Best fitting Synths for Trap Production?
- KVRer
- Topic Starter
- 3 posts since 6 Jan, 2021
Hi,
Looking to upgrade Ableton stock synths but I haven't explored much softsynths outside of Live really.
Which synths are well suited and lend themselves well to Trap production? Any popular choices on this scene?
Thank you everyone.
Looking to upgrade Ableton stock synths but I haven't explored much softsynths outside of Live really.
Which synths are well suited and lend themselves well to Trap production? Any popular choices on this scene?
Thank you everyone.
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- KVRAF
- 2989 posts since 5 Nov, 2014
Nexus, Sublab
- KVRAF
- 18620 posts since 16 Sep, 2001 from Las Vegas,USA
DUNE 3.....
Trap Glory for DUNE 3:
"75 of the latest eerie, futuristic, and modern trap style synths for your trap beats".
https://www.dnalabssoftware.com/vst-pre ... trapglory1
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https://www.youtube.com/watch?v=1kS3wzLNwfg
https://www.youtube.com/watch?v=pwXVOybKs7I
Trap Glory for DUNE 3:
"75 of the latest eerie, futuristic, and modern trap style synths for your trap beats".
https://www.dnalabssoftware.com/vst-pre ... trapglory1
-------
https://www.youtube.com/watch?v=1kS3wzLNwfg
https://www.youtube.com/watch?v=pwXVOybKs7I
None are so hopelessly enslaved as those who falsely believe they are free. Johann Wolfgang von Goethe
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- KVRist
- 214 posts since 26 Jul, 2019
Afaik Omnispehere is the synth of choice for trap producers. Nexus used to be a pretty popular one too, but seems to have been fallen out of vogue. Also Xpand2, ElectraX and Purity are pretty popular. From what I gather the popular ones are usually rompler type of vsti's with big preset libraries.
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- KVRist
- 70 posts since 5 Jul, 2011
This. Trap and generally speaking rap/hiphop derivates aren’t heavily based on synths so a rompler makes much more sense most of the times.itanever wrote: ↑Sun Jul 18, 2021 5:35 pm Afaik Omnispehere is the synth of choice for trap producers. Nexus used to be a pretty popular one too, but seems to have been fallen out of vogue. Also Xpand2, ElectraX and Purity are pretty popular. From what I gather the popular ones are usually rompler type of vsti's with big preset libraries.
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- KVRAF
- 1515 posts since 26 Jun, 2005
Omnisphere and Keyscape where the main Trap Synth together with Nexus 3 or maybe ElectraX for a long time. Nowadays I feel that Serum or Kontakt libraries are used more often, but Omnisphere is still relevant. Trap producers rarely do a lot of Synth programming themselves, so anything with lots of presets is usually welcome. Soundwise bells and keys are still strong in the game together with pads and flutes. Emulationens of old classics like a Prophet 5 and such are used for that for example.
- KVRist
- 296 posts since 4 Apr, 2021
How about Vital? would it be good option?
I think I’ve seen some trap tutorials for Vital (all those crawl basses etc). That is trap right? Or dup step? I am so bad with genres now I know heavy, trance and opera
Isn’t that good enough?
I think I’ve seen some trap tutorials for Vital (all those crawl basses etc). That is trap right? Or dup step? I am so bad with genres now I know heavy, trance and opera
Isn’t that good enough?
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- KVRAF
- 2989 posts since 5 Nov, 2014
Every synth you can take advantage of would be a good option, especially if you want to stand out a little from the crowd, find new interesting sounds, actually I would avoid everything that everyone uses right now, skip all trap/hip hop banks out there and work with other interesting tools there are on the market.
Most people have no personal taste or vision, they are just followers, some folks are trendsetters, they explore and experiment, leave their old sound behind to copycats and reinvent themselves again, most established artist's when looking for beats look for fresh, something out of ordinary, not many will buy (insert name) type beat for their next song, nobody that matters will hire you to copy someone else's sound, they will hire you for your own sound or will hire that other guy for his own sound.
Learning sound design and making your own sounds can give you edge and advantage, than if you get good at mixing and really bring your game up connecting all the dots from composing to mixing, you can make amazing sounding records that will stand out easily, best producers already have their own sound and they just hire mixing engineer to enhance that further, give it little personal twist here and there.
Most people have no personal taste or vision, they are just followers, some folks are trendsetters, they explore and experiment, leave their old sound behind to copycats and reinvent themselves again, most established artist's when looking for beats look for fresh, something out of ordinary, not many will buy (insert name) type beat for their next song, nobody that matters will hire you to copy someone else's sound, they will hire you for your own sound or will hire that other guy for his own sound.
Learning sound design and making your own sounds can give you edge and advantage, than if you get good at mixing and really bring your game up connecting all the dots from composing to mixing, you can make amazing sounding records that will stand out easily, best producers already have their own sound and they just hire mixing engineer to enhance that further, give it little personal twist here and there.
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- KVRist
- 38 posts since 11 Jul, 2021
Yeah i feel also, looking at Tutorials and Breakdown, lots of Kontakt Libraries (Session Horns, Embertone Flutes, Ethno World), Omnisphere still used by many, Xpand (no Synth, but "cheap Omnisphere Rompler"), and i think Serum is getting more and more love.
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- KVRAF
- 1515 posts since 26 Jun, 2005
It's a specific style of HipHop / Rap.
Well known for those big sub basses, which now are used widely also in other genres. Trap music made those popular.
- KVRAF
- 1748 posts since 2 Jul, 2018
Tone2 Electra2 is very popular among Trap producers in the USA