick and a surprisingly effective hihat, but there are a few challenges again with the DC snap at the end... loads and loads of clicking it will be.
Thus far I haven't figured out what really controls the volume here, because ...well... I can't yet see a definite access of any envelope to any gain, except the subs, possible. More later...
- KVRian
- 613 posts since 29 Nov, 2019
No DQ ? That's quite amazing, given the sonic similarities to regular all-pass based phasers.exponent1 wrote: Wed Oct 07, 2020 5:54 pm .... And I said it's grey area just because a lot of folks have used this technique in OSC before without disqualification. That's why I even added that achieving this effect by any external means is best avoided.
Cheaters !
- KVRian
- 613 posts since 29 Nov, 2019
It has no EG-VCA structure but a Low Pass Gate ( hence the relatively long minimum release time, I'd say ). it lingers a bit on a very low level, too. Mostly noticeable with the wavefolder drive maxed out. Causes some late clicks then. A gate after the synth can help.Taron wrote: Wed Oct 07, 2020 6:32 pm Thus far I haven't figured out what really controls the volume here, because ...well... I can't yet see a definite access of any envelope to any gain, except the subs, possible. More later...
- KVRian
- 575 posts since 27 Oct, 2015
[oops, nevermind] 
Last edited by schiing on Thu Oct 29, 2020 6:17 pm, edited 1 time in total.
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The Byte Hop, the virtual home of Ted Mountainé – news as they might have happened.
The Byte Hop, the virtual home of Ted Mountainé – news as they might have happened.
- KVRian
- 735 posts since 31 Oct, 2019 from Wonderland
Here is another question for experienced participants from the favorite series "can I use this?
", since this is a rather unique plugin and I did not find a clear permission or prohibition in the rules. I'm talking about EnveLover, which works as an midi-controlled envelope-gate, and gates are sort of allowed... What do you think about it

https://www.kvraudio.com/product/envelo ... press-play
https://www.kvraudio.com/product/envelo ... press-play
- KVRAF
- 3204 posts since 17 Apr, 2010 from Slovenia
Incredible! This is already coming out brilliantly!schiing wrote: Wed Oct 07, 2020 7:19 pm Here's a tune - it might be my submission, but, hey, the month is still young. We'll see. I've been on an 80's spree for a while, but this one definitely owes more to the '70s - well, that was the plan, anyway!
Cool synth for moody patches! Surprisingly easy to eq: Even though I had no idea what I was doing with the filters inside the synth, most of the patches came out with a pretty nice curve.
- KVRian
- 575 posts since 27 Oct, 2015
Thanks, Taron! 
All Ted Mountainé's Songs on Spotify | Soundcloud | Twitter | His Latest Videos
The Byte Hop, the virtual home of Ted Mountainé – news as they might have happened.
The Byte Hop, the virtual home of Ted Mountainé – news as they might have happened.
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- KVRAF
- 2390 posts since 7 Mar, 2014
I would think Envelover would be OK as it's a midi triggered "gate" - to that extent it's not changing the sonic side of the synth like e.g. chorus, flanging, distortion, just helping to control/modify the envelope of the sound ...
I might use it also, if no-one objects too strongly
dB
PS Nice 70's sounds there Terje ...

I might use it also, if no-one objects too strongly
dB
PS Nice 70's sounds there Terje ...
- KVRAF
- 3204 posts since 17 Apr, 2010 from Slovenia
Pffff...since when would anyone object to using notes being triggered?!
...impossible, you must feel despair and grief when you painstakingly enter each note of a chord for individually created tracks by hand...uhm..wait...is it allowed to put notes in a sequencer by hand? 
...next thing you know, somebody has to ask for permission to record automation of parameters, hehe!
...next thing you know, somebody has to ask for permission to record automation of parameters, hehe!
- KVRist
- 462 posts since 4 Nov, 2019
Envelover looks like just a convenient alternative means of volume automation. I wouldn't expect that to be remotely controversial, especially given the routine use of compressors.
Celebrating 50 years of pants with frogs in them
