One Synth Challenge #140: Pendulate (exponent1 wins!)

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Pendulate

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exponent1 wrote: Wed Oct 07, 2020 3:44 pm
Spring Goose wrote: Wed Oct 07, 2020 12:10 pm Is an automated notch filter, against the rules? It sounds like a phaser. Is it actually a phaser?
This is a grey area ...
Grey area ? "Automated notch-filter" is the very definition of a phaser. I don't see how it matters if it's done with a dedicated plugin or DAW-automation.

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ELEX wrote: Wed Oct 07, 2020 4:44 pm
exponent1 wrote: Wed Oct 07, 2020 3:44 pm
Spring Goose wrote: Wed Oct 07, 2020 12:10 pm Is an automated notch filter, against the rules? It sounds like a phaser. Is it actually a phaser?
This is a grey area ...
"Automated notch-filter" is the very definition of a phaser.
OK i didn't know that.

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@ Spring Goose
Dedicated phasers have more than one notch though ( four or six, I think, in the old days ; optionally more these day ), but the effect is the same, as you already noticed. May your feathers shine and your tracks too ! :wink: :)

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ELEX wrote: Wed Oct 07, 2020 4:44 pm
exponent1 wrote: Wed Oct 07, 2020 3:44 pm
Spring Goose wrote: Wed Oct 07, 2020 12:10 pm Is an automated notch filter, against the rules? It sounds like a phaser. Is it actually a phaser?
This is a grey area ...
Grey area ? "Automated notch-filter" is the very definition of a phaser. I don't see how it matters if it's done with a dedicated plugin or DAW-automation.
A phaser is made using an all pass filter whose delay is modulated. Not technically done using notch but the effect is similar when you automate multiple notches because non-linear eqs tend to induce phase shifts by design. And I said it's grey area just because a lot of folks have used this technique in OSC before without disqualification. That's why I even added that achieving this effect by any external means is best avoided.

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ELEX wrote: Wed Oct 07, 2020 5:06 pm @ Spring Goose
Dedicated phasers have more than one notch though ( four or six, I think, in the old days ; optionally more these day ), but the effect is the same, as you already noticed. May your feathers shine and your tracks too ! :wink: :)
Why thankyou!

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Oh dear, I've played around with this thing today and I would make the prediction that this will become one messy osc, hahahaha. The synth is incredible in its own way, but I wager it will be very, very, very challenging for a sparkling OSC round. :shock:
Well, I've managed to get a decent kick and a surprisingly effective hihat, but there are a few challenges again with the DC snap at the end... loads and loads of clicking it will be.
Thus far I haven't figured out what really controls the volume here, because ...well... I can't yet see a definite access of any envelope to any gain, except the subs, possible. More later...

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exponent1 wrote: Wed Oct 07, 2020 5:54 pm .... And I said it's grey area just because a lot of folks have used this technique in OSC before without disqualification. That's why I even added that achieving this effect by any external means is best avoided.
No DQ ? That's quite amazing, given the sonic similarities to regular all-pass based phasers.
Cheaters ! :lol: :wink: Best avoided, indeed !

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Taron wrote: Wed Oct 07, 2020 6:32 pm Thus far I haven't figured out what really controls the volume here, because ...well... I can't yet see a definite access of any envelope to any gain, except the subs, possible. More later...
It has no EG-VCA structure but a Low Pass Gate ( hence the relatively long minimum release time, I'd say ). it lingers a bit on a very low level, too. Mostly noticeable with the wavefolder drive maxed out. Causes some late clicks then. A gate after the synth can help.

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[oops, nevermind] :ud:
Last edited by schiing on Thu Oct 29, 2020 6:17 pm, edited 1 time in total.
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Here is another question for experienced participants from the favorite series "can I use this? :hihi: ", since this is a rather unique plugin and I did not find a clear permission or prohibition in the rules. I'm talking about EnveLover, which works as an midi-controlled envelope-gate, and gates are sort of allowed... What do you think about it :?: :idea:
https://www.kvraudio.com/product/envelo ... press-play

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schiing wrote: Wed Oct 07, 2020 7:19 pm Here's a tune - it might be my submission, but, hey, the month is still young. We'll see. I've been on an 80's spree for a while, but this one definitely owes more to the '70s - well, that was the plan, anyway!
Cool synth for moody patches! Surprisingly easy to eq: Even though I had no idea what I was doing with the filters inside the synth, most of the patches came out with a pretty nice curve.
Incredible! This is already coming out brilliantly! :hyper: :tu: :tu: :tu:

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Thanks, Taron! :hug:
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I would think Envelover would be OK as it's a midi triggered "gate" - to that extent it's not changing the sonic side of the synth like e.g. chorus, flanging, distortion, just helping to control/modify the envelope of the sound ...

I might use it also, if no-one objects too strongly ;-)

dB

PS Nice 70's sounds there Terje ... :party: :tu: :tu:

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Pffff...since when would anyone object to using notes being triggered?! :lol: :uhuhuh: ...impossible, you must feel despair and grief when you painstakingly enter each note of a chord for individually created tracks by hand...uhm..wait...is it allowed to put notes in a sequencer by hand? :lol:
...next thing you know, somebody has to ask for permission to record automation of parameters, hehe! :tantrum:

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Envelover looks like just a convenient alternative means of volume automation. I wouldn't expect that to be remotely controversial, especially given the routine use of compressors.
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